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Good news from your mailbox! Mitterer makes music on the subject of ambient in an electronic environment. Two amazing CDs with radical backgrounds.Mitterer’s CD in hand is about background music as a relative term, it’s about communicating via ›electronic post‹, it’s about the missing link between analog and digital ambient environments. Because Mitterer creates his instruments and then uses them in a unique way, electronic music for him has a unique vocabulary, one which in this day and age of …
"Outside of his native Pennsylvania-West Virginia stomping grounds, Todd Tamanend Clark remains one of the least known North American underground artists in the lost music DIY field of his era, considering he has collaborated with and shared time with many of his peers over the years (Cheetah Chrome, Allen Ravenstine, Stiv Bators), as well as progenitors (Dorothy Moskowitz of United States of America, Robert Moog, William Burroughs), his significant body of recorded (and printed) work was always…
The first disc is an anthology of the music Moondog made in Germany, after moving there in 1974. The second is a recording of his last concert, on 1 August 1999. Both are excellent and amazing examples of Moondog's skills. Excellent notes and photographs.
orton Feldman's music continues to exert its fascination on listeners and record companies alike. After releasing its highly successful recording of the more than three-hour-long For Philip Guston, Bridge once again returns to the California EAR Unit for Crippled Symmetry, at only 87 minutes a mere bagatelle in terms of Feldman's late output. Well, maybe not. Scored for flutes, mallet percussion, and piano/celeste, Crippled Symmetry does exactly what the title says: it toys with not quite exact …
First issued as a very limited private tapes in 1981, now for the first time ever on CD for these early tapes by one of the most important figures in noise/electronic history, Maurizio Bianchi. These two discs were originally issued on tape in 1981 and have been bootlegged and cut into oblivion since then; this is the first time they've been made available digitally and fully uncut. Technology 1 has two long 25 min+ songs, both in a similar vein and showing MB taking a more subtle melodic approa…
With ethics that even Igor Stravinsky would be proud of, 'Our Bed is Green' was originally released by the Charalambides on cassette way back yonder in 1992 before it made it onto CD then vinyl and now back onto double CD as part of Kranky's reissue series. Comprised of heavy-psych veteran Tom Carter and Christina Madonia, Charalambides are an aural vulture that picks through disperate genres and styles to find the sound that best matches that in their heads. Opening with the overt fragili…
2012 release ** The most recent solo incarnation of pioneer Campbell Kneale (Birchville Cat Motel, Black Boned Angel, et al.), this is the definitive OLWDTW release spanning two discs. Crowning achievement in a prolific and highly collectable catalog. Solo project of Campbell Kneale, formerly Birchville Cat Motel, and one-half of Black Boned Angel. Packaged in an oversized 5.5" square folder with two art inserts and music spanning two discs, each in an envelope.
