New Arrivals
Black Suite
Belonging to an incredible, audiophile reissue initiative dedicated to the seminal Jazz Actuel series - one of the greatest depositories of 1960s free jazz - at long last we're gifted one of the greatest of them all: the first ever fully authorized reissue of Jacques Coursil's towering 1971 LP, Black Suite, fully remastered from the original 1969 analog master tapes. Featuring an all-star line-up of Anthony Braxton, Arthur Jones, Burton Greene, Beb Guérin, and Claude Delcloo, it has long remaine…
Touching Your Feelings (LP)
We are thrilled to announce the reissue of the most precious hidden gems of Soul Jazz / Spoken Word albums from a key era. Originally released in 1974 as a private pressing of fewer that 100 copies, Touching Your Feelings by Jim Marks is a crucial missing piece of the proto-rap era lying firmly between Gil Scott Heron and Amiri Baraka, with whom he made a strong friendship. Jym Marks' mix of deep, expressive poetry and solid jazz sits on the edge of works by The Last Poets and fellow west coast …
Two Actors
"Messiaen traded his goods for brain rot. Mark Harwood, the elusive Penultimate Press helmsman, slips into character again—plural, fractured, unreliable. Two Actors plays like a dialogue without a script: human versus machine, or one man arguing with his own shadow. Unlike his first solo record, "A Perfect Punctual Paradise..” voices only mumble and stumble on occasion. Here the “Actor(s)” appear in a variety of forms; sincere, female, mocking, beautiful, journalistic, operatic and more. Digital…
The Sound Leaves
"The Sound Leaves" began as an interactive sound performance and installation based around humans’ impact on the environment and how that impact is altering the sonic landscape of our world. As ecosystems change due to climate collapse, the sound of those ecosystems changes too. "The Sound Leaves" used an amplified collection of autumn leaves to encourage participants to listen closely to how their actions alter the sounds of the fallen leaves by walking on and through them for a period of time.…
Pendulum
A note from Carlos... "I initially recorded all tracks in California between 2024 and 2025. The tracks were then sent to various locations around the world to each collaborator for completion, before returning to me in California for final touches. They were subsequently sent to Japan for mixing. Then, back to California, and then to Australia, where the final designs for the artwork were created. The final version was then multiplied and spread all over the world until it reached your ears, the…
Notti Senza Fine
** 200 Copies. Includes printed inner sleeve with lyrics and credits. ** Cut it up. Stick it back together wrong. This is Magazzini Criminali at their most deliriously inventive - a Florence-based theater collective that understood William Burroughs's cut-up method as an operational principle for sound itself. Released in 1983, Notti Senza Fine is their second LP, a document where theater becomes indistinguishable from electronic collage, where the stage disappears into tape loops and reassemble…
Ipotesi
*60 copies limited edition*
All tracks composed / edited and mixed by Lorenzo Abattoir and Federico Dal Pozzo, September 2024
Sound samples by Michelle Anelli (Double Bass on track 2),Mauro Sambo (Saxophone on track 4),Riccardo La Foresta (Drums on track 5).
Haiku In The Wide World
This is a lovely and surprising treat indeed. Composer and multi-instrumentalist Tim Hodgkinson (Henry Cow and much more) partners with vocalist Atsuko Kamura (Mizutama Shobodan aka PolkaDot Fire Brigade and Frank Chickens) to present 37 compositions,expanding the usual sub-10-second acoustic life of classic haiku into avaried suite of compositions which place the gem-like poems, spokenand sung in both English and Japanese by Hodgkinson and Kamura,into gorgeous musical frames composed by Hodgkin…
Millesuoni
In Millesuoni, Deleuze Guattari e la musica elettronica (2008), Emanuele Quinz distills some of the key ideas on the nature of sound formulated by Deleuze and Guattari over the course of their work. Central among them is the dynamic of territorialization and deterritorialization—a strategy of appropriation and subsequent release, activated in the alternation between refrain and music.
