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Based exclusively on end grooves from vintagerecords, 'untitled #205' is a straightforward and joyful exploration of the potential for reincarnation of these unintended sonic structures into new life. More a tool than a final product, it delves into static, noise and rhythm with a hopeful perspective.' The untitled #205 mix on the a-side brings us 18 minutes of hissy, textural sound in dissolution, ranging from ryhthm to noise. The b-side has the 20 original loops López constructed out of…
Berlin Fields is a sonic journey not limited by national boundaries, city limits, or material limitation. Roden perambulates, recording as he goes with the immediacy and quirks that come from using both portable recorder (a Sony PCM-D50) and phone. Exploring intuitively, Roden brings together 19 sonic vignettes via “finds”: things discovered; and “activation”: objects performed on site.Using intuition as a guide, Roden's interactions and sonic interventions – “play” in every sense of the word –…
Sound and video artist MPLD works in a world of sentiment and detachment, creating a Lost & Found aesthetic uniquely his own. Lost are the old Kodachrome slides which make up the foundation of his work. Found are the feelings of misplaced memories the slides conjure, as well as the sounds — processed and amplified — of the projectors that bring those images back to life. What’s seen on lacunae is a straight shot of the screen during a rehearsal for a concert, although that might not be clear to …
A dark, choking, psychotropic immersion into abstract isolationist electronics, floating among rumbles, drones, bleeps, glitches...like a trip into the deepest corners of an obscure unknown galaxy, lost forever and glad of it! Everything is made with exclusive use of vintage equipment, no computers, no midi, no emulators…nothing can beat the sound of an unleashed vintage analogue synthesizer
Two live Burning Star Core sets straight from Manhattan -- the Cakeshop 9/01/07 and Rehab 11/08/08. One set solo presentation, the other a duo line-up, featuring Robert Beatty (Three Legged Race, Hair Police). In chunky vinyl case with insert. Edition of 100.
As the album title could say, this is a way to the "wonderland" (also called as "the other side" - many names have been used during the history of humankind), which shouldn't be mixed with the adventure's of the famous Alice - though it might give some idea about what is going to happen, but that's just the start of it all - the start of nothing else but listener's mind. What are the "echoes" then? They are something which is coming from beyond to here where we stay - so the album is a link betw…
this is the sound that brings out the best in melted brainiacs that start producing oer klanken when seeing a white ball with black dots on it on a grass field while carnavalists run after it in between two goals, troeps that follow one colour for the rest of their days, primates that repeat what the rest of the stadion is yelling! brazil techno, football (power) elctronics, echoes from another scene. far away from the daily routines of what these italian maestros usually do with their cod…
Open the gates to the mystifying world of Belgian electronic producer Hans Dens’ Innercity project. Truly alien, truly futuristic rhythmic mantras and techno miscalculations. Dens’ unique minimal beat style, combining elements of electronic, Kraut, and New Age weirdness, creates an otherworldly entity that transcends our earthly boundaries. Limited edition pressing of 300 copies.
BeMyDelay is the solo project of Marcella Riccardi (Blake/e/e/e, Franklin Delano, Massimo Volume), singer and guitarist. Her interest in archaic blues and adventurous music is the ground for building a song collection which tastes of experimental blues, vocali drones, acoustic pareidolia. "ToTheOtherSide" is another piece of the puzzle of that female psychedelia that goes from Grouper to US Girls, Valet and many more. The sound here is more shaped and definite than Liz Harris’ or Honey O…
Turntablist and concrète composer eRikm is one of the more readily recognisable names contributing to the revelatory Entr'acte label, and his disc Lux Payllettes is a typically excellent work. Stretching out over a thirty-minute-plus duration, the Marseille-based composer cuts and layers a huge variety of sounds cultivated from the sonic idioms of Western cinema. A bracing and immersive collage of fractured soundtracks, dislocated foley work and strange re-combinations, Lux Payllettes comes high…
Prurient (aka noise musician Dominick Fernow) has become one of the most well-known and influential names in the noise field. Anti-technology and anti-electricity. An unconventional use of banging objects together to create music; playing with live wire, pennies, frying pans, toolboxes, scrap metal, and used shotgun shells are an example of some of his instruments he has used before. On this new material sounds and voice gradually emerge, in a distant and threatening outhouse.
Gorgeous collection of rare and early italian wave releases from 1982 - 1987, after an exhausting work of "archeological" research, selected by Danza and with intro text by Fred Ventura in a limited run of 500
Chart smashing 7" from the Olde English Spelling Bee camp, dropping the debut from Brooklyn's hugely tipped Greatest Hits. Aside from having one of the best names ever, this band also make some of the most f**ked up pop music we've heard all year. Think Autre Ne Veut doing a guest spot on The Hitman And Her presented by Pete Waterman and James V/VM in a Michaela Strachan mask, and you're almost there. The PWL-production line groove of 'Danse Pop' is our favourite, while 'Make You Mine' s…
To Describe George Washington Bridge is Stephan Mathieu’s 2nd Dekorder release in the 10inch format (reflecting his interest in old 78rpm records) after 2009’s sold out The Key to the Kingdom, and, we’re happy to say, again it features two of the composer’s most outstanding short pieces. Both are recorded utilizing similar methods as used on his most recent album “A Static Place” on 12k yet they are presented in an even more condensed and melodic way. As source material he used transcript…
Touch presents a 7" from Mike Harding as part of the Touch Sevens series. Recorded in West Wittering in Balham using DPA 4060s onto a Nagra Ares P-ll digital recorder. Cut by Jason at Transition. Artwork & photography by Jon Wozencroft.
Recordings by Gordon Sharp (2001-2010) at Belmont shore (ca), mid-levels (hk) & Kobe (Japan) the mid-levels (hk) but manly at Roi vert, Okamoto, Japan. Cut at dubplates & mastering, Berlin, august 2010. Cindytalk have been active since 1982. During the 80s and the 90s their sound was defined by broken down rock structures and abstract piano ambience. A third side to their coin emerged at the dawn of the 21st Century with a turn towards obscure computer usage pushing all ressemblance of me…
This one-time limited edition of 750 copies comes from Austria's Comfortzone label and catches Mika Vainio in swaggering backroom dancefloor mode again for a 2nd, Jukebox-styled 7". A-side is a corrosive, killer slice of Industro-Bashment called 'Rasputin 3000', all skeletal rhythmic swagger and elemental distortion. B-side features an even more stripped down and haunted number called 'Devil Arrives To Finspång'. Nobody does this thing quite like Vainio - miss out at your peril!
Latest entry in Touch's bitesize Touch Sevens series, with typically lush cover design and photography by Jon Wozencroft. This one comes from NZ native Paul Douglas aka Rosy Parlane, and was recorded in Auckland back in 2008-9. 'Willow' is a blast, its radiant widescreen drones and shimmering surfaces - which corrode and curdle over the duration - calling to mind the work of labelmate BJ Nilsen. 'Morning' is more reserved, elegiac even; rotary organ tones and delicate processing conspire …