'From Chinese traditional music to avant-garde freestyle improvisation, this beautifully-packaged double-CD features the music created by the meeting of these two extraordinary artists of different cultures and even different generations - violinist Malcolm Goldstein (born 1936), one of the greatest maestros in the field of freestyle improvisation, and Chinese pipa virtuoso Liu Fang, young master on the traditional classical music of China.' label info
2CD deluxe edition includes the album, demos for each album track, plus a bonus track demo. Repackaging includes a self-portrait & liner notes about each song taken from VAN ETTEN's journals. A startling collection, filled w/ as much defiant rock as pious, minimal beauty. There are declarative hymns, & remarkably sultry numbers. Guest appearances from Jenn Wasner (WYE OAK), JULIANNA BARWICK, Zach Condon (BEIRUT). NO CANADA/NO EXPORT(SAKI)
Null II and Null III are the second and third part of the well-known Italian/Swiss composer’s massive electronic work on the theme of “nothing” (Null), whose first part saw the light with the 2010 Die Schachtel “Null” edition in ZeitComposers series.In this pieces Archetti’s thick sound drones borders on the edge of tonality as their many layers develop with a sort of “geological” pace. The work is in fact intended as a musical research on the “interior” of sound, obtained by large masses of sou…
Motion – Movement In Australian Sound is a generous, 2-CD overview of 22 artists representing Australia’s burgeoning terrain of electronic and experimental music. From Scott Horscroft’s mesmerising piece for eleven guitars, the sublimely sweet, driving tones of Pretty Boy Crossover, Sue Harding’s melodies from dot matrix printers to renown veteran Alan Lamb’s awe-inducing casting of field recordings from the West Australian outback, Motioncasts wide to expose some of the most creative and …
Here at last, is part of the "missing link" in the long and ever evolving history of ramleh. This material bridges the gap between the (for want of a better description) early "power electronics” material and the (for want of a better description) later "noise rock" . Neither of these terms do justice to this pioneering group led by Gary Mundy. Originally issued by Gary's own "Broken Flag” label in 1987 on cassette, "Hole in the Heart" is presented here, both expanded and remastered on a double …
Industrial Records presents the much-anticipated two album release Desertshore/The Final Report, a unique collaboration by Chris Carter, Peter "Sleazy" Christopherson, and Cosey Fanni Tutti. This is a two album release celebrating both the progress inherent in change and the fulfillment of two exceptional, yet separate projects. The Desertshore project is a "re-imagined" cover version of Nico's seminal 1970 album, first conceived by the late Peter "Sleazy" Christopherson in Berlin in 2006. …
Beautiful double CD set, containing a mindblowing Mikrophonie version... Mikrophonie is the title given by Karlheinz Stockhausen to two of his compositions, written in 1964 and 1965, in which “normally inaudible vibrations . . . are made audible by an active process of sound detection (comparable to the auscultation of a body by a physician); the microphone is used actively as a musical instrument, in contrast to its former passive function of reproducing sounds as faithfully as possible” (Stock…
I am currently making recordings like this: I go to a certain place and choose an object Ð mainly it is a landscape, which is interesting to me. I fix a stethoscope with a small built-in air mike onto my temples. The position of the air microphone can be set anywhere near the ears, but I feel that our temples are the best and only place for that. The stethoscope captures vibrations of my muscles and blood flows. Because of the nature of the air microphone, environmental noises are recorded, t…
Essential collection of previously vinyl only Nadja tracks which work brilliantly as a 2CD album. All of these tracks originally appeared on limited vinyl or cd releases between 2007 and 2009 and are now out of print. 'Jornada del Muerto' originally appeared on the Trinity CD (Die Stadt Musik) and 'Perichoresis' on the Trinitarian LP (Important Records), both of which releases featured solo tracks by Aidan and Leah and one Nadja track. 'Spahn' appeared on Tumpisa (Accident Prone Records), a …
original field recordings made in Indonesia 2010; the Swiss radical performer presents again a completely different side of his work => environmental recordings of almost untouched nature & wildlife; lim. 200 in DVD box, comes with 5 colour photos
Lionel Marchetti's 'Adèle et Hadrien' is a captivating document of a holiday of Adèle and Hadrien, two young children around 10 years old. The recordings view a glimpse into the world of Adèle and Hadrien, who go swimming, are startled by strange sounds, and ponder the existence of bugs. They argue with their parents and make jokes, and although Adèle and Hadrien speak French, understanding the French language is not a prerequisite for getting a glimpse into their world. Marchetti practices his …
'Superbly stylish in conception and packaging, it shows that small independent labels can still be an inspirational force' (Daily Telegraph); 'definitive and essential' (Brainwashed); 'stunning in its historical interest and musicianship' (Boston Phoenix); 'phenomenal and mesmerizing' (Dusted); 'one of the major phonographic salvage operations of our time' (The Wire). 'The archival finds are, without exception, phenomenal – and mesmerizing. The oud, the santour and spike fiddle dominate. There a…