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The extremely influential 1994 classic album from Oval is finally re-issued on vinyl. Freshly cut to vinyl by Roger Seibel at SAE Mastering the two LPs are pressed on clear vinyl and housed in black paper inner sleeves, packaged in a jacket replicating the original. Included for the first time is a free download coupon. Limited to 1,500 units worldwide. Systemisch was the debut Oval album released on Thrill Jockey. On this recording Oval was Markus Popp, Sebastian Oschatz and Frank Metzge…
Two key 80s moments from Peter Brotzmann – split together here on a heavy LP! First up is material from the album Low Life – hard-handed work from the duo of Peter Brotzmann on reeds and Bill Laswell on bass – a set that's kind of a side project of the Last Exit quartet, and one that comes across with a similar sense of power! Laswell's handling a fair bit of basses here, often with a bit of processing – thanks partly to producer Martin Bisi – and there's a dark, electric undercurrent to the who…
“White Metal” is a new piece by Michael Pisaro, realised by the composer and Miguel Prado. “When I first heard that Michael was thinking of working on a project with the name “White Metal”, I contacted him, excited to know more about it. At first we talked about general aspects of the piece, without knowing the route it would take, beyond a couple of conceptual premises. At some point, Michael suggested that this project be included in his “Grey Series” a series of noise-oriented scores he was …
Awesome! Quoting Metamkine review "Dylan Nyoukis returns assemblying iconoclastic voices, collages of field recordings, reminding a Tibetan monk lost in a festival of sound poetry or the music concrete by Michel Chion". Four measured tracks, all washing up a new kind of psychedelic moss, fresh thin tendrils, easy to snap, but determined to grow among loose grey matter late on into the next day, and the next and the next. Dry coughs and outta-whack piano chords play into Boy Scout bike repairs. …
Eyes closed, ears wide open, we are given freedom to dream the void. Sweeping, intricate, sometimes ominous yet always exuding a warmth and depth of emotion, The Stargazer's Assistant produces pure cinema of sound. For the new EP, David J. Smith (Guapo) is joined by Circle vocalist Mika Rttö', who sings on the heart-breaking 'Coral Butterfly'. David also had the honour of playing the late Finnish jazz drummer Edward Vesala's Sound & Fury collection of unique metal percussion. Ancient fore…
Finally available on vinyl for the very first time - featuring exclusive and never before available material from the likes of Autechre, Tod Dockstader, Luc Ferrari and so much more - in a super heavyweight and deluxe gatefold package* This second volume of this excellent compilation series from Sub Rosa features an exclusive/previously unreleased Autechre track 'Bronchus 1' from 1991 - an alternate version of the track on 'Incunabula'. A second chronology of pioneering sound artists cove…
A contemporary survey of the tribal music of Ethiopia. Recorded in 2009 by Olivia Wyatt, this double LP showcases an array of mind-blowing sounds from the "land of eternal sunshine." Presented in this visually stunning gatefold are audio examples ranging from remote tribes -- of the Ethiopian highlands, the lower Omo and the Great Rift Valley -- to their electric analogues in the sweaty beerhalls of Addis Ababa. This collection features songs from the Azmari, poet-musicians who play the k…
After much deliberation and work, Install is proud to unveil its first vinyl release: Milieu's Phosphene Weather LP. Notable for also being the first time Milieu's work has appeared on the vinyl format, Phosphene is a special affair, limited to 150 copies on randomly colored vinyl inside custom silk screened sleeves with hand-numbered inserts, sporting a modern design by David Tagg. Musically, Phosphene Weather inhabits a similar universe as previous Milieu ambient output, such as A Warm Wooden…
The collaboration between Israeli electronic musician Shay Nassi and German media artist Nicolas Wiese began in 2008, with the exchange of some raw recordings of feedbacks and everyday objects, via internet. During the following years, several compositional sketches have been sent back and forth and so have been refined step by step, in multiple sonic layering and construction processes. The result is a 45-minute-long collection of dense, dynamic, ambiguos and twisted atmospheric pieces which ca…
Voices by David Grubbs, Magorzata Penkalla and Pete Simonelli, guitars by David Grubbs and Miron Grzegorkiewicz, organ and violin by David Maranha, Text excerpted from Vanishing Point: How to Disappear in America without a Trace Music by David Grubbs, Miron Grzegorkiewicz, David Maranha, Gosia Penkalla, Pete Simonelli
Three takes on America - three journeys and three documents. Written and recorded.Year 1939, John A. Lomax and Ruby T. Lomax in their Plymouth - going South. 6502 miles, tons of …
Finnish experimental electronic musician Mika Vainio's first solo album for Blast First sees him return to his classic power electronics/heavy beats approach that made Pan Sonic garner a worldwide reputation. The album developed from Vainio's recent live sets to make 10 tersely-titled tracks inspired by the shipping container industry. Four stars in Mojo: "heavy-freight," The Quietus describes it as "fearsome."
