New Arrivals

Two Form a Click (DJ Snaffy, Wretchen Redspiders) collide with Horatio Pollard to deliver two sides of beautifully coalesced psychedelic synthesis, heavy with dub’s production values and freed from the grid of analog electronics. Though primarily operated by the duo of Snaffy and Redspiders, 2FAC has an open door policy which is happy to embrace lone lurkers such as Pollard. Pollard, born in Ibiza, raised in the UK and resident in Berlin since the mid 2000’s, has surely been exposed to all ends …

What is - or rather: what could be - a "Pruttipal Index"? In books, libraries and databases, an index is usually a concise overview or inventory. It suggests that this album could be a mini-encyclopedia of the work of its makers. In economics, indexes are measurements of the current state of an economy; which, in the case of this album, could be a vitality metrics of the Goodiepal & Pals/GP&PLS/BananSkole collective that produced it. In semiotics, an index is a sign that functions as a trace (li…

*2023 stock. 200 copies limted edition* All music composed, performed and produced by Calamita, except "Sidi Mansour", trad. Recorded by Fadi Tabbal on June 25 & 26, 2019, at Tunefork Studios, Beirut. Mixed by Fadi Tabbal at Tunefork Studios, Beirut. Mastered by Harris Newman at Grey Market Mastering, Montreal.

"Exquisitely performed by the Benaud Trio … a meditative stillness and a quality of confiding sincerity … heightened by the unpredictability with which notes appear and disappear … there are special joys here.” - Graham Strahle, The Weekend Australian

Heavy and face-melting, free improvisation/free jazz wall of energy, and physical approach performance with drone/noise elements. Something pounding and dark is coming out from the dungeons…

What We Talk About When We Talk About Love: January 2022 — January 2023: A series of Swiss underground music making. 13 artists, 13 months, 13 records of previously unheard music – to be revealed every 13th of course.

What We Talk About When We Talk About Love: January 2022 — January 2023: A series of Swiss underground music making. 13 artists, 13 months, 13 records of previously unheard music – to be revealed every 13th of course.

Crowning is adapted from John Dowland’s Midnight. Accordion by Erin Schneider. Recorded 2020 by SAZA. Mastered by Will Kreppel

«A collection of pieces about the discovery of sounds and sonic universes hidden in objects, places and within yourself.» - Feldermelder & Julian Sartorius

«We find ourselves venturing into the depths of a rugged terrain. In our hands, we hold stones and minerals, each possessing its own distinct texture, weight, and sonic potential. It is through the artistic touch and through the musical instruments that these earthly treasures, once dormant, are awaken to life.» — Sara Oswald + Feldermelder

«The nearly infinite improvisational potential in my performances is a result of tweaking the technology, using it in unpredictable ways, musically exploiting it, and maybe even misusing it.» - Svetlana Maraš

Tip! O Yama O return with their first full length LP since 2018’s self titled debut. Galo finds the duo of sculptor Rie Nakajima and vocalist Keiko Yamamoto firmly enmeshed alongside percussionist Marie Roux and violin player and visual artist Billy Steiger as a band, their project this time a proper four way entanglement - or five when you include the record’s powerhouse producer David Cunningham. Known perhaps already for their exploration of folkloric Japan and the ‘domestic and democratic qu…

*2023 stock. Limited edition.* Magie is the title of a poem by Henri Michaux where the protagonist spent twenty years struggling to put himself into an apple in pursuit of serenity. Beijing-born, Paris-based musician P. Murk pictures writing an imaginary letter to his friend before fixing himself in an apple. The letter guides its recipient, step by step, to the musician’s room and to his table on which placed the apple, P. Murk’s new humble abode. You Really Should Come to the House is the late…

*2023 stock. Limited edition.* Producer and film composer Keju Luo further explores electroacoustic possibilities on his latest album. During a period of writer's block, Keju resorted to “stealing” and sampled public domain recordings of works by a wide range of composers from Marais to Liszt to Debussy. These decades-old materials performed by the now deceased were edited and processed until barely recognizable while maintaining their orchestral and melodic nature, and then carefully layered wi…

Several decades young on the trap kit, Matt Espy makes his solo bow with an album of solo drums, in dialogic flight with birdsong. Restaging a seminal moment from his seismic early days in music (and inner life), Matt references places he’s been between then and now with hallucinatory evocation. Hawksworth is a new organic space where percussive meditations on a life in music create NEW life in music, a comment on the nurture of nature itself.