A child humming alone to ward off the fear of the dark is engaging in a process of territorialization, marking a…
Dalbergia Retusa
Extraordinary double LP of solo guitar music by Hans Reichel (1949-2011), curated by Oren Ambarchi. Twenty-three pieces from 1973-1988 documenting Reichel's radical instrumental rethinking: custom-built guitars with additional strings, moveable pickups, special capos. Sounds simultaneously strange and beautiful, from romantic lyricism to alien sonorities. Essential.
Muto Infinitas
2026 Repress. In Muto Infinitas, Catherine Lamb extends her distinctive approach to microtonality and just intonation, crafting a forty-minute dialogue for quartertone bass flute and double bass performed by Rebecca Lane and Jon Heilbron. The recording, realized without electronic alteration, invites deep listening, unspooling at an unhurried pace in a luminous acoustic field. Lamb’s music here is uncompromising in its patience: the two musicians linger in the borderlands of pitch and timbre, ca…
Follie del Divino Spirito Santo
Huge Tip! 300 copies. Originally issued in 1978 by Cetra, Follie Del Divino Spirito Santo emerges from a singular moment in Antonio Infantino's artistic practice - a moment when his early immersion in international Beat circles and avant-garde gestural music had crystallized into something entirely his own: a ritualistic and shamanic engagement with the musical traditions of Southern Italy.
From 1964 onward, Infantino had moved through collaborative circles with Vittorio Gelmetti, Sylvano Bussot…
Music for the Process of Dying
On Music for the Process of Dying, Homo dissolves language into a porous, five-part soundscape where breath, organ, flute, electronics and the outside world seep into one another, sketching a wordless vigil for the psyche as it approaches the threshold.
Lub
Lub arrives like a controlled implosion. On this debut full‑length, SOF - a Berlin‑based Portuguese artist steeped in metal, noise and the more hostile edges of underground sound culture - treats the album format as a site of self‑preservation through destruction. Rather than slotting into any familiar subgenre lane, these tracks rip up the social contracts of song form: riffs don’t resolve where they “should,” structures don’t flatter attention spans, and there is no chorus waiting to offer cat…
Banco
On Banco, Banco Del Mutuo Soccorso refine their baroque, hard‑charging Italian prog into a fiercely lyrical epic, where Francesco Di Giacomo’s operatic voice rides labyrinthine suites of piano, organ and guitar that feel both fiercely intellectual and wildly emotive.
Sketches Of Spain
On Sketches of Spain, Miles Davis floats through Gil Evans’s lush, flamenco‑tinged orchestrations like a solitary witness, turning Spanish folk and classical themes into slow‑burning tone‑poems where jazz improvisation melts into modal ritual.
Tone Keepers
How good does it feel to pull back from time to time? To really shed excess, more-ness, and follow a single path with intention? The exploration of one thing can illuminate corners of the world overlooked by minds pushed in increasingly omnidirectional cycles of want. Tone Keepers is a collection of four compositions by flutist, composer, and sound artist Rachel Beetz that follow a straight line into unexpected territory. Each piece revolves around a simple but inventive technique for generating…
Ready For Freddie
** Special Time-Limited Offer ** The Indianapolis-born trumpeter Freddie Hubbard introduced his prodigious talent on Blue Note Records with a run of remarkable albums recorded thru the early 1960s. At first rooted firmly in hard bop, Hubbard began to broaden his approach on his masterwork Ready for Freddie, recorded in August 1961. “The way in which I’m most interested in going is Coltrane-like,” Hubbard told liner note writer Nat Hentoff. Hubbard had recorded with Coltrane earlier in the year o…
Leviathan Whispers
On Leviathan Whispers, Tim Hill shapes saxophones, tape loops and treated field sound into slow-burning rites of longing and delirium, a spectral song-cycle where folk memory, Blakean vision and drone minimalism coil around each other in restless, darkly luminous orbit.
Hungry Vortex
With Hungry Vortex, Polypores pushes his kosmische synth language into a delirious hybrid of polyrhythmic trance, cosmic jazz-prog and gently lysergic minimalism, four side‑long excursions that feel at once meticulously engineered and wildly feral. A hypnotic, deeply emotional capstone to a ridiculously fertile phase.