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In 2010, against all odds, Angola Soundtrack Vol. 1 (AACD 069CD/AALP 069LP) was awarded the German Record Critics' Prize in the category "Black Music." This victory was all the sweeter for its triumph over the predicted winner, Aloe Blacc's multi-platinum record, Good Things. Many were surprised that the award was handed to a compilation that covered obscure music, but it didn't surprise the team behind Analog Africa, who believed such an award should have come much earlier. Since discovering th…
This Berlin-based group combining the talents of artists Marcel Türkowsky, Hanayo, Christopher Kline, Domink Noé and Jan Pfeiffer, who each seem to spread themselves between a number of different projects. Interestingly, Noé is credited as a member of "krautrock legends Lustfaust", which is the fictional band created by conceptual artist Jamie Sholvin for the 2006 Beck's Futures exhibition, which might prompt you to think that Wooden Veil re made up too. There's definitely some sort o…
Back in play just to celebrate 14 years, 2 months and 12 days since its original release is Royal Trux's penultimate album, Veterans of Disorder. Coming off the fan-favorite Accelerator LP, it was clearly time to build on expectations, right? Uh... listen, maybe this isn't the band for you. Neil and Jennifer were fans of rock n roll to the finish, sure -- but in that, Royal Trux was a dyed-in-the-wool contrarian enterprise, rebels to the core, and everything they endeavored to was viewed from th…
In 1978, Philippe Genion bought a guitar for 1000 belgian francs (25€). He connected it to his hifi amp, quickly learned how to play "smoke on the water" and a few punk songs with two fingers and within two weeks, pushing the amp more and more to the limit, blew his 200W speakers out. Later, around 1980, he bought an old ARP synthesizer from walloon band "Jo Lemaire plus Flouze" and started playing with these instruments and a few old flanger and distorsion pedals, and started recording so…
“Steve Noble [‘s] armoury of textures and tones is an acoustic mirror of [Ikue] Mori’s electronica, and just as spellbinding. He attacks his orthodox, loose-skinned drum kit from all angles, lays upturned gongs on the drumheads and is a master of orthodoxy as well as the avant-garde. His duet with Mori was the evening’s highlight, a pulsating welter of scrapes, thumps and press rolls interrupted by silences made sinister by the tick of an off-kilter metronome.” – Mike Hobart, Financial TimesIkue…
Cry was recorded in a shed at Taieri Mouth between 1998 and 2000 and then released by Emperor Jones on CD in 2000. Alastair has always been one of the most admired yet paradoxically ignored musicians from the New Zealand underground since he first started out in The Rip on Flying Nun Records in the early 1980s. Having already worked with the incredibly talented New Zealander otherwise known as Michael Morley, it seemed natural for MIE’s next step to go on to work with Alastair on getting …
This brand new split LP features new sides of material from both Micah Blue Smaldone and Big Blood. This is the first new material from Micah Blue Smaldone since his acclaimed album The Red River (IMMUNE 002CD/LP). He is currently working on a new full length album. The LP is limited to only 500 copies pressed on high quality virgin vinyl at RTI and presented in an uncoated stock LP jacket with a free download card.
Ensemble Economique has emerged as an unusually globe-trotting creative valve for Arcata, CA, beachcomber Brian Pyle. The last year alone has seen him backpacking through Scandinavia, Europe and Russia—twice. Maybe his spirit’s too absorbent, ’cause he’s brought back some deeply heavier moods and ancient world weariness since his last outing on Not Not Fun, 2010’s demonic tribal monsoon Psychical. Recent splits with similarly instinctual psychedelic unclassifiables like Lee Noble and Her…
Some cream for your acid-folk tea - hitherto unreleased sides from the two and a half bards (well, two bards and a maiden - forsooth!) who self-released All On the First Day back in '72. These include studio recordings from later in the 70s, a couple live songs and an outtake from the legendary album itself! Well, the first legendary album anyway - for Blue Clouds is clearly another.
