Reissues
The Mafia Film Music Collection
Three of Riz Ortolani's crime and gangster scores, long awaited by his admirers, gathered on a single two-disc set for the composer's centenary.
Day of Anger (I Giorni dell'Ira)
Issued for Ortolani's centenary, the most complete edition yet of his 1967 western score for Tonino Valerii's film with Lee Van Cleef and Giuliano Gemma. Jazzy horns, electric guitar and that slow-stepping main theme, across the original mono and stereo albums plus the full score in stereo. 350 copies.
Live In Finland 1963 - 1965
In 1963 and 1965 Oscar Peterson performed at the Kulttuuritalo in Helsinki. He was the leader of what was then considered one of the most closely-knit bands in the history of jazz, made up of Oscar himself and two other fabulous jazzmen, Ray Brown on bass and Ed Thigpen on drums. For the 1965 concert, trumpeter Clark Terry was invited to join the legendary trio.The Helsinki concerts were both part of whirlwind European tours that included performances all over the continent, from France and Germ…
Universal Dub
Universal Dub brings together four pillars of dub’s golden era—King Tubby, Scientist, Bunny Tom Tom and Barnabas—in a definitive collection that celebrates the raw innovation and deep rhythmic spirituality of Jamaican studio culture. Remastered and curated for both longtime devotees and newcomers, Universal Dub showcases the producers’ inventive studio techniques, subterranean basslines and immersive echo-laden soundscapes that helped shape modern music.
King Tubby’s pioneering studio architectu…
In Reggae Time
Cinedelig/Jamdung proudly presents the first repress of the rare UK compilation In Reggae Time (originally 1970) as a limited-edition 12" picture disc. Unearthed from original 7" single sources issued around 1967 on Ember Records and its sub-labels, this repress collects exceptionally rare UK tracks that sit at the crossroads of late‑’60s British youth culture—only marginally reggae, they instead deliver a vivid fusion of mod, R&B, ska and northern soul with the era’s restless energy preserved i…
Pasteland Beyond The Clouds
Chinese ambient electronic duo Pasteland Beyond The Clouds (云土境) has officially announced the international release of their self-titled double-CD album via the Sad Disco label. Formed in 2016 in the creative haven of Dali by multi-instrumentalists Huanqing (歓慶) and Liao Kai (廖凱), the project initially gained critical acclaim in China under Modern Sky’s avant-garde BadHead imprint. This globally available edition introduces the duo’s expansive sonic universe to a wider audience, solidifying thei…
Lupin The Third Original Soundtrack 3
Yuji Ohno’s Original Soundtrack from Lupin III is a masterclass in stylish, cinematic jazz that helped define the sound of a beloved franchise. From instantly memorable themes to supple, groove-driven arrangements, this album blends cool sophistication with playful energy, delivering music that stands on its own as a landmark jazz-pop soundtrack.
Ohno crafts a vivid sonic world that moves effortlessly between noirish lounge, funky brass-driven grooves, romantic balladry, and upbeat, swinging sma…
Lupin The Third Original Soundtrack 2
Yuji Ohno’s Original Soundtrack from Lupin III is a masterclass in stylish, cinematic jazz that helped define the sound of a beloved franchise. From instantly memorable themes to supple, groove-driven arrangements, this album blends cool sophistication with playful energy, delivering music that stands on its own as a landmark jazz-pop soundtrack.
Ohno crafts a vivid sonic world that moves effortlessly between noirish lounge, funky brass-driven grooves, romantic balladry, and upbeat, swinging sma…
Lupin The Third Original Soundtrack
Yuji Ohno’s Original Soundtrack from Lupin III is a masterclass in stylish, cinematic jazz that helped define the sound of a beloved franchise. From instantly memorable themes to supple, groove-driven arrangements, this album blends cool sophistication with playful energy, delivering music that stands on its own as a landmark jazz-pop soundtrack.