Further down the highway from last year's ace split with Roy Orb D.MT., Food Pyramid reach for lush neo Krautrock heights on 'Ecstasy & Refreshment'. They first break orbit with 'Dexedream''s stellar trajectory powered by twin-panned guitars and rocking rhythm machines to zones of swirling vocals, plateauing at the dreamy psych-house plains of 'Pacifier' and spinning dubwise with the corkscrewing, Ekoplekz-meets-Sun Araw-like scramble of Deep Fantasy'. Up there, the chiming African guitar chops …
Breathtaking slab of the black stuff from peerless drone/noise (de)composer Kevin Drumm - with "spectral editing and time domain consultation" by Russell Haswell. We shouldn't need to tell you that this is a big deal. But, in case you're a bit daft; it is. Haswell helps out on the wormholing A-side 'Repetitive Algae'; a single tract of cacophonous, morphing rhythmic noise reminding of Philip Corner's 'Coldwater Basin' - a home recording of cold water running from a faucet into a basin - b…
Multi-faceted composer and performer Ashley Paul releases her new lp 'line the clouds', on brooklyn's rel records. a hyper-intuitive record, where off-kilter instrumentation meets beautifully crafted melodies to convey the very essence of 'musicality', 'Line the clouds' contains 44.18 minutes of sonic paradoxes and dichotomies. Stirring up a zephyr of twelve blissfully cacophonous sounds - singular moments of an indivisible whole the focus is on guitar, voice and saxophone, but Ashley also em…
Our man Millis is a Climax Golden Twin and a noted curator of globe trotting / time traveling esoterica, amongst other accolades.ÊIn the former category, Millis and Jeffery Taylor steadily release some of the most headscratching amalgamations of avant-rock, decontextualized temple music, heightened-state minimalism, and collaged field recordings this side of the Sun City Girls (including the soundtrack to the cult film Session Nine); and in the latter, Millis has published a number of acclaimed …
Founded in Belgium in 1970 with a remarkable line-up for a rock band: sax, organ, bass, drums and vocals - no guitar!, Mad Curry caught the attention of manager & enterpreneur Louis de Vries (the man who had arranged the very first Pink Floyd gig in Belgium) and soon debuted with the "Song for Cathreen" / "Antwerp" 45. "Antwerp" has become a club favourite ever since due to its danceable freakbeat psych rhythm. Shortly after, the Mad Curry album was released on the Pirate label, characterized by…
restocked!! Alcor is the debut LP by a new voice from the Australian wilderness. Hailing from Ferntree Gully, Victoria, the music of Astor has thus far been appreciated only via a string of barely-distributed CDRs. Alcor gathers together the prime of these micro-editions and presents the material as a seductive and puzzling new whole. Field recordings of humble organic activity bend against a foundation of discreetly processed electronics/piano, creating sonorities that are as undefinable a…
Decades before the advent of 'world music', bassist-composer Ahmed Abdul-Malik introduced Arabic music into jazz, creating a distinct, unique sound that was far beyond its time. Best known in jazz circles for his solid work with Randy Weston and Thelonious Monk, Abdul-Malik, who is of Sudanese descent, was also the first to use the oud, a pear-shaped, traditional Middle Eastern stringed instrument similar to a lute, as a jazz instrument. Recorded in 1958, with tenor saxophonist Johnny Gri…
‘Experimental’ bands are never going to please everyone; a lot of them seem almost uninterested in being anything but show-offs and twats, and there’s occasionally no attempt to make a connection twixt music and listener. All we get is: ‘marvel at my amazing button-pushing skills.’ And then, suddenly and horrifically, you turn into your dad: ‘that’s not music, that’s noise!’ Despite the post-watershed name, Fuck Buttons have always been a more subtle and meditative addition to the experime…
'Shadow Of Events is the third album by Oslo, Norway sound artist, producer and musician Alexander Rishaug, following his Asphodel CD Possible Landscape (2004) and 2001's Panorama on the Smalltown Supersound label.The album was recorded over a five year period and mixed in Berlin last year. Not unlike his previous albums but apparently more refined Shadow Of Events combines a warm and organic haunting quality blended with both abstract and concrete tones and subtle digital noises.'Most …