We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Massive discount on a large selection of items from the Planam catalogue until stocks last 🔥

New Arrivals

1973
1973. Alfred Harth, tenor and sopransaxophon, lur. Nicole van den Plas, piano. Sven-ke Johansson, drums.
Wege
Wege translates as 'path' and it's a fitting title for the latest rendering from master percussionist and experimental composer Andrea Belfi. The albums' four pieces act as orientation points through some imaginary sonic landscape. Wege is Belfi's forth LP (the first with Room40), and stems entirely from compositions completed at two artist-in-residence projects in Austria (Hotel Pupik) and in Brussels (Q-O2 Werkplatz). The album is built around a cyclic electro-acoustic system, through which Be…
Fifteen point nine grams
Burkhard Beins: selected percussion, objects. Lucio Capece: soprano saxophone, bass clarinet, preparations. Rhodri Davies: electric harp, electro acoustic devices. Toshimaru Nakamura: no-input mixing board. Recorded live at NPAI Festival, Parthenay, France July 19th, 2007. Mixed by Toshimaru Nakamura. The artwork for this disc was created by QQ in Argentina.
Prayer Wheel
The Prayer Wheel, like this CDR, spins prayers into the ether. Book of Shadows combines psychedelia, experimental music, and the pursuit of spiritual understanding, all performed together in the eternal present. For the Prayer Wheel release Sharon and Carlton Crutcher are joined by longtime guitarists Aaron Bennack, Jonathan Horne (Plutonium Farmers), and Douglas Ferguson. Also appearing on this release are percussionist Johnny McCollom of the Primordial Undermind, theremin player and fil…
Ablation
Welcome return for Robert Hampson with the first Main album in seven years, new on eMego. Hampson founded Main with Scott Dawson upon disbanding Loop in '94, and while their initial releases still bore traces of their space-rock origins, the goal was always total ecstatic abstraction, and by the time of the Hz series, completed in '96, they'd pretty much achieved it. Main's music has been called many things: industrial, noise, isolationist electronica, dub, drone; the truth it, it's all a…
Boca Negra
For a band with only two members, this group gets an impressive variety of sounds. Rob Mazurek on cornet and Chad Taylor drummer also use the studio as an instrument, alternating between post bop jazz and near ambient soundscapes. Taylor's rhythmic sense is unerring throughout the album, whatever the tempo. Electronics are added at times, and add effect, especially at slower tempos making for spooky music along with slurred horn. "Green Ants" has sputtering cornet and rolling drums settin…
Frog
"Secret project by ......... ..... - hm, we hope you understood.' (label info)
The Sleeping Bag Sessions
You already know about Arthur Russell from disco classics like "Is It All Over My Face" and "Go Bang" (maybe you even watched the recent documentary), but do you know about all the early/mid-80's work he did on his own Sleeping Bag label? This awesome compilation collects the gems you might've slept-on or never came across. Whether its early hip-hop boogie (Sounds Of JHS 126 Brooklyn's "Chill Pill(1)"), left field electro beats (Bonzo Goes To Washington's "5 Minutes(2)"), or underground disco ba…
Blood shadow rampage
Back in stock. 'Volcanic Tongue is proud to present the first ever release by the DREAM AKTION UNIT, a free-thinking avant garage Ur-kestra based around the central kernel of guitarist Thurston Moore (Sonic Youth), saxophonist Paul Flaherty and drummer Chris Corsano (Six Organs Of Admittance, Sunburned Hand Of The Man et al) and featuring Heather Leigh Murray (Taurpis Tula-Jandek-Charalambides) on pedal steel and vocals and Matt Heyner (No-Neck Blues Band-Test-Angelblood) on upright bass. The DR…
Renihilation
Brooklyn, NY’s Liturgy deal in a style of black metal steeped in the genre’s most basic foundations of buzzing, dissonant guitars and whirlwind percussion, and yet they demonstrate an acute ability to make the sound firmly their own, both modern and ancient. Liturgy’s unique take on the genre only slightly recalls their NYC friends Krallice and the earlier works of the Norwegian wolves Ulver (particularly their 3rd LP masterwork Nattens Madrigal). In some sense Liturgy represents the seeping of …
Turntable History: Spin Ensemble
Arnold Dreyblatt's Turntable History: Spin Ensemble was recorded March 12, 2011 by Ernst Karel at Boston's Goethe Institut. This performance version of the original piece (released on CD as IMPREC323) provides a different perspective on the original composition. From the original studio version of the piece: Arnold Dreyblatt (b.1953) is an American composer who has studied with La Monte Young, Pauline Oliveros and Alvin Lucier. He is a member of the German Academy Of Art. He has released wo…
