One of our records of 2015.
José Maceda
Field Recordings In Philippines [1953–1972]
LabelCONCRETEGenreExperimental
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Much needed archival recordings from this seminal figure. Jose Maceda [1917-2004] was an ethnomusicologist and composer from Philippines. Maceda dedicated to the understanding of traditional music of Philippines.
Since 1953, he has conducted field research throughout the Philippines and in eastern and western Africa, Brazil, China, Indonesia, Malaysia, Myanmar, Thailand and Vietnam and has written extensively about the research for the publications. As a composer, Maceda contributed his interest on music concrete since around 1954 and he has conducted his career as a composer.
This CD is a collection of different Filipino traditional music and folk songs, recorded by Jose Maceda from 1953 to 1972. The CD dedicated to the range of different location, music, song in Philippines and introduces Maceda's contribution to the field recording techniques and interests.
Compiled by Yasuhiro Morinaga In collaboration with University of Philippines Center for Ethnomusicology
| (1953–1961) | |||
| 1-1 | Dee Dee Dali Nmoh Noi (Female Song) (1953) | ||
| 1-2 | Guitar (1953) | ||
| 1-3 | Agung (Suspended Gongs) (1954) | ||
| 1-4 | Kagul (Bamboo Scraper Gong) (1954) | ||
| 1-5 | Batiw (Song For the Dead People) (1960) | ||
| 1-6 | Diwas (Bamboo Instruments Like Pan Flutes / Panpipes) (1960) | ||
| 1-7 | Gangsa (Metallophone) (1953) | ||
| 1-8 | "Tiyasa" (Chorus) (1960) | ||
| 1-9 | Iyag And Ayeng (Leader Chorus) (1953) | ||
| 1-10 | Guitar (1953) | ||
| 1-11 | "Tsai-Ng" (Male Song) (1961) | ||
| 1-12 | "Isuwa-Ay" (Chant) (1953) | ||
| 1-13 | Kaltsang (Zither) (1960) | ||
| 1-14 | Suling (Bamboo Flute) (1954) | ||
| 1-15 | Sulibao (Shorter Drum), Kimbal (Taller Drum), Kalsa & Pinsak (Two Gongs), Palas (Iron Batans) (1960) | ||
| 1-16 | "Dawak" (Song For Butchering Pigs) (1960) | ||
| 1-17 | Agung (Wide-Suspended Gongs), Babandil (Narrow-Rimmed Gong) (1955) | ||
| 1-18 | "Diwata Ka Sa Lipan" (Chant) (1954) | ||
| 1-19 | Kalsa & Pinsak (Two Gongs) (1961) | ||
| 1-20 | Tinebteb-Ak (6 Brass Gongs) (1961) | ||
| (1964–1972) | |||
| 2-1 | Saggeypo (Bamboo Instruments Like Pan Flutes / Panpipes) (1964) | ||
| 2-2 | Forest Sound (1967) | ||
| 2-3 | Magarib (Kulintang Ensemble) (1964) | ||
| 2-4 | "Idi Damok Nga Lpanrikna Kenkatoy Ayat Ko" (Guitar With Song) (1968) | ||
| 2-5 | Tado (Gangsa And Conical Drums) (1967) | ||
| 2-6 | "Bake Boy" (1967) | ||
| 2-7 | “Pas-sing” (Zither With 2 Strings And Platform) (1967) | ||
| 2-8 | Inandang Sarunai (Kulintang Ensemble) (1964) | ||
| 2-9 | “Banabayan Inonoku” (Ibanag Song) (1967) | ||
| 2-10 | “Patatag” (5 Bamboo Blades) (1964) | ||
| 2-11 | “Pintatalatto Ko” (Guitar, Voice) (1967) | ||
| 2-12 | Balingbing (Bamboo Buzzer) (1972) | ||
| 2-13 | Basal (Gong), Agung (Wide-rimmed Gong), Sanang (Higher Pitched Gong) And Gimbal (Drum) (1972) | ||
| 2-14 | “Insay” (rice Pounding Song) (1964) | ||
| 2-15 | Ulibao (Jaw's Harp) (1972) | ||
| 2-16 | Kulilal (Vocal) And Kusyapiq (Lute) (1972) | ||
| 2-17 | Maranao Ethnic Group (1964) | ||
| 2-18 | Gangsa Patting (1972) | ||
| 2-19 | Taliwatiw (Flute) (1967) | ||
| 2-20 | “Garo Dai Maagod” (With Guitar Accompaniment) (1967) | ||
| 2-21 | “Innas A Nagpaiduma Ti Ulpit” (Harp With Song) (1967) | ||
| 2-22 | Cicada (Cricket) (1972) | ||
| 2-23 | Agung (Wide-Rimmed Gong), Sanang (Higher Pitched Gong), And Gimbal (Drum) (1972) | ||
| 2-24 | Guitar (1967) | ||
| 2-25 | “Bendolin” (Vocal) (1967) | ||
| 2-26 | Cansiyon (Nose Flute) (1967) | ||
| 2-27 | Two Sisters (Vocal) | ||
| 2-28 | Kolitong (Bamboo Tube Zither) (1964) | ||
| 2-29 | Gologod (Bamboo Violin) Dong-Ilay (1964) | ||
- Yasuhiro Morinaga
- Compiled By, Producer
- Dayang Kraola
- Production Manager
- Roan Opiso
- Production Manager
- José Maceda
- Recorded By
