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Vivien Le Fay is a multi-disciplinary artist who mixes her sociology studies, her classes with Alejandro Jodorowski, dance and photography classes until the traces of the different expressive styles are lost in her personal path. Her interest in music started with orthodox new wave, passing through the physicality of hardcore until the discovery of the latest generation of electronic sound designers. She started working as a guitar technician for noise bands while deepening her knowledge of the …
Ung Dansk Kunst’s Tapeserie [Young Danish Art’s Tape Series] from 1969 is a series of 10 tape works, created by a central group of visual artists of the 1960es' experimental Danish art scene. The tape series is one of the earliest Danish examples of visual artists creating works of art in sound. Sound works that were conceptually, self-consciously and explicitly something other than music. The tapes could be purchased by mail order, and were initially limited to 20-30 copies each. Nørgaard’s wor…
**300 copies** "The modus operandi of more than a few of the recent New Wave of Jazz releases is sparse free improvisation using extended techniques. These albums, often disjointed with abrupt transitions and long minimalistic passages, exhibit a surprisingly consistent approach despite their aleatoric nature – a commitment to the unpredictable. Enter acoustic guitarist Daniel Thompson and saxophonist Colin Webster, both experienced improvisers who team up on the three tracks of Boskage. This pa…
**300 copies, 2019 stock** "The Serries-Verhoeven acoustic, chamber duo – Serries on the acoustic guitar and Verhoeven on the piano – is actually the last one to be recorded in the Tonus series but the duo distills the very essence of the series serves as a fitting introduction to this series. Cagean Morphology was recorded, mixed and mastered at the Sunny Side Studio at Anderlecht, Belgium on March 10th 2018. The minimalist layout of the Tonus series, was designed by Rutger Zuydervelt, aka Mach…
**300 copies, 2019 stock** "Minimal art is often presented as an act of simplification, a field in which nothing much happens and lesser (or even lazy) artists can have a field day. However, it is both in the visual arts and in music, perhaps one of the most misunderstood movements. Minimal artists not only sought out a certain core essence, but leading artists and theorists, such as Donald Judd, also offered a reaction against the extravagant focus on the subjective by the abstract expressionis…
**500 copies** Grischa Lichtenberger’s music stands for broken rhythms, for high-density manipulations that emphasize the digital and fractal nature of its working process. a mindset that grew closer to contemporary jazz in recent years. since free jazz, this genre also sought to overcome musical standards and looked for possibilities of an individual artistic expression. within this context, the collaboration between Lichtenberger and jazz saxophonist Philipp Gropper as well as the resulting al…
Threnody is the unmissable force from three prominent improvising musicians: Martin Küchen (saxophone), Johan Bertling (bass), and Steve Noble (drums). Previously established as a trio formation under their full names, the trio has released their first album Threnody, At The Gates on Trost in 2017 (TROST 156CD/LP) and now call themselves Threnody. Personnel: Johan Berthling - double bass; Martin Küchen - retardophone, sopranino-, alto-, and tenor saxophone; Steve Noble - drums. Recording by Dani…
**150 copies** "In 2013 my wife Gaia was pregnant. We were then waiting for our first born to come, expected for November of that year. A few little obstacles and troubles occurred during the nine months, so my anxious nature at the time generated in me the need to somehow express the feelings in a record, where I conveyed the worries that a father, especially a musician that needs his own moments for playing, may have in terms of an expected potential future lack of time and energies.I also dec…
Limited edition of 200 copies. Native Instrument is the collaborative project of field recordist Felicity Mangan and abstract vocalist Stine Janvin Joh. Often referred to as insect techno, Native Instrument’s music is constructed using electronic and vocal adaptations of wildlife audio recordings originating mainly from the Australian and North European fauna; mixing the natural rhythms of animal calls with digital effects and vocal imitations, Native Instrument enlightens a sonic ambiguity betw…
The music of Italian cellist Francesco Guerri obliterates the line between contemporary classical music and free improvisation, sculpting spontaneous invention into startling, unpredictable compositions.On his striking third album, Su Mimmi non si spara!, Guerri presents a dozen innovative pieces that span a wide range of stylistic approaches and technical challenges, invigorated by the physicality of his virtuosic playing and the deep emotional bond he maintains with his instrument. Su Mimmi no…