*300 copies limited edition* Timeless minimalist approach to composition braced by repetition and playfulness. Alberto Lizarralde’s music reflects calm, focus and intimacy. Ethereal and atmospheric, his pieces operate within the digital as well as the analogue realm in equal measures. Sampling, Midi sequencing and field recordings are the instrumentation used in these 15 songs recorded on a four track reel to reel tape. Highest possible recommendation for fans of Suso Saiz, Jon Hassell, Eno or H…

Reverse Image is a sound artist from Kuala Lumpur, Malaysia. She builds her works using analogue and digital equipment looking for the intersection between repetitive motifs and disjointed incidences.The title is inspired by the search for moments of silence amidst the discord. Recordings from 2022-2023. 'The birth and brief existence of Mirror Tapes, a Malaysian label devoted to sonic traffickers not necessarily winking at the mainstream’s avant-garde, will be recalled by collectors with good m…

Born in Yamaguchi city in 1982; Masahide Tokunaga lives in Tokyo. He plays improvisation music, using alto saxophone.Tokunaga released the CD Alto Saxophone on Slub Music in 2009. Since around 2010 he has set himself apart from other sax players in pursuit of establishing an extremely original blowing style/playing structure permeated with delicacy and tension. The results of this exploration can be heard on his following solo/collaboration albums released on Ftarri, and also the new cassette in…

Before the concert, we hadn’t discussed much of what we will be playing. Kirill proposed to place the "June ’21" score on the table, to follow the impression, the feeling, the direction of what it suggests to play. Sometimes we noticed how one part of the score or another would lead us to new ideas whilst we were playing. It was a special concert because of its circumstances. We decided to have one big table for both our setups, and to be standing up during the performance. Kirill used some obje…

"In 2017 after I finished a tour of Taiwan and returned to Beijing, I left my hard drive on one of those share bikes and it was lost forever. I had close to ten years’ worth of live recordings on that hard drive (I never made any backups). Since then, I’ve made sure to keep recordings of my live performances well organised. To a certain extent, it’s through live performance that I create new ideas. What I regret, then, is that every performance from different phases of my music making life will …

The score for June '21 was made in early summer of 2021, in a dialogical process of close live collaboration. Everything we talked about — music, time, politics, and place — was treated as a kind of material with the possibility of being brought into the piece. We didn’t aim to use sound to express such concepts directly, but rather created music with attention to the circumstances: when it was written, where, to whom and by whom it would be played. There was a mutual understanding that we were …

This album wouldn’t exist without clarinetist Gareth Davis, with whom I’ve collaborated several times. When I asked him to participate on my + album, he was working with Monika Bugajny. She got wind of my project and asked if she could join. I agreed and reworked her beautiful clarinet recording into a ghostly one-minute piece. Apparently my concoction was convincing enough for Monika to propose another, more elaborate collaboration. Her suggestion was to use the same working method again, but t…

"Blue Notes for Johnny" - a defining statement by one of the greatest ensembles in the history of jazz. Recorded in mid-1987 by Blue Notes - then reduced to the trio of Dudu Pukwana on alto sax, Louis Moholo-Moholo on drums and Chris McGregor on piano - it encounters the band 25 years after their founding embarking on an inward meditation through collective music making dedicated to Johnny Dyani, their former bandmate and friend.  Blue Notes were founded in Cape Town in 1962, and stand among the…

* 2023 stock * “Senza timetable senza Bandiera” was releasedo on October 23, 1968. It is the long-distance debut of the New Trolls and is also the first concept album in the history of Italian rock. A work born from the encounter between a group then considered avant-garde, the New Trolls, a singer-songwriter used to going in a stubborn and opposite direction like Fabrizio De André, the visionary poet Riccardo Mannerini and Gian Piero Reverberi, a cultured musician and arranger and prepared. A c…

Issue 5, Volume 2. Along with the cover stars of Pharoah Sanders and Anri, the issue features Ron Trent, Dexter Wansel, Carolyn Crawford, Hyldon, Linda Lewis, Lance Ferguson, Psychic Mirrors, Liv.e, Bernard Wright plus Re:Discoveries, Record Rundowns and more...

*2023 stock* The Hum of the World is an invitation to contemplate what would happen if we heard the world as attentively as we see it. Balancing big ideas, playful wit and lyrical prose, this imaginative volume identifies the role of sound in Western experience as the primary medium in which the presence and persistence of life acquires tangible form. The positive experience of aliveness is not merely in accord with sound, but inaccessible, even inconceivable, without it. Lawrence Kramer’s poeti…

*2023 stock* The experience of the divine in India has three components, sight, performance, and sound. One in a trilogy of books that include Diana Eck's Darsan: Seeing the Divine in India, and Susan L. Schwartz's Rasa: Performing the Divine in India, Mantra presents an introduction to the use of sound -- mantra -- in the practice of Indian religion.

