"Final album for the Ohr label. Apparently by this point, Edgar Froese was getting unhappy with Rolf Ulrich Kaiser marketing everyone on his label as freaks, and in fact Kaiser would shortly change the name of Ohr to Komische Musik (of course, things would only get worse when Kaiser released those Cosmic Jokers albums, against the wish of some, especially Klaus Schulze). Anyway, the band continues the same, unusual ‘spacy music’ they did their previous two albums. Only know, Edgar Froese started to include Mellotron, which he put to good use on the title track, "Fauni Gena", and "Wahn". This is also their most ‘accessible’ Ohr album, even if the music is still just as unstructured with hardly anything call conventional. "Fauni Gena" is Edgar Froese's Mellotron tour-de-force, as it's almost nothing but Mellotron (as electronic chirping birds). This sounds like a blueprint for his second solo album, "Epsilon in Malaysian Pale", except for one major difference: this is much more experimental. "Circulation of Events" is another really sinister sounding piece, no doubt caused by the strange droning and odd electronic effects. "Wahn" consists of a bunch of yelling and screaming, with startling percussion, before it ends with Mellotron. This also is much more concrete and aggressive music than on their earlier albums, and there resides a huge dramatic tension within the architecture of this surreal composition. Also the atonal moments have decreased to quite small amounts from the previous albums, and in some parts there is a strong "cinematic" feeling."