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Carlos GALVEZ Taroncher (bassclarinet)-Magda MAYAS (piano)-Koen NUTTERS (acoustic bass)-Morten J. OLSEN (percussion). Recorded on 28 August 2006, Berlin.
Fifth and final release by Far East Family Band (if you include the 1973s Nihonjin released under the Far Out banner), Tenkujin was the first of the bands albums to be released in the US on the small and short-lived Calfornian-based All Ears label. Without Kitaro, who by this time had departed to persue a solo career, the band reverted to its earlier balled-based sound, this time supported on drums by former Samurai alumnist Yujin Harada. The expected Pink Floyd influences appear in abundance, a…
Radiant Intervals' is the first Eleh LP on Important since '08s 'Floating Frequencies/Intuitive Synthesis Vol.3', and follows one of the Wire magazine's (and our) top records of 2010, the incredible 'Location Momentum' for Touch. Continuing with investigations into physically tactile tones and drones, this LP offers four further modular synth expeditions eternally moving towards the distant point depicted on the gorgeous, letterpress printed sleeve. After a stoically inert start 'Night Of Pure E…
After playing bass with Rodan, pioneers of post-rock and post-hardcore, the long-respected and much-lauded Tara Jane ONeil has formed bands like The Sonora Pine and Retsin and has collaborated with Sebadoh, Papa M, Come, Low and Ida. Her first two solo albums for the Quarterstick label (Calexico, Rachels, June of ‘44), Peregrine and In The Sun Lines drew great acclaim for a rich musical tapestry The Wire has called “evocative dream music”. Consistently on the move, ONeil records all over the US,…
"Splinters is remembered, indeed lionized by knowing UK jazz fans, as the monumental musical meeting of tenor giant Tubby Hayes, trumpeter Kenny Wheeler, saxophonist Trevor Watts, pianist Stan Tracey, bassist Jeff Clyne, and legendary drummers John Stevens and Phil Seamen. Split The Difference is the rare recording Trevor Watts made of the group's first public appearance, at London's 100 Club on May 22nd, 1972. Two extended sets of continuous collective improvisation comprise this full-length CD…
Miasma are a band comprised of various members of Guapo, Cathedral, Chrome Hoof and Elsa Drake all playing at the top of their form on this three-part sequence of instrumentals. The band court references to prog, the occult and Victoriana - at least that's what the press release is saying, and I'm not one to argue. The group's fearsome instrumental abilities are the real source of Miasma's strength, with sophisticated, thorough arrangements boasting some of the finest implementation of bassoon y…
The soundtrack for the movie Blue (directed by Hiroshi Ando and starring Mikako Ichikawa, winner of Best Actress at the 2002 Moscow International Film Festival), which was based on acclaimed comic artist Kiriko Nananan's comic book of the same title, was composed by internationally renowned musician Yoshihide Otomo known for his borderless sonic creations. Utilizing the basic musical material used in the film and the same musicians, Otomo did additional studio recordings to create another sonic …
Spend any amount of time in the company of Keith Rowe and the names of certain painters will arise in conversation with some frequency. Caravaggio, Twombly and, among others, most definitely, Mark Rothko. Just as, long ago, he'd imagined what the guitars in Braque's cubist painting might actually sound like, so, I think, he did with Rothko, often referring to the way the "tinged" the space in which they were hung. For some time, in the early oughts, Rowe tried to place his music in a similar are…
CD edition, 'House' is the 2nd official full-length offering by Cleveland, Ohio duo MIST featuring Sam Goldberg (of Radio People) and John Elliott (Emeralds, Outer Space, Imaginary Softwoods etc) after 2009's self-titled debut effort on Amethyst Sunset. A suite consisting of 7 complex, layered compositions shows new progression in composition and melody from the duo. From the lightning fast, bittersweet crescendo of 'Twin Lanes' to the dramatic chord progressions of 'I Can Still Hear Your Voice'…
Angharad Davies (violin) and duo Cremaster consisting of Alfredo Costa Monteiro (electro-acoustic devices, speakers, electric guitar) and Ferran Fages (feedback mixing board, electro-acoustic devices). Composed, recorded and assembled between september 2010 and july 2012 in Barcelona. Violin parts recorded by Kostis Kilymis on march 2012 in Oxford. Pluie fine is the result of several exchanges of recorded material shared between Cremaster and Angharad Davies, from 2010 to 2012. Each piec…
