New Arrivals
Swaddling Songs
Classic, highly regarded and sought after acid folk / progressive rock album. Featuring girl singers Clodagh Simonds and Alison Williams, Mellow Candle never achieved commercial success they deserved spawning a legendary psychedelic folk-rock album akin to Fairport Convention or Fotheringay. Touring to support Thin Lizzy (Simonds played on Lizzy's album Shades of a Blue Orphanage) and Horslips, the band had a short lived existence. Clodagh Simonds later went on to play again with Mike Oldfield a…
The Words in between
The story goes that Ian A. Anderson and Gef Lucena were walking
the streets of Clifton, trying to come up with a name for their new
record label. At the time (the early 70s) Greenwich Village was
naturally the mecca destination for any musician worth his 12-string, so
the pair had taken to referring to their slice of Bristol as ‘Clifton
Village’ (long before this was taken up by estate agents across the
land, albeit in a very different fashion). And so The Village Thing was
born; home to …
L.A. Turnaround
First of a diptych of albums recorded in and influenced by Bert Jansch’s time in America. As the title suggests, this album was something of a contrast to Jansch’s usual style – taking in swathes of Nashville-infused pedal steel to sparkling effect. Produced in part by the Monkees’ Mike Nesmith, whose guidance is much in evidence on this perfectly measured slice of British country-rock.
The Hymn Of The 7th Illusion
Pan Sonic, arranged and edited by Barry Adamson, with an additional re-arrangement by The Hafler Trio. Here, Barry Adamson and Pan Sonic have composed a 12-minute music piece that is performed by the Hljomeyki Choir
and Pan Sonic. Originally released on CD by Icelandic label Kitchen
Motors in 2001, now released on vinyl for the first time by Cold Spring.
Produced by Barry Adamson, Jóhann Jóhannsson, and Pan Sonic. The cover
art features Icelandic electronic composer Magnús Blöndal Jóhannsson…
Kondole / Dead Cat
Cold Spring Records present Kondole / Dead Cat, a double CD and DVD collection. The rare film features: Derek Jarman, Andrew Tiernan -- The Pianist (2002), 300 (2006), The Bunker (2001), Derek Jarman's Edward II (1991) -- and Genesis P-Orridge (Psychic TV, Throbbing Gristle). The first CD features the complete, long version of "Dead Cat". "...what
could be more beautiful that such a sustaining & chronic radical as
Gen could have provided us all -- in the form of Kondole -- with a piece of trul…
How To Destroy Angels
LP version. Includes download card. Cold Spring Records present the complete recording of A Slow Fade To Total Transparency. Recorded on August 24th, 1983 at the Air Gallery in London, UK. Personnel for the performance: John Balance (Coil), John Gosling (Zos Kia), Marc Almond (Soft Cell), and live mix by Peter Christopherson (Coil, Throbbing Gristle).
Features: "How To Destroy Angels", the complete 23-minute piece; "How
To Destroy Angels (Zos Kia Remix)", a nine-minute, unheard remix by John
…
Il Quaderno Punk 1979-1981 - La Nascita Del Nuovo Rock Italiano
Italian version only. A whole generation of kids growing in the mid/late Seventies got blown away by a tv program called "Odeon - Tutto quanto fa spettacolo" - on RAI, the national broadcasting company - which spread the punk word all over Italy. Two young brothers from the northern region of Piemonte, in 1979, started collecting all the infos about the italian punk and new wave movement and glueing photos on an exercise book. "Il quadernone", as it was called, was a naive attempt at archiving a…
And The Light Beams Will Guide The Way
Lullabies for Insomniacs keep their remit steeply psychedelic with a 2nd invocation of Raga drone by Unearth Noise complemented by his Dreamspeak collaboration with vocalist Mariam Zohra D, a.k.a. Myrh On the first disc Roger Berkowitz a.k.a. Unearth Noise goes dolo down a wormhole of plasmic drones and glossolalia vox echoing the worldly psychedelia of Lullabies For Insomniacs’ prior reissue of László Hortobágyi’s ‘Transreplica Meccano’, leading to exceptional highlights in the free-floating c…
Peggy
Jon Rose and Chris Abrahams (of The Necks), after four decades of being parts of other projects, finally got around to recording as a duo. Jon uses a number of violins, including the bird - a specially made tenor hardanger fiddle with sympathetic strings; his tunings are non-standard, and create complex microtonal dissonances with the standard keyboard. Abrahams is unfazed and somehow manages to make the conversation coherent; they’re still speaking one language – probably because these are both…
Panama / Suez
A-Ton is proud to announce Panama / Suez, the first EP by trio Oren Ambarchi, Konrad Sprenger and Phillip Sollmann (aka Efdemin). The three multi-instrumentalists collaborated with the goal of creating subtly shifting musical passageways: sonic routes that run between continents of musical category. The results are two variations of kraut-y, groove-based post-techno that unfurl through mutating polyrhythms and chiming, ethereal guitar play – a rare moment of guitar and techno in deep embrace. Wi…
Plugged Inclinations
“I work since 1993 to an experimental approach of the church organ (Pentes, Tirets) : 1) we control a machine 2) the organ is halfway between vehicle and artificial intelligence : it is a public transport : a ship, a barque, a boat, a building within a building 3) passing the machinery to the filter of listening, gesture and architecture 4) bringing the blast into the space : ventilate 5) make this organ sound not like this other one 6) express the organ as one says about lemon.The blast is endl…
Only On Mondays (Getsuyobi-No Yuka)
A very cool mix of music by the legendary Toshiro Mayuzumi a Japanese composer known for his implementation of avant-garde instrumentation alongside traditional Japanese musical techniques. His works drew inspiration from a variety of sources ranging from jazz to Balinese music, and he was considered a pioneer in the realm of musique concrète and electronic music– served up here on a soundtrack that's almost
like having an audio version of a movie! The songs are all relatively
short, and are …
Simple Affections
Simple Affections: "I corralled a dream LP that I would want to listen to. Too smelly, too sweet." Album features contributions from: Peter Friel, Jackson Graham, Mark Harwood, Graham Lambkin, Lia Mazzari, Sean McCann, Madalyn Merkey, Michael Pollard, Eric Schmid, Zach Schwartz, Tom James Scott, Patrick Shiroishi, Christina Stanley, Matthew Sullivan, Dennis Tyfus, and Will Gottsegen.
