New Arrivals
Neural #78 – Voices, Humans, Machines (Magazine)
Interviews with Machine Listening, Tomomi Adachi, Erin Gee, Pedro Oliveira; article: The Watery Graves of Electronic Speech, or Phonemes in Davey Jones' Locker; reports: Festival de la Imagen 2025, Choose Your Filter!...
Neural is a printed magazine dealing with new media art, with a peculiar attention to the networked and conceptual use of technology in art (the so-called net.art), hacktivism, or activism using electronic media to express itself, and electronic music, investigating how the te…
Quiet Panic
*Edition of 100* On Quiet Panic, Mark Schaub sculpts a slow‑burn tension where stillness never quite settles, his compositions hovering between ambience and unease, finely honed and given extra dimensional depth by Andrea Marutti’s mastering.
The Crystal Suite
On The Crystal Suite, Paul Schütze channels J. G. Ballard’s The Crystal World into slow‑burn electronics and guitar haze, rendering time‑sick landscapes where matter ossifies, light fractures, and contemporary collapse glows with eerie, faceted calm.
No Human Voice
Welcome to ‘No Human Voice’, the eponymous first album from Liverpool’s Soundart electronica hitsquad. Pete Smyth and Mark Greenwood (both voice/electronics) have been in bands around Liverpool for years, including Mugstar, Kling Klang and Cavalier Song. They use and abuse lo-fi pedals, loops and the English language into places they were never intended to go, to mutate a disorientating whirl of noise and pitches into an abstract whorl a long way post-punk, as if Stockhausen had discovered the F…
Iskra
*2026 repress. 200 copies limited edition* Iskra is the debut album by Polish multi-instrumentalist and composer Olga Anna Markowska. Starting at “Dawn” and ending at “Dusk”, it is a journey of melancholic depth and true beauty filled with warm memories from what was & what could be.
Using zither, cello, electronics and occasional wordless voice, Olga weaves together something so affecting and under the skin beautiful that it is hard to shake, bringing to mind classics from artists like Jacaszek…
Aika ja tila
Kuusijärvi/Rönkkö launches the concept of accordion jazz into orbit with their album Aika ja tila (Time and Space). Built entirely on improvisation, this six-track collection stretches both musical genre boundaries and the very fabric of spacetime. Harri Kuusijärvi’s electronic accordion sounds at times like the chirping of a cyborg bird flock, and at others like Brian Eno’s electric toothbrush just as the batteries are dying. The other half of the duo, Tatu Rönkkö, weaves through his drum kit, …
Música para Platanos
Música para Plátanos takes its name — and much of its inspiration — from the group’s recording studio, situated in the heart of a banana plantation on the humid north shore of Tenerife, Canary Islands. The ever-present sight of the green, sun-drenched fields surrounding their weekly sessions seeped directly into the music: improvised jams that are playful, layered, and deeply connected to place. This release gathers a distilled selection from those sessions — a kind of “greatest rotten hits” dis…
From the Edge
From The Edge is a long-form musical work shaped by the acoustics, history, and atmosphere of Dover.
Pianoise
On Pianoise, Emmanuel Lalande turns the piano inside out: specially retuned instruments become broadband noise generators, and composition becomes subtraction, where the notes you don’t play carve harmonic negative space as vivid as the ones you do.
The Habit
On The Habit, Go Hirano gathers decades of home and studio recordings into a single, slow‑glowing arc: spare piano, pianica and small percussion drifting through room tone and outdoor air, turning everyday imperfections into a warmly enchanted, lifelong diary.
At the Earl of Old Town
On At the Earl of Old Town, Terry Callier steps out of legend into living presence: a 1967 Chicago club set where his folk‑soul‑jazz blend arrives fully formed, intimate, unadorned, and quietly epochal, just before the world catches up.ì
Roll 'Em Smoke 'Em Put Another Line Out
The third and most untamed chapter in the brief, brilliant life of Patto. Originally issued in October 1972 on Island, Roll 'Em Smoke 'Em Put Another Line Out arrives via Guerssen in a remastered vinyl edition, faithful to the original cardboard sleeve and accompanied by an insert with detailed liner notes by Ralph Heibutzki and rare photos and memorabilia.