Regular Music were early instigators of the UK post-systems movement whose work straddles the spheres of rock, minimalism and post-punk. The band was formed in 1980 by composer / performers Helen Ottaway, Jeremy Peyton Jones and Andrew Poppy who met at Goldsmiths College in SE London where they studied music in the 1970s. Rather than wait for commissions they looked to models such as Steve Reich, Philip Glass, Gavin Bryars and Michael Nyman who formed their own ensembles to play their music.The …
**CD version** Cucoma Combo. Above all, the new boiling energy of pan-rhythmic music, the awakening dance of joy, the experimental space for ambitious arrangements and free-improvised parts of colorful horns. From Black Africa to South America, we travel on paths of Congolese soukuss and Amazonian carimbò, between accents of Colombian cumbia, kalimba vibes and tribal voices. We find seeded traces of space-funk and afrobeat, with amazing acid keyboards and an enchanting female voice. The power of…
**CD included** Kranky veteran Benoît Pioulard (né Thomas Meluch) has created his first full-length for Morr Music, complemented by a linen book of Polaroid SX70 photographs from more than two years of environmental explorations. The music on Sylva and its 84-page visual companion bear the beauty and strange shapes of nature: desert rock formations and colorful leaves, restless waters and peculiar plants. Meluch’s dreamy ambient drones and saturated lo-fi pop embody the impressionist sensation o…
**300 copies, 2019 stock** "Orbit titles the intersection of bassist / composer Scott Worthington and Italian photographer Renato D’Agostin. Worthington’s minimal approach to sound, like D’Agostin’s to image, reveals the hidden complexities of interaction between bodies and the contexts of their transit. With an atmosphere that recalls the self-refractions of Stephan Micus, A Time That Is Also a Place fleshes out the flute of Rachel Beetz like vanes to a feather’s shaft, funneling into a quill h…
2018 Repress. Originally released in 1971 on John Peel's Dandelion Records, Creation is the second album by underground folk troubadour Trevor "Beau" Midgley. Influenced by Tom Paxton, Lead Belly, and Dylan, Beau started to write his own songs in the late '60s. After trying to secure a contract with Elektra Records with no success, he was approached by Clive Selwood (Elektra) and Peel as they were launcing Dandelion Records. Beau signed with them and released his eponymous debut album in 1969. F…
**300 copies** Experimental solo cellist Oliver Coates (Rvng Intl., Prah) and techno-dub minimalist Spatial (Infrasonics) coalesce with the new installment for the Decouple ][ Series by subverting -through subliminal interventions and refined focus changes - pre-packaged music forms and textures in favor of new self-organizing tendencies. Surprisingly enough, two producers of such different DNAs converge to a similar systemic approach, delivering a set of music that flows with solid and endearin…
**300 copies** Penultimate Press (UK) and Aimless Wander (Australia) present the debut album from Brisbane’s Pious Faults. With Old Thread this young Australian group have crafted a remarkably lucid and original vinyl debut. A sonic whirlwind of wonderfully deconstructed hardcore punk – songs stripped of inheritable form; leaping from stone to leaf to puddle in a unique, abstract manner.Pious Faults careen through nine tracks on this 45rpm 12″, balancing short, disaffected hardcore punk blasts w…
***80 copies*** Music by Spyros Emmanouilidis, singing Bowl and psaltery on side B played by Vasilis Liolios. Recorded by Spyros Emmanouilidis, mastered by Giuseppe Ielasi. Design and artwork by Yorgos Vourlidas (Opora).
With a sonic arsenal as comprehensive as Joakim Blattmann’s on Bird Helmet, it’s no surprise that a very particular - and abstract - atmosphere can be conjured so well. The prolific artist, whose body of work mostly consists of live performances and installations with physical music releases seeming to be a rarity, constructs a lush sound environment of avian-adjacent sonorities, from actual field recordings of birdsong to spectral electronics and manipulations that evoke wings and flight in a m…
Jerzy Mazzoll is a key figure of polish music over last twenty years. He is a bass clarinet virtuoso that goes deep into the tradition of Polish improvisers and contemporary music composers of the mid-twentieth century. He played in many bands such as Arhythmic Perfection, Pieces of Brain, Mazzoll & Arhythmic Memory. He cooperated, among others with musicians such as Roscoe Mitchell, Greg Fox, Django Bates, Peter Brotzmann, Jon Dobie, Alfred Harth, Peter Kowald, Vytutas Labutis, Jeffrrey Morgan,…