*2023 stock* In 1977 NASA shot a mixtape into outer space. The Golden Record aboard the Voyager spacecrafts contained world music and sounds of Earth to represent humanity to any extraterrestrial civilizations. To date, the Golden Record is the only human-made object to have left the solar system. Alien Listening asks the big questions that the Golden Record raises: Can music live up to its reputation as the universal language in communications with the unknown? How do we fit all of human cultur…

*2023 stock* This innovative collection of articles offers a major comprehensive overview of new developments in cultural theory as applied to Western music. Addressing a broad range of primarily twentieth-century music, the authors examine two related phenomena: musical borrowings or appropriations, and how music has been used to construct, evoke, or represent difference of a musical or a sociocultural kind. The essays scrutinize a diverse body of music and discuss a range of significant exampl…

*2023 stock* This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1961.

*2023 stock* Coverscaping focuses on the semiotics, poetics, and rhetoric of album covers. Working from the assumption that record sleeves may represent a visual genre in its own right, the essays engage in various ways with what one might call the pictorial component of recorded music. The contributors run the whole gamut from close readings of individual covers to more theoretical or philosophical explorations of the aesthetic nature and artistic value of album covers. Coverscaping aims to car…

From Yann Novak In Greek mythology, the legend of Theseus describes how the king-founder of ancient Athens rescues the children of his city from King Minos’ minotaur on the island of Crete. In commemoration, Athenians began a pilgrimage to honor his victory, taking the ship of Theseus and sailing it from Athens to Delos. It was with this tradition that a philosophical paradox about the historic ship was raised: As the ship was repaired, piece by piece, until it was no longer composed of any orig…

The live performance recorded in the ancient Church of S. Giuliano, in Vercelli, encompasses some of the music conceived and written over the last few years, which Francesco Aroni Vigone spent in Valle d’Aosta. The recording location was chosen for its particular acoustics, perfect for a saxophone ‘solo’ and its aptitude for meditation. The performance took place during worship hours to have an unusual ‘audience’ in an unusual ‘liturgy’. The pieces are monodic songs that can be traced back mainl…

"This is the whole improvisation session we had on the evening of 25 April 2014, after a day spent recording some duets for Enrico’s project “Girotondo”. In the afternoon I had recorded with Mario Arcari “La prostituta e il soldato”, one of his compositions. The next day I was going to record my song “Il soldato e la cameriera” with Alberto Mandarini. So, during the evening break, after years of not playing together anymore, a little bit on my insistence, because Enrico seemed to want it too, we…

"After two and a half years of refining, calibrating, and reconceptualising their approach, pianist Darius Heid, cellist Emily Wittbrodt, and double bassist Jonas Gerigk are now releasing their debut CD. With great enthusiasm, the trio met frequently for playful and dedicated rehearsals, improvising freely then observing and discussing the resulting phenomena, delving further into the depths of their music. A long and involved process - creating trialogues that weave through constant re-examinat…

impakt Records presents the new record by Huhn | Schönegg | Mahnig "Was ficht dich an?" with Leonhard Huhn (alto saxophone), Stefan Schönegg (double bass) and Dominik Mahnig (drums).

impakt Records presents the new record by T.ON "plays Herzog | Muche | Nillesen" with Constantin Herzog (double bass), Matthias Muche (trombone) and Etienne Nillesen (extended snare drum).

"Kuden is a method of communicating information verbally in Japan. The word also refers to the knowledge of secret techniques traditionally passed on orally, be it from martial arts or from music and the performing arts. An apt title for this exceptional, non-arranged meeting of three musical experts who tell each other about the rich vault of their sound treasures in order to enrich it with something new through this musical dialogue, which is immediately passed on to the spellbound, amazed aud…

Fo[u]r Alto is the quadrupling of the alto saxophone as a unified body of sound. Since the ensemble was founded in 2008, the four Berlin saxophonists Frank Gratkowski, Christian Weidner, Leonhard Huhn (until 2018 Benjamin Weidekamp) and Florian Bergmann have found an unmistakable sound language characterised by artistic uncompromisingness and continuous musical research. In autumn 2012, they released their first CD "4 compositions by Frank Gratkowski" on the English label Leo Records. Now follow…

*300 copies limited edition* With three studio albums, four live releases and a number of tours, the Belgian-British Kodian Trio has built up quite a reputation within the European improvisation scene. The trio unites the attention to texture and detail often associated with the 'English school' with the fierce urgency of the 'fire music' of the sixties and seventies. The result is a wringing cocktail on the seesaw between European free improvisation and witty free jazz. Dirk Serries' disordered…