New Arrivals
Recurring
2025 Repress. 1990's Recurring, the fourth and final studio album by Spacemen 3, is often considered the introduction of two brilliant solo projects (Spectrum and Spiritualized) rather than the work of a functioning band. While Spacemen 3's departing statement surely reveals a deep divide within the S3 camp -- each side of the LP was written by Sonic Boom and Jason Pierce separately and, unlike previous releases, the two do not play on each other's songs -- Recurring maintains a cohesive, dream…
1969
**2025 Stock** Ebalunga!!! is coming back with a new long-awaited reissue of LP by the famous Hungarian guitarist, originally released in 1969. Gabor Szabo exploded onto the American jazz scene in the early sixties. His unusual approach and unique sound brought something startling and new to jazz. With Chico Hamilton, Charles Lloyd and Gary McFarland, Szabo offered something few in jazz had ever heard before: guitarist as enchanter and conjurer and musician as storyteller and mesmerist. Once Sz…
Oacis
**2025 Stock** As regards content, acoustics and optics, raster-noton.oacis goes beyond the momentary. The texts by top writers like Rob Young (The Wire), Pinky Rose, Peter Kraut (NZZ) and Martin Pesch (e.g. Frieze, Spex, Kunstforum) examine how raster-noton works on the cutting edge of electronic music, computer graphics and video animation, with which supreme ease the label moves between pop/club culture and the fine arts. The creative cover flap includes a CD with audiotracks and multimedia d…
Magic Thread
First released in 1998, Magic Thread finds Susumu Yokota navigating the liminal space between club rhythm and ambient reverie. Blending vaporous beats, dub inflections, and microscopic detail, the album traces the moment he stepped from late‑night dance floors into dawn-lit introspection.
Jeux d’eau
Jeux d’eau by Copenhagen Clarinet Choir and Anders Lauge Meldgaard is an electro-acoustic meditation inspired by the fountains of Villa d’Este. Blending clarinet resonance with the fluid timbres of the New Ondomo, the work reveals a continuous dialogue between water, sound, and human presence—where improvisation and structure merge like converging streams.
The Midnight Hour
The Midnight Hour by Adrian Younge and Ali Shaheed Muhammad is a lush confluence of soul, jazz, and hip hop that bridges eras with analog warmth and orchestral finesse. Rooted in the duo’s shared reverence for Black musical heritage, it unfolds as both homage and renewal—a nocturnal suite of rhythm, poetry, and craft steeped in the elegance of timeless sound.
Per le Antiche Scale
In Per le Antiche Scale, Ennio Morricone sculpts a haunting and cerebral score for Mauro Bolognini’s 1975 psychological drama. Through mournful strings, dissonant gestures, and lyrical fragments, Morricone captures the fragile border between reason and madness, crafting one of his most introspective and emotionally complex film soundtracks.
La Disubbidienza
With La Disubbidienza, Ennio Morricone crafts an austere and sensual soundscape for Aldo Lado’s 1981 film. The score balances chamber intimacy and languid melodies, exploring moral tension through sparse orchestration and unexpected harmonic turns. It’s a work where desire and restraint coexist in fragile, hypnotic equilibrium.
