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"The Art of the Improviser", a 2XCD, is Shipp's most audacious attempt yet to answer the enigmatic question of what it means to be a modern jazz musician. Already having explored the possibilities of electronically infused jazz on critically acclaimed projects with the likes of DJ Spooky, Scanner, and Anti-Pop Consortium, Shipp revisits an acoustic sound for this fearless voyage into the psyche of the improviser. Shipp's "idiosyncratic genius" shines through on this album, explaining once again …
"The Koeln concert shows us these positive vibrations marching through "the complete continuance of creative music," and on towards the next millennium. The "success of the future" is not a lost cause as long as there is music like this in the air."-Graham Lock"Although Anthony Braxton does not play on this double CD (whose contents were released for the first time in 1995), his presence is certainly felt. He conducts the band through a fairly free improvisation and five of his compositio…
A 2008 sequel to his highly-acclaimed first solo CD 'More is More' on psi 06.08.Peter Evans writes: Over the past couple of years one of my main creative outlets has been solo trumpet performance. These discs are meant to show various aspects of my music's development and were recorded in two different settings (studio and concert) and under two different circumstances. Jazz musicians have often referred to the playing of a solo as 'telling a story', which is essentially how I look at this musi…
The Shadow Ring formed in the seaside town of Folkestone, England in 1993. Over the course of a decade, and through eight LPs, Graham Lambkin, Darren Harris and later Tim Goss scraped out a unique musical pathway for themselves, armed with only the barest of tools. With each release the Shadow Ring presented themselves as a group in constant flux. Naive acoustic improvisations, dour bedroom sci-fi epics, cryptic D.I.Y. theatre and glacial electronic soundscapes all became fair game in the…
Totally essential two cd collection of some of the most elusive Moondog material of all . When the "Viking of Sixth Avenue" single volume compilation was reissued, we pleaded that here was truly a taste worth acquiring. Louis Hardin somehow managed to find the musical continuities between Bach, native american Sundances, be-bop, Stravinsky and yet still pursue his own musical paths and sound utterly unique. Strong claim, but the music truly bears it out. Drawing the entire disc one from the ultr…
The first disc is an anthology of the music Moondog made in Germany, after moving there in 1974. The second is a recording of his last concert, on 1 August 1999. Both are excellent and amazing examples of Moondog's skills. Excellent notes and photographs.
'From Chinese traditional music to avant-garde freestyle improvisation, this beautifully-packaged double-CD features the music created by the meeting of these two extraordinary artists of different cultures and even different generations - violinist Malcolm Goldstein (born 1936), one of the greatest maestros in the field of freestyle improvisation, and Chinese pipa virtuoso Liu Fang, young master on the traditional classical music of China.' label info
"We think that we « make a journey » but soon enough it's the journey that makes – and unmakes - us." (Nicolas Bouvier, "l'usage du monde"). When I listen today to these pieces, I hear, of course, a geographic inventory of all the places I encountered. Above all, though, and as if by default, I hear the sonic journal of twelve years spent recording sound.My relation to the sites wasn't based on a desire to « document » but it is worth noting, however, that a « sound story », more trivial perhaps…
I am currently making recordings like this: I go to a certain place and choose an object Ð mainly it is a landscape, which is interesting to me. I fix a stethoscope with a small built-in air mike onto my temples. The position of the air microphone can be set anywhere near the ears, but I feel that our temples are the best and only place for that. The stethoscope captures vibrations of my muscles and blood flows. Because of the nature of the air microphone, environmental noises are recorded, t…
Null II and Null III are the second and third part of the well-known Italian/Swiss composer’s massive electronic work on the theme of “nothing” (Null), whose first part saw the light with the 2010 Die Schachtel “Null” edition in ZeitComposers series.In this pieces Archetti’s thick sound drones borders on the edge of tonality as their many layers develop with a sort of “geological” pace. The work is in fact intended as a musical research on the “interior” of sound, obtained by large masses of sou…
