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In the summer of 2023, Japanese artist and composer Hideki Umezawa and Italian sound artist Giuseppe Cordaro came together on the small island of Stromboli that sits in the Tyrrhenian Sea, off the north coast of Sicily. The island is home to Mount Stromboli, an active volcano that has been in almost continuous eruption for the past 2,000+ years. Supported by Marosi Festival and Liminaria /Interferenze, the two engaged in a deep listening to the muttering, grunting and whispering of this energeti…
Luke Schneider’s new EP 'For Dancing in Quiet Light' finds the pedal steel guitarist further refining his singular ambient vocabulary—gentle, resonant, and quietly radiant. Following two releases on Third Man, this Leaving Records debut is inspired by the intersection of breath and movement, drawing influence from his rural Tennessee surroundings and Lou Reed’s little-known tai chi soundtrack Hudson River Wind Meditations. These compositions offer a delicate but emotionally resonant companion fo…
The record captures the embodiment of an encounter, one moment of the trio’s ongoing relationship as artists who communicate with each other through sound, voice and music. After orbiting in the same circles at each other's shows around 2016 in London, Sey and Salvadori eventually crossed paths. In 2017 Sey joined Salvadori’s artistic collective Tutto Questo Sentire on a residency in Capalbio, the southernmost part of Tuscany, Italy, and started working together. Down the line the pair ended up …
A groundbreaking collaboration between two Japanese cultural giants: Seiichi Yamamoto — a pioneering figure in Japan's avant-pop scene and former member of Boredoms, Omoide Hatoba etc — and legendary photographer Daido Moriyama.
Inspired by Moriyama’s iconic photographic style, Yamamoto has composed a sonic tribute — a soundtrack, or perhaps a love letter — to Moriyama’s raw, evocative imagery. The result is an unparalleled work of art: progressive, genre-defying, and emotionally expansive. From…
*300 copies limited edition* From the innovative visionaries Méabh McKenna, Ross Chaney, and WRWTFWW mainstay Gareth Quinn Redmond emerges Throwing Shapes—the self-titled debut album of a genre-defying new project set to captivate listeners worldwide. Throwing Shapes is a mesmerising, sonically rich exploration that artfully blends tradition with experimentation.
At the heart of the album lies the evocative timbre of the Irish wire-strung harp, masterfully played and reimagined within modern con…
WRWTFWW Records is extremely happy to present the official reissue of Safari's self-titled album from 1984. The Japanese jazz-fusion super gem is available now as a limited-edition transparent vinyl LP housed in a heavyweight sleeve with obi.
*Back in stock! 2025 repress* "Pop, the album that has become widely recognized as the defining moment in which Wolfgang Voigt brought us into a clearing of his deep, psychedelic forest. A landmark release in the GAS odyssey that drew international attention, Pop was originally released in 2000 on the iconic Frankfurt imprint Mille Plateaux. Pop was heralded by Pitchfork at the time of release as being “an exercise in sonic texture… pure sonic velvet, the layered drone radiating a palpable warmt…
At long last, Takao is back with his long-awaited second album, seven years in the making. His 2018 "Stealth" was (and still is) a much-loved set, mixing elements of ambient and environmental music; with this new release Takao breaks free of the gravitational pull of these earlier influences and strides confidently forward. "The End of the Brim" jettisons some of the more abstract elements of his previous work, embracing a "universal listenability" and a more concrete intensity, with a focus on …
Released in December 1970, King Crimson's third studio album, Lizard, is often viewed as an outlier in the pioneering British prog outfit's nearly half-century discography. It's not easily grouped with 1969's stunning In the Court of the Crimson King debut and 1970 follow-up In the Wake of Poseidon, and along with 1971's Islands it's considered a transitional release on the band's path toward the relative stability of the Larks' Tongues in Aspic (1973), Starless and Bible Black (1974), and Red (…
