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*42 copies limited edition* Professionally printed CDr inserted in a professionally printed cover. The cover is made of high quality embossed cardboard (250 grams thick) and is approximately 13x15 cm in size.
*30 copies limited edition* The CDr is contained in a black cardboard envelope measuring 13x13 cm. about (250 grams thick) with a 10x10 cm sticker on the front. The CDr has a small sticker, and inside the envelope there is a photocopied insert in the format of a mini poster of the dimensions of 22x33 cm. open and 11x11 cm. closed, approximately (paper 80 gr. thick).
*54 copies limited edition*
Handmade work.Each copy is composed by:-red cardboard dust jacket (weight 260 grams) printed on the front-three-panel cardboard cover (250 grams) printed in color on the front and back-printed cd-r-3 stickers in different dimensions-a business card printed on cardboard-two mini posters invented for hardcore movies
*48 copies limited edition*
The edition is handmade.The package consists of a black envelope of embossed cardboard (thickness 250 grams) that has a cutout printed on polyester in the center.The envelope is closed with a double black satin ribbon that holds a pendant that reproduces a cogwheel.Inside the package there are:-CDr professionally printed in a black paper envelope-cover printed on the front and back on high quality embossed cardboard (thickness 260 grams)-two stickers
The incident is conceived as a sonic storyboard, a labyrinthine, narrative-driven 'pseudo musical' - using comical sonic touches and startling, idiosyncratic abstractions to reflect the era's flustering absurdity. divided into 4 chapters, the first part ('let the record show'), ponders upon the end of the information age - as we stumble on to an age of corroboration and mutual witnessing...observe, acknowledge, transform, throw back - and reality getting replaced by its representation. 'the curr…
*150 copies limited edition* It's a weird record. The artists would like to be anonymous, so no credits or info given. Music is a bit (structured) Sunburned Hand of the Man meets Can meets Portishead but I'll let the listener judge so to say...
*300 copies limited edition* Over the last decade experimental composer Ash Fure has refined a music practice that eschews the conventions of composition and notation, favouring visceral sonic experiences in which sound is sculpted, thrown and felt. “Without language, people presume music is abstract,” she notes, “but I actually don’t feel it as abstract at all. I feel it as a really concrete and physical phenomenon.” With a PhD in music composition from Harvard and as Associate Professor of Son…
"On this new diptych, Spelterini widens the realm of possibilities even further, blending rock experiences with learned music, and forging new paths at the crossroads of post-punk and minimalist music. These two pieces, just under twenty minutes each, explore delightful points of friction between contrasting formats and temporalities, which stand in contrast to the sonic urgency at work, finding fragile points of balance between repetition, rupture, and explosion.
Named after the Italian tight…
After a three-year hiatus from releasing new music, Błoto knew they had to make up for the long wait with a flood of fresh material. Their fruitful recording sessions at Studio Pasterka produced a wave of new tracks—like mushrooms springing up after the rain. These sessions have already brought us two 7" singles, the Grzybnia LP, and now, rounding off this chapter, comes the final piece: the album Grzyby (eng. Mushrooms). Anticipation for new Błoto releases reached a fever pitch. Vinyl collector…
When the performance group Ligna approached me in 2012 to compose music for a play based on Rudolf von Laban’s revolutionary kinetic theories and so-called ‘Bewegungschöre’ (movement choirs), I thought of a soundtrack that would be both rhythmically engaging, abstract and mechanical. I knew there would be pre-recorded voices talking about his philosophy and guiding the audience via headphones. So, I had to leave some “air” in the arrangements, allowing the visitors to concentrate on the spoken w…
Habibi Funk is more than happy to announce our 31st release which happens to be our 3rd various artists compilation. The album is dedicated to the cassette tape scene in Libya from the late 80s to early 2000s, from disco to reggae to pop. All songs previously unreleased outside of Libya and not available on any DSP platforms.
