New Arrivals
Scope
The disc is a recent release on the Monotype label by a group named LHZ+H, who are the semi regular trio of Thomas Lehn, (analogue synth) Carl Ludwig Hübsch (tuba) and Philip Zoubek (piano) augmented on this 2008 occasion by the trumpeter Franz Hautzinger, who on this occasion added a delay pedal to his instrument. The release contains four improvised tracks, and is named Scope. Now, I have been known to describe some improvised music as brooding a good few times before, perhaps trying to …
Window dressing
'Jean-Luc Guionnet and Seijiro Murayama have been playing and performing a lot over these last past years. Their unique approach is based on space exploration and intensive relationship to sounds and silence. The first piece - Procédé - was recorded live at Radio Slovenija (Ljubljana - Slovenia) on june 2010. The three other pieces - Processus, Procession, Procès - were recorded by Eric La Casa in Paris on december 2010. The main purpose was to work out a specifically designed process for…
History Of The Units - The Early Years: 1977-1983
first ever legit reissue of THE UNITS. This genre-defying band, from San Francisco's barely-documented synth/punk/art underground of the late ‘70s and early ‘80s, combined sarcastic humor with deadly serious cultural critique, and synthetic experimentation with the bombast of punk. Includes the most sought-after early singles and selections from their first LP, Digital Stimulation, along with unreleased demos, and more. Remastered audio. Packaged in gatefold LP style sleeves with 32-page booklet…
Lifetime Of Romance
Heartland synthesist Dylan Ettinger follows up 2010's widely lauded New Age Outlaws imaginary cyber-soundtrack with a stark, dark, and intensely different collection of misshapen new wave weirdnesses, Lifetime Of Romance. Recorded at a proper studio, and written over the course of a year, the seven songs of Romance reflect a heavy influence from the fringier strains of bummed out quasi-industrial synth-pop in the vein of Fad Gadget, certain Cabaret Voltaire, early Human League, etc, but dra…
Michiyuki
'Thoughtful improvisation from percussionist Tatsuya Nakatani in a duo with Kaoru Watanabe on shinobue, noh kan & ryuteki, stunningly beautiful passages to active and unusual musical forms. The blending of traditional and radical new styles makes this a fascinating disc, with great communication and excellent pacing between the two players. Recommended for aural world travelers.'
Complete Works for Flûte and Clarinet
The Complete Works for Flute and Clarinet: In both original works and transcriptions, the Ebony Duo explores Scelsi’s use of special sound colors and his coloring of sound. Transcriptions especially prepared by the clarinetist (and pianist) Michael Raster provide the basis for some of the works on the present album. Yet Scelsi’s original intentions incurred no damage as a result of this recrafting. To the contrary! “The formidable technical demands that playing on two strings with in part opposi…
Mysterienszenen
Elmar Lampson’s music has got what is commonly referred to as “soul.” It becomes apparent in the way the music embraces the listeners and accompanies them through time in images of sound. The Mysterienszenen were inspired by the Mystery Dramas of Rudolf Steiner, with whose ideas Lampson (whose grandparents had personally witnessed Steiner’s performances) became acquainted already as a young man.Both works relate to the old tradition of confronting scientific knowledge with mystical knowledge. Ye…
Saturnian (Solo Saxophones, Volume 1)
Recorded live in concert at the Abrons Arts Center, NYC on October 15, 2009, Saturnian documents master saxophonist David S. Ware's triumphant return to performance following his kidney transplant in May 2009. This performance prompted features in The New York Times and on NBC Nightly News.Ware, in full peak of form, performed three extended pieces, each one on a different horn. "Methone" is on the saxello and "Pallene" features the stritch. David has played these lesser-known members of the sa…
Archive #1
The IMO is a very large improvisors ensemble, founded in september 2010, that usually gather about 35 musicians per concert, from all switzerland and beyond. From the, expected, mess of the first concerts emerged a collective consciousness and involvement from the impressive number of musicians included in this ambitious projet. After a year - and 7 concerts - 40 of them met during 3 day during the 2011 summer, marking a sensitive step in the orchestra progression. Working deeply a certai…
Sonic brotherhood - DTFP Israel 2009
Improvised music with exception of Irinia-Kalina' solo. Mark Dresser (bass), Irina-Kalina Goudeva (bass), JC Jones (bass), Barre Phillips (bass) and Bert Turetzky (bass). Recorded by Ori Winokur, edited, mixed and mastered by JC at the Kadima Studio, Jerusalem, October to December 2010.