King Crimson opened 1970 scarcely in existence as a band, having lost two key members (Ian McDonald and Michael Giles), with a third (Greg Lake) about to leave. Their second album -- largely composed of Robert Fripp's songwriting and material salvaged from their stage repertory ("Pictures of a City" and "The Devil's Triangle") -- is actually better produced and better sounding than their first. Surprisingly, Fripp's guitar is not the dominant instrument here: The Mellotron, taken over by Fripp a…
The black Albumen began as an experiment by Glyn BiggaBush (Rockers Hi Fi, Dandelion Set, Magic Drum Orchestra, Lightning Head) to see if he could channel the music of Egg - specifically their 1969 debut album but with elements of follow-ups The Polite Force & Civil Surface - into his own productions. The black Albumen's musical palette was restricted to the same instrumentation as used by Egg - organ, piano, tone generator / test oscillator, bass guitar & drums. Time signatures were generally i…
Kaleidoscopic Visions showcases Tom Skinner drawing together the many threads of his career as one of the UK’s most versatile and free-thinking contemporary musicians. Performing and recording with Sons of Kemet, The Smile, David Byrne, Meshell Ndegeocello, Alabaster DePlume, Floating Points and Peter Zummo as well as a wide range of collaborations across London’s vibrant improvised and electronic scene, Skinner’s diverse touchpoints are brought together in an album of quiet power and profound t…
"Ethiopians' deep-seated ethiocentrism, the legacy of a thousand years of history, has contributed in no small way to their music's strong national identity, particularly impervious to any African influences. Latin influences, so pervasive in the great musical centers of West Africa and the Congo, have been similarly rebuffed, despite the brilliant attempts of a musician like Mulatu Astatke. He was the first and for a long time the only Ethiopian to have studied music abroad (England and USA). I…
The Ethio Jazz album by Mulatu Astatatke is a jewel of the modern Ethiopian music. Essential. An incredibly groovy Ethiopian record, originally from 1969-1972. Amazing orchestral 'Ethio-groove' filled with US soul, jazz, sometimes Latin and the deepest Eastern rhythms, even including some great nasty and dirty fuzz guitars. A true gem of Ethiopian modern instrumental music, which illustrates perfectly this symbiosis of strong rhythms and quality arrangements of subtle yet deep Ethiopian melodies…
Impulse! Records is proud to announce the release of “The John Coltrane Quartet Plays,” an evocative and boundary-pushing album from one of jazz’s most celebrated ensembles. Recorded in 1965, just months after the landmark “A Love Supreme,” this album captures John Coltrane and his legendary quartet—McCoy Tyner (piano), Jimmy Garrison (bass), and Elvin Jones (drums)—at a time of creative transformation and exhilarating intensity.
Featuring four powerful tracks that stretch the limits of post-bop…
Concord is proud to unveil Miles ’55: The Prestige Recordings, a definitive retrospective shining a spotlight on a transformative year in jazz legend Miles Davis’ career. This collection celebrates the birth of Davis’ First Great Quintet and the creative momentum leading to some of his most groundbreaking work.
1955 marked a new era for Miles Davis. That year, he assembled a soon-to-be-storied group — John Coltrane on tenor saxophone, Red Garland on piano, Paul Chambers on bass, and Philly Joe J…
Blue Note Records proudly presents the reissue of Wayne Shorter’s legendary album, The Soothsayer—a vital chapter in the evolution of modern jazz and a showcase of Shorter’s compositional brilliance. Though recorded on March 4, 1965, at the iconic Van Gelder Studio, this remarkable session was not released until 1979, transforming it into one of jazz’s most revered hidden gems.
Upon its eventual release, critics hailed The Soothsayer as “hard-driving and as edgy as the time at which it was made,…
Blue Note Records is proud to spotlight one of jazz trumpet legend Lee Morgan’s most exhilarating works, "The Procrastinator." Originally recorded in 1967 but first released posthumously in 1978, "The Procrastinator" captures Morgan at the height of his creative powers, leading an all-star sextet that reads like a who’s who of modern jazz: Wayne Shorter (tenor saxophone), Bobby Hutcherson (vibraphone), Herbie Hancock (piano), Ron Carter (bass), and Billy Higgins (drums).
Crafted during Morgan’s …
De la Catessen Records proudly presents the original soundtrack for Iron
Winter by Port Adelaide based composer Luke Altmann in a hand-numbered vinyl edition of 250 copies.