We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Reissues

Dreamweapon
2025 Repress. "August 1988, Spacemen 3 embark on one of the strangest events in the band's already strange history. Billed as 'An Evening Of Contemporary Sitar Music' (although consciously omitting the sitar), the group would play in the foyer of Watermans Arts Centre in Brentford, Middlesex to a largely unsuspecting and unsympathetic audience waiting to take their seats for Wim Wenders' film Wings Of Desire. Spacemen 3's proceeding set, forty-five minutes of repetitive drone-like guitar riffs, …
Nation Time
2022 Repress. "Joe McPhee's solo album, Tenor literally changed my life. The recording (one of his first for Hat Hut, in September 1976) displayed his unique ability to integrate unconventional sounds and extended techniques with pure melodicism, and it permanently altered my perspective on what the saxophone could do and what music could be. Nation Time was recorded six years earlier, but ideas regarding the integration of means and methods were already at the forefront of McPhee's approach to …
Jackson C. Frank
2022 Repress Jackson C. Frank’s eponymous album is the embodiment of folk legend. Issued in late 1965 on the UK Columbia label, it was for many years more famous for its producer (Paul Simon) and the musicians who would go on to cover its songs (Nick Drake, Bert Jansch, Sandy Denny) than for the hauntingly beautiful music contained inside. Frank’s backstory certainly adds to the legacy: born in Buffalo, New York, he used the settlement from a childhood accident to sail to London where he quickly…
Recordings 1987-1991 Vol. 2
Following the unpublished works of the Ukrainian/Estonian musician Valentina Goncharova, Volume 2 of Shukai’s archival project completes Shukai’s dive into the sound world of an important yet overlooked artist working within Soviet era electroacoustics.
Sleep Patterns of The Discontent
*50 copies limited edition. In process of stocking* One can be a discontent – that is, an insurgent or a revolutionary – but there is also that more literal, personal meaning of the word which may be in most cases equally applicable to those to which we refer here and, in either case, there is a sort of disruption implicit, as in a hypnopompic state.» A non–linear mix by Michael Anderson / Drekka, with portrait interludes by Mark Trecka. Performed and mixed live 21 October 2015 at The Artifex Gu…
Prairie Spells, A Ribbon Wove
*50 copies limited edition. In process of stocking* Originally released as a double cassette boxset in March 2021, reissued as a single cassette.  A long distance, cross continental collaboration between Lightning White Bison (Adam Parks of Timber Rattle) and Drekka, recorded 2018 - 2020. "Prairie spells, a ribbon wove" is the outcome of a long-distance collaboration. The four 11-minute tracks are a sonic document of the exploration and reconciliation of geographic disparity, the distance betwee…
Songs of Reunion
*50 copies limited edition. In process of stocking* "Drekka’s contribution, "Songs of Reunion" is comprised of two 18-minute sound palindromes sourced from Anderson’s archive of ensemble recordings made in the early 2000s. Anderson says that these sound pieces are an expression of his “love for drone and gathering together players to meditate on one idea for extended durations of time.” These pieces are meditations on recurrence and thought as sound. It is a sonic wax and wane, an endless, minut…
Ancestral Cave Sequence
*50 copies limited edition. In process of stocking* This album was originally released on Digitalis Industries as a beautiful cassette in an edition of 80 copies, in November 2009. It is a collection of live recordings made at the opening of a sculpture/film installation by my friend Andrew Perry Davis, entitled 'Clan of the Cave Mouse' . Accompanying the sculptures was a 12 minute film by Andrew and Nathan Vollmar and for the opening reception, Drekka performed a series of 12 evolving soundtrac…
Ouba
*2022 stock* Canadian rarity from 1968, recorded under the influence of hallucinogenic substances by a bunch of underground musicians: Michel Pagliaro, Tony Roman, Denis Lepage and Andy Shorter. The album consists of just one long freak-out jam divided in two sides: raw basement sound, acid guitar, stoned vocals, keyboards and loud drums, similar to early Soft Machine, Pink Floyd at their most free-form phase, or Can. Newly-remastered sound, insert with photos and liner notes.
It's My Story
*2022 stock* Oregon's fathers of freak-folk/folk psych pioneers The Tree People have, incredibly, made another album once again. Responsible for two awesome works in the late '70s and early '80s, here they are now with a new album and they sound exactly as they did 30 years ago. This could be their best work ever. Mellow, tender freak-folk with acoustic guitar, double bass, recorder, flute and percussion. Eleven new tracks, plus a new version of "Space Heater" from their 1979 debut. Includes a b…
Terza Ipotesi Su Un Caso Di Perfetta Strategia Criminale
Having never been released on vinyl before, Terza Ipotesi Su Un Caso Di Perfetta Strategia Criminale. Music remains even more obscure than the film itself. The backdrop to an Italian exploration thriller, Terza…. Follows in the path of other Italian films from the period with funky and jazzy lounge sounds that scream psychedelic 60’s. Limited to 500 copies total, this will surely be a collectors item in the future.