First issued as a very limited private tapes in 1981, now for the first time ever on CD for these early tapes by one of the most important figures in noise/electronic history, Maurizio Bianchi. These two discs were originally issued on tape in 1981 and have been bootlegged and cut into oblivion since then; this is the first time they've been made available digitally and fully uncut. Technology 1 has two long 25 min+ songs, both in a similar vein and showing MB taking a more subtle melodic approa…
Subtitled: More Music From The Pioneers Of Electronic Sound. "Further to Chrome Dreams' enormously popular first Forbidden Planets CD comes this superb second volume of music from the pioneers of electronic sound. Compiled and annotated once more by music historian Alan Clayson, and featuring his extensive sleeve-notes, the two discs here, featuring 142 minutes of some of the strangest sounds ever recorded, will again delight fans of this most intriguing and previously un-compiled genre." …
Heavy, ominous psychedelic free-improv from Tokyo, Japan. Julian's Cope album of the month . Tetragrammaton is a trio featuring Nobunaga Ken on drums and percussion, Cal Lyall on electronics and guitar, and TOMO on hurdy-gurdy, saxophone and electronics, and have in the past collaborated with members of Zeni Geva, Acid Mothers Temple, Taj Mahal Travellers, and Damo Suzuki from Can. On Elegy For Native Tongues, however, it’s just the main trio at work, displaying a love for high-volume improvised…
Lengths of stretched distortion rattle the grey matter, unnervingly slow and severe. With Sunn O)))’s second album, ØØ Void, the sonic misery nurtured to functionality by Greg Anderson and Stephen O’Malley stays simple and repetitive, a tabula rasa having yet to realize the full scope of its potential. With this album, Sunn O))) worked as a three-piece, collaborator Stuart Dalquist coming up with its opener, “Richard,” which is a solid fourteen and a half minutes of bending low end and v…
orton Feldman's music continues to exert its fascination on listeners and record companies alike. After releasing its highly successful recording of the more than three-hour-long For Philip Guston, Bridge once again returns to the California EAR Unit for Crippled Symmetry, at only 87 minutes a mere bagatelle in terms of Feldman's late output. Well, maybe not. Scored for flutes, mallet percussion, and piano/celeste, Crippled Symmetry does exactly what the title says: it toys with not quite exact …
Good news from your mailbox! Mitterer makes music on the subject of ambient in an electronic environment. Two amazing CDs with radical backgrounds.Mitterer’s CD in hand is about background music as a relative term, it’s about communicating via ›electronic post‹, it’s about the missing link between analog and digital ambient environments. Because Mitterer creates his instruments and then uses them in a unique way, electronic music for him has a unique vocabulary, one which in this day and age of …
This 2CD pair features performances in Tokyo in 1996. Sod and Sodie Sock documents a performance at the P-House Gallery, where the three musicians performed together and separately. The action extended beyond the gallery, into the street in front, and down the block to a local hair salon. Recordings documenting the simultaneous activities of Kelley, McCarthy, and Violent Onsen Geisha have been combined to allow the listener to experience the entire group of, spatially separated, performances at …
Specially priced CD single stickered with glowing reviews from Howard Skempton, Kyle Gann, and The Wire. This spare, beautiful, spacious 20-minute piece for eight pianos was composed utilizing systems derived from sudoku puzzles and GarageBand software.
Motion – Movement In Australian Sound is a generous, 2-CD overview of 22 artists representing Australia’s burgeoning terrain of electronic and experimental music. From Scott Horscroft’s mesmerising piece for eleven guitars, the sublimely sweet, driving tones of Pretty Boy Crossover, Sue Harding’s melodies from dot matrix printers to renown veteran Alan Lamb’s awe-inducing casting of field recordings from the West Australian outback, Motioncasts wide to expose some of the most creative and …
The Inside Songs Of Curtis Mayfield. "Bassist/composer William Parker is among the most active and highly regarded musicians performing today. The Inside Songs of Curtis Mayfield is the first project in his 35-year career devoted to the music of another composer; here Parker interpolates the mighty Mayfield songbook with an equally mighty 8-piece band. Curtis Mayfield was a prophet, a preacher, a revolutionary, a humanist, and a griot. Words that all apply to William Parker himself. I Plan To S…