The connections between the visual arts and experimental music were closer in the 1960s and 1970s than perhaps any time before or since. Sound and image combined in artists films, \'happenings\' and sounding installations. Experimental Forms of notation were also created to stimulate uninhibited musical expression. Eastern European artists and composers were at the forefront of these new experiments with sound and yet their achievements have never been recorded until now. Sounding the Body…
LP version; printed innersleeve with lyrics. Before Balf Quarry landed on my desk, I figured the dirtiest thing in Connecticut was Chris Dodd's browser history. Not so. Among other things — like guitar tones that buzz around like contact-high June bugs, Elisa Ambrogio's slack vocals wavering between coy calls and willfully distant snarls, and a production value so low and dense you feel you're listening to them from the dining room above their rehearsal space — Hartford natives the Magik Markers…
An outstanding recording, and an unjustly neglected contribution to prepared piano performance by Area member Patrizio Fariselli issued on Cramps in 1977 (in the legendary "DIVerso" series), a record with energy that's somewhere between John Cage and Cecil Taylor! At times, Patrizio Fariselli plays with a great sensitivity to silence – letting it emerge with as much force as his well-placed work on the keys of the piano. But at other times, he comes off with a full, frenzied sound that's really …
november 2009 release ; pristine electro-acoustic work from cenotaph’s john w. fail (responsible for both a criminally under-appreciated quadruple tape-box on c. spencer yeh’s dronedisco &, partially, the “lied music vs. boy-band tax returns” lp on ultra eczema ... as well as full-length collaborations with spiral joy band & ben reynolds) ...inhabiting similar head-space as graham lambkin’s recent “softly softly copy copy,” the piece in question here takes it source material from live-played ins…
Ernesto Rodrigues, viola. Chris Heenan, alto saxophone, contrabass clarinet. Alexander Frangenheim, double bass. Ofer Bymel, percussion. Recorded 2010 in Berlin.
Invisible Things is the duo of guitarist Mark Shippy (U.S. Maple) and drummer Jim Sykes (Parts & Labor). Well beyond the stereotypical thoughts of a guitar, drum improv/jam session, the drumming is based the study of Sri Lankan percussion and applied to the modern drum kit. This foundation of the drums allows for explorations by the guitar that is tight and sparse one moment and then seamlessly shifted into majestic swirls of reverberation. The album, comprised of 17 tracks, is presented as on…
Compilation of early gospel recordings spanning from 1927-1955. Sanctifies blues by the Two Gospel Keys, Mother McCollum, Blind Rosevelt Graves, Lottie Bracey, & Sister O.M. Terrell. Beautiful slow country gospel by the Anglin Brothers & Delmore Brothers. Intense vocal performances by the New Gospel Keys, Elder Richard Briant & the Silent Grove Baptist Church Congregation, & much more! All killer no filler comp that rocks hard & get deep & sad too. Ltd one-time pressing
Diverse musical elements - coruscating cymbal scrapes, shimmering amplifier hum, melancholy saxophone circlings, sharp hits of snare, string and reed, slow motion guitar riffs, deep tam-tam surges and floor tom rasps, hypnotic prepared piano figures, and hovering fragments of song-like melodies - fracture and coalesce in this single intense improvisation.
Featuring two of the foundational figures of free improvisation alongside a younger arrival, this recording captures the first meeting …
On P.A./Hard Love, New York-based composer and conceptual sound artist Marina Rosenfeld generates an esoteric universe of radical sonic collisions. Developed initially in 2009, the album draws its roots following a series of idiosyncratic quasi-sculptural sound-system installations Rosenfeld installed in various disused and monumental sites including New York's Park Avenue Armory and Liverpool's Renshaw Hall car park. The music she composed for these installations was heterogeneous, reposit…
Compilation of the early german dark-wave-legends with their Monogam-Hits such as „Casualties, „Radio War", „Don't tell me stories" and so far unreleased material. Very rare
Local preoccupations with rising sea levels fuel Diluvial - a work that dwells on the dynamics of flood geology and global warming; creation stories and climate change. Diluvial is an evolving soundscape and environment by Bruce Gilbert and Beaconsfield ArtWorks (David Crawforth & Naomi Siderfin). This work was initiated on the Suffolk coast for Faster Than Sound, Aldeburgh 2011 and then developed for a show at Beaconsfield, London later that year. Taking rising sea levels as its theme, Diluvial…