Sonatina For Maria
*2022 stock* Taking in a range of styles, the album illustrates Al-Munzer’s skill in composition and arrangement that saw him become one of the busiest arrangers of Lebanon’s 1980s pop scene. The record goes deeper into the Western rhythm Al-Munzer explored at the beginning of his career and brought to his Middle Eastern fusion productions, with the synthesizer still taking centre stage, and the electric guitar, bass and drums ever more present. When Al-Munzer entered Copenhagen’s Sun Studio in …
Azabu
Edition of 500. CD and 8 page booklet in gatefold cardboard sleeve * Even though only being fully terminated 50 years after its conception, 'Azabu' can be regarded as the starting point of Michael Ranta’s creative self-discovery. The recordings that form the base of 'Azabu' were mostly made in the Tokyo district with the same name (Azabu-Juban). Next to abstracted field recordings 'Azabu' is also pervaded by a rich variety of percussion, string and wind instruments, all played by Ranta himself. …
Talk to the Sea
2022 small repress. The highly-anticipated second release from the Music From Memory label takes you into the world of Italian musician Gigi Masin. Part of only a small and very much underground music scene in his hometown of Venice, Gigi Masin self-released two modestly pressed LPs, Wind (1986) and Wind Collector (1991), and appeared alongside Charles Hayward for the Sub Rosa compilation LP Les Nouvelles Musiques De Chambre Volume 2 (1988). Having met with little commercial success in Italy at …
Fractals / Brain Fever
2022 Repress "Fractals" (1981): Composed at the GMVL from December 1979 to September 1981, this work was commissioned by Fnac. Fractals are mathematical oddities that, when crossing our path, turn the smallest island into an immensity to be explored. "Fractals" is a series of short studies, all based on the same sound source. Seeking in the sound and its very logic a proposal upon which a construction is elaborated, each Fractal remains open and is a mere fragment of itself. "Fractals", music p…
Persepolis
One of the milestones of electroacoustic music: Iannis Xenakis’ mindblowing 54-minutes oeuvre “Persepolis”, mixed from the original 8 track tapes by Martin Wurmnest“Persepolis” is the longest electroacoustic composition by Iannis Xenakis (1922-2001) who ranks among the most influential 20th century avantgarde composers. Commissioned by the Persian Shah, the piece was part of a multimedia performance – Iannis Xenakis' so-called “polytopes” – which premiered in 1971 in Shiraz-Persepolis (Iran) as …
Diamorphoses / Concret Ph / Orient Occident / Bohor
Iannis Xenakis's early electroacoustic works define already the compositional space he is using later in his mature, almost one-hour long works like Persepolis or La Légende d'Er. After arriving in Paris as a Greek refuge in 1947, Xenakis quickly found a work as construction engineer with the architect Le Corbusier. He tried in vain for several years to become a member of the Groupe De Musique Concrète (GRM) and thus to gain access to the electroacoustic studios at the French radio. Pierre Schae…
Taurhiphanie / Voyage Absolu Des Unari Vers Andromède / Gendy 3 / S.709
Iannis Xenakis's late electroacoustic music became electronic: all sounds are synthetic "explicit computer music" as Peter Hoffmann called it. The music presented here shows Xenakis's way back from spatialized immersive music and multimedia spectacle to simple loudspeaker music. The sound does not move anymore, there are no synchronized visuals: nothing remains but structured noise. Xenakis used two inventions he had already presented in the context of the Polytopes: sounds created by stochastic…
Labyrinth Of The Inner Ear
Tip! ** Full colour 6 page dvd-type embossed digipak. 300 copies. In Terry Fox's own words: "For the exhibition "Sonambiente", I will produce a new audio work for compact disc. The title of this work will be "Labyrinth of the inner ear" and it will be recorded in Berlin on the 14th and 15th of April 2006. The compact disc will be produced directly after the recording process and presented, during sonambiente, in a room of the former polish embassy. This will be a kind of "drone" work consisting …
Fire Music Reloaded
Fire Music was composed by Reynols in 2002 with fire recordings made at Tigre (Río Capitán) and different locations in Buenos Aires city and around. With some of this material, a CD EP appeared in Japan in 2002 through the Digital Narcis label, however the complete version of this piece remained unreleased for decades. In a recent research the masters of the whole work were found and rescued from the group's archives. So twenty years later, finally the full version of this piece is now ready to …