New Arrivals

On Die Fantastischen Abenteuer von Pawel Denda, Pawel Denda surfaces as a lurid, possibly fictional shadow-figure whose “lost & found” tapes collapse sacrilege and kitsch. Framed as SataniK Industrial-Pop from a corrupt Polish priest’s secret box, the album spins a blasphemous, pulp-noir mythology into jagged, future-facing noise theatre.

The Commission marks forty years of Capricorni Pneumatici with an eerie convergence of sound and image. A new CD of liturgical trances and mechanical nightmares intersects with Tomislav Török Terek’s London installation, where ritual ambient, police sirens and Tunguska dreams fuse into one destabilizing, cavernous listening experience.

*2026 stock* Peanut Rubble was a power trio from Buckinhamshire, a rural area a few miles northwest of London. This Radio Luxembourg Studios recordings were made back in 1968, being an early sample of british heavy music one year before Led Zeppelin released their first album. They used to play in college/university circuit, airbases and youth clubs with 100w Marshall stacks, being too loud for some of those clubs. They supported bands such as Status Quo, The Pretty Things, Arthur Brown or Pink …

*2026 stock. 250 copies limited edition* "Mystic Towers, and all related projects from Adam Kalmbach represent an important time for dungeon synth, one where we didn't really know what was going on and amazing records would come out of nowhere - it wouldn't be until much later when we were able to connect the pieces. Mystic Towers, Erdstall and Abandoned Places were all great projects but it would take time to emerge that these were not only created by the same individual, but all dedicated to t…

*2026 stock. 250 copies limited edition* "Mystic Towers, and all related projects from Adam Kalmbach represent an important time for dungeon synth, one where we didn't really know what was going on and amazing records would come out of nowhere - it wouldn't be until much later when we were able to connect the pieces. Mystic Towers, Erdstall and Abandoned Places were all great projects but it would take time to emerge that these were not only created by the same individual, but all dedicated to t…

"The Wiregrass Singers' Dewey Williams began learning the shape-note tradition in his childhood. He studied under Judge Jackson, who authored the landmark 1934 hymnbook The Colored Sacred Harp. In 1971, Williams formally organized The Wiregrass Sacred Harp Singers to preserve the music full-time. This unified troupe began touring nationally and leading workshops, which ultimately launched them onto stages at the Smithsonian and Newport folk festivals up until Williams' passing in 1995 when the g…

Death Is Not The End issue 15 heartbreaking archival fado recordings from Ercilia Costa - made in Madrid in 1930, accompanied by seminal guitarist Armandinho. One of the early stars of fado, Ercilia Costa was the first to take the music overseas to emigrant Portgugese communities.

*2026 stock. 300 copies limited edition* In the shadows of the contemporary consciousness, lies a web of 'Obscure Power'. This album is an aural excavation of the hidden structures and energies that underpin reality. From the gleam of corporate crystals to the whispers of ethereal plazas, join in the exploration of the unseen force that shapes our landscapes and resonates within our souls. "Building upon the sonic blueprint of 'Sword and Circuitry', 'Obscure Power' expands the Quest Master unive…

On Pillars, Francesca Flora & nobile build a haunted architecture out of nothing but voice and machinery. Flora’s sighs, screams and murmurs are dissected and reassembled into slow-motion laments and grotesque lullabies, as if Ballard’s singing statues had learned to confess, choke and glow from within.

On The Fullness of a House, Nial Morgan turns cheap fans, glasses and wood into a nervous, breathing architecture of sound. Domestic surfaces vibrate, stall and shimmer, yielding a quietly gripping electroacoustic diary where technical fatigue, spatial resonance and emotional ambiguity are held in fragile equilibrium.

*Warehouse Find !!!* After the space-time experience and the translation into music of the Bible of Japanese civilization, the Fulukotofumi, the following year, in 1973, Hiromasa Suzuki pushes his research and experimentation beyond the borders of his own country by venturing, with the usual companions of adventure (Kunimitsu Inaba, Hideo Sekine, etc.), along the lights and shadows of the Silk Road. A backward journey in search of the musical and cultural sources of mainland Asia, from the gates…

*Warehouse Find !!!* The Fulukotofumi is the most important and ancient historical chronicle of Japan. The content of this work becomes an inspiration for the creation of a sound transposition of the legends and myths that most marked the spirit and inspiration of Hiromasa Suzuki, as a musician and as a high-level composer. The music that is concentrated between these grooves is a representation of the best that moved in the early seventies in the jazz-rock orbit at an international level; in ad…

Nippon Psychedelic Soul 1970-1979 is Time Capsule’s continuation of the deep dive into Japan’s rich history of folk and psychedelic soul music.