Klavierstücke I-XI / Mikrophonie I & II
Beautiful double CD set, containing a mindblowing Mikrophonie version... Mikrophonie is the title given by Karlheinz Stockhausen to two of his compositions, written in 1964 and 1965, in which “normally inaudible vibrations . . . are made audible by an active process of sound detection (comparable to the auscultation of a body by a physician); the microphone is used actively as a musical instrument, in contrast to its former passive function of reproducing sounds as faithfully as possible” (Stock…
Suspensão
'Ernesto Rodrigues - viola, harp, metronomes, objects. Guilherme Rodrigues - cello. Gil Gonçalves - tuba. Nuno Torres - alto saxophone. Abdul Moimeme - prepared electric guitars. Armando Pereira - accordion, toy piano. Carlos Santos - electronics, piezo elements. José Oliveira - percussion.' (label info)
Creative Orchestra (Köln) 1978
"The Koeln concert shows us these positive vibrations marching through "the complete continuance of creative music," and on towards the next millennium. The "success of the future" is not a lost cause as long as there is music like this in the air."-Graham Lock"Although Anthony Braxton does not play on this double CD (whose contents were released for the first time in 1995), his presence is certainly felt. He conducts the band through a fairly free improvisation and five of his compositio…
Adèle et Hadrien. Les Livres de Vacances
Lionel Marchetti's 'Adèle et Hadrien' is a captivating document of a holiday of Adèle and Hadrien, two young children around 10 years old. The recordings view a glimpse into the world of Adèle and Hadrien, who go swimming, are startled by strange sounds, and ponder the existence of bugs. They argue with their parents and make jokes, and although Adèle and Hadrien speak French, understanding the French language is not a prerequisite for getting a glimpse into their world. Marchetti practices his …
Trio
The expansive length of Morton Feldman’s Trio (1 hr., 45 min., 22 sec.) requires a new approach to listening, which takes scale, the physical experience of sound, and novel uses of musical memory into consideration. With his delicate manipulation of musical materials, Feldman blurs the listener’s sense of time as their musical memory struggles to distinguish between past and present sounds - listeners are free to lose themselves in the beauty of each musical moment. Aki Takahashi and Rohan…
Technology 1 & 2
First issued as a very limited private tapes in 1981, now for the first time ever on CD for these early tapes by one of the most important figures in noise/electronic history, Maurizio Bianchi. These two discs were originally issued on tape in 1981 and have been bootlegged and cut into oblivion since then; this is the first time they've been made available digitally and fully uncut. Technology 1 has two long 25 min+ songs, both in a similar vein and showing MB taking a more subtle melodic approa…
W2 (1998-2008)
"We think that we « make a journey » but soon enough it's the journey that makes – and unmakes - us." (Nicolas Bouvier, "l'usage du monde"). When I listen today to these pieces, I hear, of course, a geographic inventory of all the places I encountered. Above all, though, and as if by default, I hear the sonic journal of twelve years spent recording sound.My relation to the sites wasn't based on a desire to « document » but it is worth noting, however, that a « sound story », more trivial perhaps…
Fukushima!
A double CD inspired by a lecture given by Otomo Yoshihide at Tokyo University of the Arts on April 28, 2011, 'The Role of Culture: After the Earthquake and Man-made Disasters in Fukushima'. With John Tilbury, Greg Kelley, Annette Krebs, Chris Abrahams, Burkhard Beins, Choi Joonyong / Jin Sangtae / Hong Chulki / Joe Foster, Mural, Magda Mayas, Mark Wastell & Jonathan McHugh, Michael Pisaro & Greg Stuart. All the money collected will go to a non-gouvernemental organisation - Japan Society …
Along the way
'From Chinese traditional music to avant-garde freestyle improvisation, this beautifully-packaged double-CD features the music created by the meeting of these two extraordinary artists of different cultures and even different generations - violinist Malcolm Goldstein (born 1936), one of the greatest maestros in the field of freestyle improvisation, and Chinese pipa virtuoso Liu Fang, young master on the traditional classical music of China.' label info