Ohno crafts a vivid sonic world that moves effortlessly between noirish lounge, funky brass-driven grooves, romantic balladry, and upbeat, swinging sma…
Alpha Ray
Norio Maeda ignites this trio date with raw, thrilling momentum — one of his most electrifying records. Stripped-down and urgent, the music bursts with kinetic energy: tight, swinging interplay that sparks like vintage 60s bossa bands yet barrels in its own direction. Maeda’s piano cuts through with bold, adventurous lines; Tatsuro Takimoto’s bass is muscular and melodic; Takeshi Inomata’s drumming is sharp, driving, relentless. Standout tracks include "Alpha Ray," "Fifth Column," "Slobber," "St…
Our Time
Killer jazz-funk from Japan here! Since turning professional in 1960, guitarist Kiyoshi Sugimoto had been active in many sessions and recordings. From the latter half of the 1960s, he joined groups with Hideo Shiraki, Akira Ishikawa, and Terumasa Hino, gaining attention in the scene, and also solidifying his position with his albums as a leader, such as the magnificent “Country Dream” in 1970 and “Babylonia Wind” in 1972. “Our Time” was recorded with Akira Ishikawa on drums, Hiromasa Suzuki on e…
One More
Skilled guitar dances over the ultimate groove by Marcus Miller and Omar Hakim. This important Japanese fusion album was recorded by guitarist Kiyoshi Sugimoto, who was extremely busy at the time as a first-call musician, together with Marcus Miller, Omar Hakim, and Warren Bernhardt, who were in Japan for Kazumi Watanabe’s "To Chi Ka" tour. The lively playing of Marcus Miller, then 21 years old and just before being discovered by Miles Davis, is a must-hear.
Sowas von egal. 3 German Synth Wave Underground 1981-1986
LP version. With Sowas von Egal Vol 3, the Hamburg-based Damaged Goods DJ team continues its compilation series on Bureau B, once again turning its attention to the underground scenes of Germany, Austria, and Switzerland in the early 1980s. The selected tracks originate from a period in which, alongside the commercial Neue Deutsche Welle (NDW), a number of innovative and often more abrasive bands and artists operated outside the mainstream. They combined influences from new wave, synthwave, post…
Novos Baianos F.C.
“Novos Baianos shaped an entire generation of Brazilian music — their sound is pure freedom.” — Caetano VelosoOriginally released in 1973, Novos Baianos F.C. captures the band’s communal lifestyle and fearless experimentation. After the success of Acabou Chorare, the group expanded their sound into a vibrant mix of samba, choro, folk, psychedelia, and electric street-soul.With the unmistakable chemistry of Baby Consuelo, Pepeu Gomes, Moraes Moreira, Paulinho Boca de Cantor, and Dadi, the album r…
Stepson
US Heavy rock band Los Angeles-based, active in the 1st half of the 70s. Stepson was formed in 1972 by Bruce Hauser (bass), Jeffrey Hawks (vocals), Vern Kjellberg (aka Joey Newman) (guitar) and Len Fagan (drums). Hauser, Hawks and Newman hailed from cult psych-rockers Touch (one album in 1969), whilst Fagan had been member of the country-rock group Wichita Fall (one album in 1968). The music of the band is a powerful and high-energy hard blues rock, a cross between MC5, Bloodrock , Mountain and …
Dust
Three piece U.S. hard rock outfit formed in 1969 that released two albums. At the time of their release, the albums were not successful but have grown to have cult status over the years.
Guitarist and vocalist Richie Wise went on to write songs and produce records for Kama Sutra with Dust producer Kenny Kerner.
The pair went on to produce the first two Kiss albums.
Bassist Kenny Aaronson is a notable touring and sessions bass player having worked with Bob Dylan, Rick Derringer, Billy Idol and ma…
Hard Attack
Released in 1972 on Kama Sutra, Hard Attack is a heavy rock burner from New York trio Dust. Packed with searing riffs, wild energy, and the powerhouse drumming of Marc Bell (later Marky Ramone), it’s a raw, intense listen that still hits with full force. A true cult classic.
Clube Da Esquina
Clube da Esquina is a 1972 double album by the Brazilian music artists collective Clube da Esquina, credited to Milton Nascimento and Lô Borges. Considered one of the greatest Brazilian albums and an important record in the history of Brazilian music, it features arrangements by Eumir Deodato and Wagner Tiso, and conductions by Paulo Moura. The album garnered high attention for its engaged compositions and miscellany of sounds. Indeed, the LP was considered in the list of the Brazilian version o…
Adonia
Recorded across a single sweltering Paris summer in June 1978, Adonia - the lone album credited to Ose - captures a rare alignment of intellect, imagination, and emerging technology. For decades it has lingered as one of the great half-secrets of French electronic music's most fertile decade, traded between collectors who understood exactly what they were holding.
At just twenty-six, Hervé Picart was living three parallel lives: scholar of rhetoric and ancient languages, journalist for the Frenc…
Conal
Conal arrived in 1981 on the Norwegian independent Uniton Records, in a run of 4,000 copies, at a point when Conrad Schnitzler was long past being a German secret. The founding member of Kluster and a brief early presence in Tangerine Dream had spent the 1970s building a body of work largely outside the record industry, issuing a torrent of self-released cassettes and LPs whose titles almost all open with the syllable Con, completed by a second that points somewhere. By the start of the 1980s th…