The most recent album by Vrouw! The hand-picked tracks comefrom improvised recording sessions in which a fox spirit watches over the web of voices and sounds. Five voices, five languages, one attitude: the all-female-collective Vrouw! comes from Berlin – and their music refuses any origin. The musicians form a network of noises, voice and structure from improvised material. Amplified everyday objects, self-made "microphone hats" and a bass that holds everything together - the result is a sound b…

Layered guitars, synths and wordless vocals set the scenery in this epic, beautiful and introspective solo debut by musical wanderer Lynn Wright. Wright, who has mostly eschewed developing a fixed artistic identity throughout his already long career, has preferred to remain on the periphery of collaborative projects and behind the scenes. It took until recent times for him to make “Before The Sinking Plains”, which arrives as his first solo recording after decades of traversing underground scene…

Most of us can agree that music is not a competition. However, the National Championship for Norwegian Folk Music and Dance (Landskappleiken) has been an important annual event since it´s inception in 1896. In 2025, the jury deemed Helga Myhr to be Norway’s finest Hardanger fiddle player, after performing tunes from her native valley Hallingdal. Since she released her solo debut “Natten veller seg ut” in 2019, Myhr has established herself as a flexible musician; at home in contemporary and impro…

*2026 stock* This new collection of tunes represents the next step in the direction paved out on their first album. With more severe singular tonalities mined from the archives the duo have been looking further into the nuances and details, exposing tissue samples of the modes, forms and progressions of Norwegian folk music, and thus gaining greater control over the format. Naaljos Ljom 2 opens with a statement from Norwegian composer and music-theorist Eivind Groven, taken from a radio program …

*250 copies limited edition* 2 song EP pressed for the Fief US Tour. New Songs exclusive to this release recorded at the same time as the "VI" album. With pocket sleeve and hype sticker.

*2026 stock* After many years in the shadows, the mighty Fief has returned to claim his throne. 8 new tracks of beautiful fantasy medieval music guaranteed to lift your spirits and evoke visions of days past.

*2026 stock. 300 copies limited edition* 5th vinyl pressing, limited to 300 copies: 140g orange/brown blob color-in-color vinyl in high quality full color jacket + black inner sleeve, hype sticker. An opus like no other can create. 30 minutes of pure medieval bliss. Mastered for vinyl by Mammoth Sound. Cover art by Silvana Massa.

*2026 stock. 300 copies limited edition.With blue flood inside jacket printing and slight layout updates + hype sticker.* "No other dungeon synth or related genre effects me the way Fief does. From beginning to end I am transported to an idyllic past of play and adventure. Is it my own childhood fantasies I am remembering, or some shared myth of adventure and magic? Regardless, this, and all other Fief albums, are pure Arcadian bliss." - ben

*2026 stock. 300 copies limited edition* Out of Season is proud to present I by Fief, a reimagined release that breathes fresh life into the project’s original spirit—combining introspective momentum, vivid atmosphere, and a deeply personal creative voice. I revisits the emotional core of the work while offering new depth through refined sonics, renewed focus, and a heightened sense of perspective. The result is both a return and an evolution: familiar enough to feel immediately personal, yet tr…

It's been years now. OM have done their time in the desert, and ever-changing, are returned. Today, they say, God is Good. Are you surprised? Perhaps you've haven't understood what OM was saying to you. But perhaps you felt something... It's true that the one way pursued by OM leads in many different directions. It is a mystic path. Songs come from innumerable sources, filtering through the external and the internal. OM albums are rituals, personal convictions transcripted into verse. Playing th…

More than a decade after its initial release, Om's Advaitic Songs continues to stand as a towering achievement in heavy music's ongoing evolution - a record that demolished preconceptions about what drone-doom could become while establishing new possibilities for consciousness-expanding composition. Where God Is Good represented the first step in a more ornate and sophisticated direction for Om, Advaitic Songs achieved a level of composition that would have been impossible to foresee from the du…

On In Pas(s)ing), Mick Goodrick turns understatement into signature, floating a cool, singing tone across an ECM all-star backdrop. John Surman, Eddie Gomez and Jack DeJohnette move with almost invisible precision around his quietly lyrical themes, creating a session where momentum whispers rather than shouts, and melody lingers long after the notes fade.

*200 copies limited edition* Watching the smoldering rubble of Hillsfar in the earliest moments of dawn, something catches your eye along the docks. Raiders return to their ship, checking the sails and preparing the rigging to make their escape. Seeing no other opportunities, you find the spaces between their attention to board the raiding vessel to stow away beneath the deck. In a short time, the raiders shout as their boat is heaved through rough waters, making great motions diving up and down…

*300 copies limited edition* Sutcliffe No More: the album for 2026. P/E in best SJ/SNM tradition. If you need to know more you don't need this album!

Italian sound artist Giulio Aldinucci returns with his 5th album on KARL: „Materia” is unsurprisingly a truly masterfully composed and sound-designed ambient masterpiece that adds perfectly to a series of critically acclaimed albums like “Disappearing In A Mirror” (2018) or “Shards Of Distant Times” – some of which made it onto several year’s best lists.