Group Theory: Black Music
Group Theory: Black Music is a stunning new statement from South African drummer and composer Tumi Mogorosi. Standing in the lineage of South African greats such as Louis Moholo-Moholo, Makaya Ntshoko and Ayanda Sikade, Mogorosi is one of the foremost drummers working anywhere in the world, with a flexible, powerful style that brings a distinctive South African inflection to the polyrhythmic tradition of Elvin Jones, Max Roach and Art Blakey. Since his international debut on Jazzman Records in 2…
Uzmic Ro’Samg (Live Solo Tuba)
Ben Stapp Launches Uzmic Ro’Samg — A Visionary Solo Album for Tuba and Sousaphone. Internationally recognized tubist and composer Ben Stapp announces the release of Uzmic Ro’Samg, his first-ever album of unaccompanied tuba and sousaphone. A daring, world-building statement, the recording blends technical mastery with storytelling rooted in Stapp’s original science fiction narrative. Stapp has long been a distinctive voice in the avant-garde and creative music scenes. He has created and recorded…
Volume 2
Unstoppable Rising Pianist Eva Novoa Reunites with Bassist Drew Gress and Drummer Devin Gray to Bring Us Another Blazing Interplay Banger
Brooklyn Pirates: Neighbourhoods in the Sky, 2014-2021
Brooklyn Pirates: Neighbourhoods in the Sky, 2014-2021 documents David Goren’s deep listening project dedicated to Brooklyn’s pirate radio underworld, spanning recordings made between 2014 and 2021. Issued on vinyl for the first time by Death Is Not The End, the album is an extraordinary aural chronicle of New York’s invisible airwaves, focusing primarily on the rich, labyrinthine world of Caribbean-run stations, with excursions into Turkish, Orthodox Jewish, and other broadcast communities.
Ex Stasis 69
Ex Stasis 69, the new audio work by Joseph Nechvatal. Fuses erotic tension, cybernetic poetics, and immersive noise aesthetics into a hypnotic sound experience. Drawing from his decades-long inquiry into “viral” media and the sensual limits of perception, Nechvatal explores the ecstatic collapse between machine, body, and dream.
October Flowers for Joe McPhee
October Flowers for Joe McPhee is a luminous solo work by Ken Vandermark, recorded in tribute to his longtime friend and mentor. Released by Corbett vs. Dempsey in March 2025, the album unfolds as a suite for reeds—melding lyricism, memory, and improvisation into a deeply human meditation on influence and kinship. Each piece, named after flowers, resonates as both homage and renewal.
The Intimate Overlap
On The Intimate Overlap, o[rlawren] refines his immersive approach to ambient electroacoustics, weaving field recordings and digital textures into a delicately crafted soundworld. The album unfolds with understated depth and resonance, inviting careful listening into the nuanced emotional spaces that lie between nature and technology.
Pancake Moon
On her sophomore album Pancake Moon, Michiko Ogawa crafts a liminal soundworld suspended between darkness and light, fusing sho, piano, and synthesizers into reflections on memory, loss, and renewal. Released in late 2025 by Futura Resistenza, the record drifts through introspective layers and subtle textures, inviting listeners into an immersive experience that is at once deeply personal and quietly radiant.
By All Means
By All Means is the new album from Aaron Parks due for release on November 7, 2025 via Blue Note Records, expanding the acclaimed Parks-Street-Hart jazz trio into a luminous acoustic quartet with the addition of tenor saxophonist Ben Solomon. This set of seven original compositions explores Parks’ signature mix of modern jazz innovation and tradition, highlighted by tender dedications to his wife and son and the sly, swinging lead track “Parks Lope”.
Revoada
Revoada is the anticipated solo album by Mauricio Fleury, blending traditional Brazilian musical heritage with jazz, electronic, and global influences. Singles like “Briluz” and “Kadıköy” showcase Fleury’s ability to traverse styles, drawing on the spirit of artists such as Gal Costa, Joao Donato, and his work in the Afrobeat collective Bixiga 70. With organic grooves, nuanced arrangements, and sonic references to both Brazilian and Turkish musical history, the album is a celebration of migratio…
Protomurk Book One
Protomurk Book One, the latest project by Zeke Clough in collaboration with Twilight Sequence, is a multimedia release fusing a vividly psychedelic graphic novel with a specially composed soundtrack CD. The first installment in Clough’s Proto Murk series, it traverses inter-dimensional landscapes—populated by mutated mole rats and spectral environments—via Clough’s intricate illustrations complemented by Twilight Sequence’s immersive, atmospheric sound design. Together, they conjure a world that…
Generator
Generator is the lead single and CD EP from James Adrian Brown, marking his transition from guitar-driven rock into the realm of thoughtful electronic music. The track—surging, resilient, marked by Brown’s layered production—introduces the conceptual arc of his debut album with pulsing synths and a sense of propulsive energy.