One time pressing. Includes six 5x7″ postcards in printed envelope,
program notes insert by Sean McCann, Scente…
Le Renard Bleu
Le Renard Bleu, the new musical and cinematic collaboration between Lafawndah and composer Midori Takada, and filmmakers Partel Oliva,
takes a cross-generational echo as ground zero for recovering a crucial
myth for uncertain times: the blue fox. As transmitted by Takada, the
fox appears in both ancient Senegalese and Japanese folktales as the
trickster archetype. Above all else, the fox is famous for its cunning
nature. Renard Bleu marks the first new music released by Takada in nearly twe…
Taipei Disco
Holuzam is a new label from Prícncipe Discos co-founders José Moura and Márcio Matos. The second release on the label is a sublime disco missive from Macau, China, recorded between 1989 and 1993, bubbling up from a blindspot to offer a stunning package of sounds lesser, or even never, heard beyond private archives or Portugal’s borders... Dwart has been the vessel for journalist and musician António Duarte and his sometime musical partner, Manuela Duarte, since 1985. They played gigs at home in…
Moshi Too
2012 Release. 80 Minutes of previously unreleased recordings from 1969-70, not to be found on the tenor player's regular "Moshi" album. Dark and trance-like amalgam of Afro-blues, acid-rock jams, polyphonic rhythms and spiritual jazz influences from the likes of Coltrane or Sanders. Recorded 1969-1970 in Africa by Barney Wilen on Nagra (Stereo/ Mono). Unreleased archive sounds, transferred on Telefunken and Nagra from original tapes found in the estate of Barney Wilen. Moshi: trance utterance by…
The Replicant Dream Sequence (Blue PA14 Series) LP
LP version. Hieroglyphic Being, aka Jamal Moss, visited the Moog Sound Lab towards the end of 2016. Testing the lab through his prismatic rhythmic cubism meets synth expressionism methodology. 21st century Afro-futurism to the max. Both parties expressed their satisfaction with the encounter. Eldon Tyrell on the recordings: "I believe Bob Moog was (in the late 20th century) creating his modular system 55 synthesiser for artists yet to come... artists like Jamal Moss."Moog Recordings Library is n…
Ttuunneesszz Duh Rruunneesszz (Blue TB7 Series) LP
Charlemagne Palestine first started using electronic instruments in his music in the late 1960s. Palestine on the release: "Electronic instruments were very rare and exotic in the 1960s.There were Moogs around New York but they were only in universities who preciously guarded them from us young composers. So after all this time visiting The Moog Sound Lab is like a dream come true for me... to have so many oscillators all singing together is a truly beautiful experience. I am so glad I am still …
Interrvallissphereee (Blue TB7 Series) LP
Charlemagne Palestine first started using electronic instruments in his music in the late 1960s. Palestine on the release: "Electronic instruments were very rare and exotic in the 1960s.There were Moogs around New York but they were only in universities who preciously guarded them from us young composers. So after all this time visiting The Moog Sound Lab is like a dream come true for me... to have so many oscillators all singing together is a truly beautiful experience. I am so glad I am still …
Resonance
2008 release. Ken Vandermark has had a productive relationship with the Polish label Not Two, which put out the 12-disc boxed set of the complete Vandermark 5 at the Alchemia club in Krakow from 2004. The most recent collaboration has resulted in these two vinyl releases.The Resonance Ensemble is a 10-piece band that was assembled from Vandermark collaborators from Chicago, New York, Poland, Sweden and the Ukraine (where the 2008 concert featured on this LP was held). One might question how well…