*200 copies limited edition* Ten years after "Il dipinto ucciso", Candor Chasma returns with "Seance". While the album comes full circle, revisiting the project's original fixations - the spirit world, stripped of any gothic overtone - it also signals a decisive shift in sonic language. Frameworks of abstract noise, fractured post-techno structures, asymmetric rhythms and heavily processed percussion, filters and saturation pushed to their limits: all shape five compositions poised between hypno…

*200 copies limited edition* Swedish-Danish collab album of lush, low key new age/ambient DIY gold, based mainly on synth, piano, saxophone, spoken word and field recordings. Marvelous peak summer music. A private press style/no label release distributed by Discreet Music. With the released LP “Stilla Dagar, Stilla Nätter / Stille Dage, Stille Naetter Limited Edition,” the split release by Gustaf Dicksson, Post‑Tragic, Sonja Labianca, and Frida Johanne takes the next step in their creativit…

“La Proyección”, the debut LP by Jose María Lluch, architect and musician from San Sebastian, appears as a transition, a gradual shift that happened over time. Intimate and innocent, disconnected and erratic at times, the 11 compositions presented here are extracted from recordings spanning 9 years, between 2015-2024. Humbly assorted in his home studio, the music here is for letting your mind drift. The processes of composition, recording, and editing intertwine. Field recordings from daily chor…

"Japanese pianist Yumiko Morioka initially released Resonance, her first and only solo recording, on Akira Ito's Green & Water imprint in 1987. Whilst by no means a commercial failure, the album was mostly found in the background of Japanese TV documentaries, maternity clinics and healing shops before drifting into relative obscurity. By 1994, Morioka had relocated to America and her solo music career had given way to the joys of starting a family and her new life in California. It was, and stil…

Studio album from Bamako-based Tuareg band Amanar de Kidal. "Kel Tamasheq” is years in the making, a self produced DIY album, recorded in the small studios of the Malian capital over the past few years. Carrying on in the tradition of assouf, the Northern Malian style of Tuareg guitar popularized by artists like Tinariwen, Amanar pushes the sound forward into tight upbeat groove and kinetic rhythms, reflecting the rich diversity of Mali and the energy of the capital. The band takes its name from…

Originally released in November 2024 as a physical only, limited edition physical boxset, Swans’ Live Rope is now being made on CD at retail. A document of the band’s US/EU 2023-24 live tours, this material laid the blueprint for the band’s most recent studio album, Birthing, released May 2025. Spanning almost 3 hours of trance-inducing melodies that morph into dense walls of sound, the album is anchored by Gira’s unmistakable vocals and crafted with longtime collaborators on lap steel, bass, Me…

*2026 stock* Last time, RLW (Ralf Wehowsky—active years ago on P16.D4 and since then releasing a largely uncategorizable brand of noise music across numerous publications) thrilled us on these pages with his album Satanic Inventions. Now, again on Stephen Meixner’s label Black Rose Recordings, the similarly conceptually dense album Fading Pictures is released. In the liner notes, Wehowsky describes the close connection between electroacoustics and Cinéma L’Oreille. He understands electroacoustic…

Furafauna is the culmination of three years of work by Thorsten Soltau (who sometimes works under the name Femurl, with both names attributed to this album). Consisting of four pieces and two remixes, one by Troum and one by Sewicide, he dabbles in a wide variety of mostly (but not exclusively) electronic structures.  Elements of abstract noise, glitching digital, and traditional composition all are present at various points, culminating in a dense and at times challenging but engaging album.

"Among all the paradoxes of communication, which improvisational musicians explore continuously as connoisseurs to create magic, there is the fact that they speak at the same time (something we are generally discouraged from doing). Not only that, but they have the quartering ability to listen and hear each other while speaking at the same time. Reversal of the situation for better sharing: to hear each other better, to hear everything better, it would really be better if we all got into the hab…

In March 2022, Joe Fonda and Silke Eberhard met at the Downtown Music Record Store in New York, and just six months later they were on stage together with Austrian drummer Emil Gross in Berlin. The Josilemi Trio was born. The collective trio's compositions and improvisations are powerful, driving, elegant, structured and refined, combining diverse influences with improvisational inspiration. It is music that is completely connected to the moment and yet totally future-oriented. It is Music for h…

"Autumn has always brought me bright thoughts and fruitful encounters. Barry and I, although we had known each other for many years — and although I had grown “into adulthood” musically through the influence of masters like him — had never had the chance to play and record together. Finally, October 2025 gave me this wonderful gift: an extraordinary meeting. Coming face to face with a champion of free improvisation placed me in a position where I had to draw upon all the creativity available — a…

Recorded by Karl Winand and Markus Massinger at artacts – Festival for Jazz and Improvised Music, Alte Gerberei, St. Johann in Tirol, Austria. Mixed and mastered by John Butcher  Sophie Agnel - pianoJohn Butcher - saxophonesPascal Niggenkemper - double bassStåle Liavik Solberg - drums