A furious 18-minute raid occupies the first side of this 1967 album, where Archie Shepp (tenor sax) is surrounded by Reginald Workman on double bass and five percussionists: Beaver Harris, Norman Connor, Eddie Blackwell, Frank Charles and Dennis Charles. Even if Shepp never loses the initial energy, the rest of the music on The Magic of Ju-Ju has slightly less frenetic atmospheres; it is a departure from the first track, gradually sitting in a more traditional realm, with the addition of Martin …
Girls At Our Best! were one of the greatest and most influential bands to emerge in the early 1980s as part of a new wave of independent acts. DJ John Peel championed them, playing their singles repeatedly and inviting them to record a session for his programme. Wry vocalist Judy Evans and brutal yet melodic guitarist James Alan who’d met at art college in Leeds fronted Girls At Our Best!, the proto-Indie band that formed from the ashes of Alan’s 1977 punk band SOS! Pleasure, the sole album, rea…
*180 copies limited edition* Venice Affair seeks only to give humans a look into their own lives, history, suffering, and peace, all while providing a backbeat sprinkled with sexuality, romanticism, and especially entertainment. The concept of “Ascension” is much larger than a description of upward motion; it is the human description of our evolution from four to two, from caves to high rises, from child to elder, and from stardust to flesh. This collection of songs has been in the works since 2…
*170 copies limited edition* As is now a well-established tradition, when 7 appears in the catalogue number it is the turn of handyman Asymmetrical. The title takes its inspiration from a tag that appeared in the bathroom of the historical Knick Knack Yoda after one of the (in)usual nights, and is a leap in time, a project born from the layering of different sessions that took place between 2018 and 2020 and only sees the light of day today. 7 is also the number of inches of PVC on which this do…
Astrïd and Sylvain Chauveau previously released the collaborative album Butterfly in the Snowfall in 2014, and have played shows together and with Rachel Grimes. Sylvain often covers songs, changing the original music using electronic or a minimalistic harmonium. For their new collaboration, Astrïd and Sylvain decided to work together for the first time on an album of cover songs, starting with Nina Simone’s version of Dambala, then Nancy Sinatra’s Bang Bang (a song Sylvain regularly performs li…
Andrew Ostler’s fifth album for the Expert Sleepers label continues his trajectory away from a sound largely based on synthesizers towards orchestral textures and heavily processed saxophone. Building on the string arrangements of his previous LP “Dots on a Disk of Snow”, and taking a heavy dose of sax drone from the earlier “Four Drones for Saxophone and Modular Synthesizer”, this record also adds a full choir, taking the music to another level of spiritual intensity.
The first side of the LP p…
"Last year, a consultant from the Royal Institute of Chartered Surveyors took stock of my home in Bristol. He told me the survey would be sent as a pdf via email; I asked him for the audio recording of his spoken notes. The visiting field recordist graciously gifted it to me.Around the same time, we had a security camera fitted. My daughters commented that the audio sounded like “Daddy’s music.” I can now travel anywhere in the world while producing field recordings of my home. ‘How Buildings Le…
Listening is the foundation of Raven Chacon’s (b. 1977) wide-ranging artistic practice. “I am a listener,” he simply declares, but the attention he gives to sound is complex and vast, encompassing far more than what is immediately audible. From his earliest works, Chacon has been dedicated to amplifying the unheard, calling attention to what is absent or unknown. Although Chacon classifies the compositions on this recording as chamber music, all three of these works “zigzag” through his noise st…
In the spring of 1964 Pauline Oliveros organized a festival celebrating the work of pianist David Tudor, which featured compositions by Oliveros, George Brecht, Toshi Ichiyanagi, Alvin Lucier, and John Cage. The Tudorfest was a watershed event in the brief history of the San Francisco Tape Music Center, which not only provided its members with an opportunity to collaborate with Tudor, but also to promote their own work. Co-sponsored by KPFA, the Tudorfest demonstrated the artistic diversi…