Patto formed in London in 1970 from the ashes of Timebox - the lineup uniting vocalist Mike Patto, bassist Clive Griffiths, drummer John Hal…
Fake Man
Do you remember when albums used to be fourteen tracks long, with clear song structures and a sense of narrative development? No? Neither do we. And that is exactly why Artetetra is thrilled to welcome Orange Car Crash in their roster with their new album Fake Man. Shaped by years of circulation across psych, jazz, punk, and experimental scenes, featuring collaborations with projects like Lay Llamas, Mamuthones and Snüff, Andrea Davì’s Orange Car Crash operates less as a solo project and more as…
New Item
New Item is the debut album of Italonesian duo Arcibanda, composed of producers and musicians Roberto Chiurazzi and Kevin Silalahi (BAPAK, whoosah). With a unique attention to, and allure for, band-oriented approaches to digi-organic sound design and composition, the pair delivers nine tracks of pure, outbursting instrumental joy, traversing diverse constellations of sonic references and shifting across eras in ways that never feel tacky, as expert masters of their craft. Drawing inspiration fro…
Emergency
"In the beginning, the legend goes, it was Miles Davis’ electrifying jazz on In A Silent Way and Bitches Brew – modernizing the ensemble sound as well as reconfiguring compositional flow with repetition and variation – that begat what was to become known as fusion, exemplified by the subsequent spinoffs Weather Report (Wayne Shorter and Joe Zawinul), Mahavishnu Orchestra (John McLaughlin), Headhunters (Herbie Hancock), and Return to Forever (Chick Corea), all of which emerged after 1970 and con…
From Fargo Live 1940
"It was, all things considered, just an unexceptional whistle stop on a wearying circuit of dance halls and theaters – the night before they had played in Winnipeg, Manitoba and, conveyed by train the 200 miles to this evening’s North Dakota gig, would immediately afterwards find themselves en route to Duluth, Minnesota for their next show. There was certainly no expectation that the on-site recording, made by two South Dakota fans, Jack H. Towers and Dick Burris, on a single acetate disc recor…
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Cn[x]
“For the heads”. A pliable phrase to the point of cliché, but also one that happens to be particularly apt for Misha Hering’s debut LP under his own name, Cn[x]. The deep, exploratory music on Cn[x] was recorded in the aftermath of a heavy concussion that left Hering unable to do his day job as sound engineer at Holy Mountain studio on east London’s Hackney Road. With time to fill and daunting cognitive rehabilitation to complete, Hering returned to music making after a long absence.
Cn[x] refer…
Songs Before Bed (2022)
Songs Before Bed (2022) marks Otto Benson’s first physical release under his own name, following earlier work under aliases including Memo Boy, OTTO, and Pudding Club.
Originally published as a digital-only release through Otto's own WNOADIARWB website and platforms on New Year's Eve 2022, Songs Before Bed bridges the gap between the more experimental psychedelic electronic works of OTTO and his most recent release, the acclaimed Peanut, released on NYE 2025. Blending brief pop fragments with me…
Ç
Ç (pronounced “cédilla”) is the name of a duo consisting of Italian-American audiovisual and performance artist Luciano Chessa and French multi-instrumentalist and sound explorer squncr (François Larini). It is also the title of their first, self-titled album, a scintillating collection of sound art, oddball orchestral movements and beautiful oeuvres électroniques. Each track unfolds with eerie precision, opening wide meditative sceneries. Ç was recorded in Monaco during Chessa's one-year artist…
Volatilités
A solo improvisation and composition by Lionel Garcin (on soprano saxophone) inspired by listening to natural environments and built on exploring the harmonic possibilities of the instrument.