The Last Recording
Final solo alto sax blasting from the late legendary Japanese underground hero Kaoru Abe. Abe was an inspiration to free/jazz and Japanese noise lovers world-wide, lived a fast and hard life and ripped his guts inside out on each and every of his many releases. Extreme music for those who need it.
Foley Folly Folio
Pinkcourtesyphone is the not so secret alter ego of renowned sound artist Richard Chartier, and while it seems to be geared more towards a looser, more relaxed sensibility than the serious artist guise that is usually thrust upon him, it lacks none of his careful attention to structure and detail. Quite a bit of the material on this compilation (recorded erratically between 1997 and 2011) could pass for his normal work, but throws enough curve balls to give it a distinct identity all its…
Ural Umbo
Ural Umbo is Reto Mder (Sum of R, RM74) and Steven Hess (Fessenden, Haptic) electrifying internal music through a broad spectrum of instrumentation. Horns, piano, organ, harmonium, bass guitar, strings, electronics, drums and percussion guide the formation of black, subliminal melodies and slow feedback accompaniments. Each piece consumes the organic and dynamically balanced process that created it. With a nod to 1960s horror movie scoring Mder and Hess displace sound from the veil of the supern…
Old Stuff
"Formed in the summer of 1964, although the New York Art Quartet existed for barely a year and a half, great interest remains in their work. They consisted of co-leaders John Tchicai (alto sax), who participated in John Coltrane's ground-breaking Ascension album and Roswell Rudd (trombone), considered to be the first free-jazz trombonist, along with bassist Don Moore and drummer Milford Graves. The band participated in the legendary 'October Revolution in Jazz', which journalist Bill Shoemaker c…
Filmworks XXIII: El General
Eleven cues recorded for a striking documentary focusing on the life of controversial Mexican dictator Plutarco Elias Calles who was called everything from a nun-burner to the father of modern Mexico. Beautiful and dramatic, the music is scored for guitar, marimba, accordion/piano and bass and subtly draws upon Mexican, Spanish, minimalist and soundtrack traditions. Zorn's fifth film score in as many months is a pure delight. Moody and exotic music for a creative and revealing film dealing with …
Blood shadow rampage
Back in stock. 'Volcanic Tongue is proud to present the first ever release by the DREAM AKTION UNIT, a free-thinking avant garage Ur-kestra based around the central kernel of guitarist Thurston Moore (Sonic Youth), saxophonist Paul Flaherty and drummer Chris Corsano (Six Organs Of Admittance, Sunburned Hand Of The Man et al) and featuring Heather Leigh Murray (Taurpis Tula-Jandek-Charalambides) on pedal steel and vocals and Matt Heyner (No-Neck Blues Band-Test-Angelblood) on upright bass. The DR…
Perdition Hill Radio
2nd full-length from self-styled black ambient guitar overlord. Like Earth's seminal "Hex" before it, this invokes the ghosts of a lost America & drags the rotting carcass of country music through a swamp of noise & drone. The chugging, blown-out treble & isolated darkness of Xasthur is all present & correct, but there are also echoes of William Basinski & Deaf Center hidden amongst the clouds of radio static.
Stockholm, Berlin 1966
Hard to believe that this far down the line there would still be unreleased recordings of Albert Ayler, never mind a full live set from the apex of his reign, the glorious 1966 tour of Europe, so I nearly did a double take when I first saw this title listed. The Berlin set which the CD is bundled with turned up in lesser fidelity and in the incorrect order on Revenant’s disputed Ayler box, but the Stockholm set has never even been booted and both receive their first release fully authorised by t…
Februar
Within the four-tenth-hasty Suite February von Luigi Archetti the individual musical-acoustic events seem to have out-pulled in individual sound-pure from the being silent background. Looking for, a "Hinhoeren" and emphasizing hidden, electrifying sound particle. The attempt is to be given to the shade of the music a voice. Klangliche atmospheres through-cross feeling and conception. Fourteen ephemeren sound places, arranges for the listener a music, which reciprocates between imagination, expec…
Rainmaker
The day has come! We’re kicking off 2012 with a deluxe reissue of Michael Chapman’s debut Rainmaker. Originally released on Harvest Records in 1969, Rainmaker is a psychedelic-guitar-folk delight. Featuring some of Chapman’s best loved songs, “It Didn’t Work Out,” which features a stellar cast of legendary English musicians of the era; Guitarist “Clem” Clempson was in the prog-band Bakerloo (soon after playing with Chapman he’d join jazz-rockers Colosseum and then Humble Pie) Drummer Aynsley Dun…