Further exploring the collaborative powers of Illusion Of Safety mastermind Dan Burke and prolific sound crafter Thomas Dimuzio, Upcoming Events is an unending spur of equal parts gorgeous and uncomfortably perplexing sound spread of 15 tracks. Crackles of electronic fire, tremolo-infused waves of sustained guitar, broken music boxes and found sounds among all other sorts of unfounded wails of gargantuan melancholy drone, Burke and Dimuzio's collaboration is a forceful collection of early indust…
Novaya Zemlya (lit. "New Land"), also known in Dutch as "Nova Zembla" and in Norwegian as "Gåselandet" (lit. the "Goose Land"), is an archipelago in the Arctic Ocean in the north of Russia and the extreme northeast of Europe, the easternmost point of Europe, lying at Cape Flissingsky on the northern island. The artwork, by Jon Wozencroft, includes an essay by Thierry Charollais, "Thomas Köner's Novaya Zemlya: towards a metaphysical geography"... Of course we find the unique Köneresque glow…
A brand new album of minimal, cryptic & static sounds. The inexistence is the aplanatic condition of what is not existing, therefore doesn't subsist in the shot reality. Transferring this entomologic concept to radical music, we're consequently asking: inexistent sounds for existing people or existing sounds for inexistent people? Without schizoid presumption, "Inexistence" is replying to this existential question
This is Jun Konagaya (a.k.a. GRIM )s first solo album. GRIM released collection of complete sound sources from hanng niap records in 2009. and insanity live performance was resumed after it. And having been released this time is not GRIM but a solo Jun konagaya name. Atrocious feedback/roaring cannot be heard there. "Organ" The malformed story about floating folk song of malformation, such as "Message" of GRIM. Inner surface of the universe is filled with deep sorrow of Jun konagaya, has been ex…
'When dealing with female interpreters of the art of advanced vocalism, four personal favourites come to mind : Diamanda Galàs, Meredith Monk, Shelley Hirsch and - more recently - Non Credo's Kira Vollman. I'm afraid that I'll have to add a fifth chair at the table. I had already met Ute Wassermann in a great CD on Creative Sources, Kunststoff, a duo with trumpet player Birgit Ulher; yet, Birdtalking is one of those records that immediately raise all aerials, a top-rank effort in which a single …
Icelandic cellist Hildur Gudnadóttir presents a new album, Leyfdu Ljósinu (trans. "Allow The Light"), recorded live at the Music Research Centre, University of York, in January 2012, by Tony Myatt, using a SoundField ST450 Ambisonic microphone and two Neumann U87 microphones (NB -- it was not played in a concert environment and there was no audience). To be faithful to time and space -- elements vital to the movement of sound -- this album was recorded entirely live, with no post-tampering …
Liquid Architecture 13: Antarctic Convergence has been conceived by the curators as a way of investigating the philosophical, social and environmental ramifications of the growing human presence in Antarctica through the activities of a diverse set of artists who have produced works from first hand encounters of the continent. Specially curated by Lawrence English and Philip Samartzis, this program draws on a range of Australian and international artists who have undertaken fieldwork in v…
"Medea" by Calliope Tsoupaki is the first in a series of chamber music compositions focusing on drama; a "melodrama for 8 instruments". The composition is written for Ensemble MAE, that distinguishes itself for its colourful, direct, physical and improvisatory character. Tsoupaki uses the ensemble's palette, composing solos, duets, trios, wrapped in larger sonic fields, with a strong associative and visual impact. Further there is no story-telling for the listener to be led into the piece;…
It was a cavernous tone that broadcast from a ventilator duct that inspired Patrick McGinley to begin collecting field recordings and working them into his slow-arc compositions. At the time when he heard that particular tone in that particular city at that particular time, he had no gear to recording device on hand. Over the next fifteen years (and counting) McGinley has eased into a peripatetic lifestyle, wandering the European countryside and forests (but never straying too far from th…