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Black Widow Records is thrilled to announce the official reissue of Black Widow – IV, the legendary lost album from the iconic British occult rock band Black Widow. Originally recorded in 1972 but unreleased until 1997, this definitive edition marks the first release of Black Widow – IV on the revered Italian label that bears the band’s name.
Formed in Leicester in 1969, Black Widow became infamous for their theatrical live performances and pioneering use of occult imagery, earning them the titl…
Whenever the term “Free Jazz” gets mentioned, the same questions more or less present themselves: “Is this easy to listen to?” “Is there structure, or is this just a few friends playing over each other?” “Is this another Coleman/Taylor/Dolphy homage?” Yes; yes; maybe—who cares? Free Jazz is (in my definite opinion) the last bastion of music (and maybe even art as a whole) where true innovation is not only still possible but also extremely well-executed—if done right. Enter “Second Sight” by Oslo…
With solid training as a classical musician, Sophie Agnel took a close interest in modern jazz before committing in the early Nineties to the shifting, deliciously uncertain ground of free improvisation, thanks to her fascination for the powers of expression displayed by a few great keyboard-heretics such as Keith Tippett, Fred Van Hove or Christine Wodrascka. She began reworking the prepared piano techniques imagined by John Cage and transformed her instrument into a sort of extended piano. Com…
Reissued after decades, this remastered Cold Spring collection showcases Psychic TV’s soundtrack work for Derek Jarman’s films. Featuring ritual soundscapes, field recordings, drones, and chants, it’s a haunting, essential document of avant-garde artistry.
Holy Basil Records reissues Piero Umiliani’s “Il Ponte Dell’Asia”—a rare, remastered vinyl with original artwork. Celebrated for blending jazz, funk, and world music, this deluxe edition honors Umiliani’s visionary legacy.
Watt’s clarinet-driven soundscapes hypnotize, thicken, and circle endlessly. 2021 collaborations—edited on infinite tapes—blur time and unity in a vinyl collective composition.
Endless Happiness reissues Rahsaan Roland Kirk’s experimental 1973 album, “Prepare Thyself to Deal with a Miracle”—a visionary, layered jazz masterpiece showcasing Kirk’s multi-instrumental mastery and boundary-pushing sound.
Endless Happiness reissues the 1968 British jazz classic Phase III by The Don Rendell/Ian Carr Quintet, showcasing their creative peak and innovative spirit.
One Flight Up by the legendary Dexter Gordon. Recorded in Paris on June 2, 1964, this album stands as a testament to Gordon’s leadership and the vibrant European jazz scene of the era.
Dominique Pifarély, Lina Andonovska, and Izumi Kimura—three versatile, internationally acclaimed musicians—unite in a unique trio project born from a residency.
Jerome Deupree, Sylvie Courvoisier, Joe Morris, Lester St. Louis unite for an album of explosive solos, profound improvisation—a canyon where all musical worlds collide in boundless synergy.
The Lava Quartet—Berlin to Portugal—unites for free improvisation, blending creativity and extended techniques. Their debut album, "Ethereal Chant," showcases boundary-breaking, unpredictable soundscapes.
Long-time collaborators and legends of the British improvised music scene, the great saxophone virtuoso John Butcher and the master of the double bass John Edwards, join forces in a duet journey through a fascinating land of sounds, sometimes undiscovered, sometimes impossible, and always breathtaking.
Available for the very first time, the intergalactic icon Sun Ra and his Arkestra’s Lights On A Satellite: Live at the Left Bank was recorded on July 23, 1978 at the Famous Ballroom in Baltimore, Maryland by the Left Bank Jazz Society. The limited-edition 2-CD set contains audio from the Sun Ra Archives and was researched and compiled by Sun Ra archivist Michael D. Anderson. The critically acclaimed independent filmmaker Robert Mugge has also provided audio from the recordings he made at the Lef…
Exuma is the debut studio album by Bahamian folk musician Exuma. It was originally released in May 1970. In the early 1960s, Exuma (born Macfarlane Gregory Anthony Mackey) had moved to Greenwich Village, New York and started playing guitar and singing in the cultivating folk rock scene developing in that area. After producer Bob Wyld came up to him offering a record deal, he chose to adopt "Exuma, the Obeah Man" as his name. Wyld adopted the pseudonym "Daddy Ya Ya" and recruited a few musicians …
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**Belgian artist Elisabeth Klinck’s “Chronotopia” marks a new artistic phase, blending violin and voice in song-based, intimate soundscapes. Recorded in the Pyrenees, it playfully explores time, duality, and transformation, balancing improvisation with melody-led structure.**
Plume Girl’s ‘Unnameable Glory’ merges Hindustani, ambient, and pop, dissolving boundaries between language, sound, and feeling. Somanath explores the luminous freedom found beyond definition and the joy of shared, wordless experience.