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A Dutch composer's private synthesizer odyssey, 1977. Andriessen conjures a 'trance symphony' on Minimoog and Rhodes: luminous, minimal and quietly euphoric, drawing on Berlin and Düsseldorf electronics rather than the concert hall.
Finland's cosmic showman in early form. 'Sähkömies' pairs cheap analogue gear with sci-fi imagination: lo-fi electro, wonky disco and space-jazz leanings, all delivered with Jimi Tenor's singular deadpan charm. Homemade futurism.
Before Camouflage: teenage demo tapes, 1984-86, from synth-pop craftsman Heiko Maile. Bedroom sequencers and bright melodic hooks capture a gifted talent forming, a charming, revealing document of German synth-pop in the making.
A cornerstone of German cosmic music. Ashra and Klaus Schulze drummer Harald Grosskopf steps out solo, wedding propulsive live drums to shimmering sequencer bliss. 'Synthesist' is euphoric Berlin-school pop: melodic, driving, timeless.
'Open doors'. Roedelius invites the listener into gentle, exploratory keyboard pieces, half-composed and half-dreamed. Warm, unhurried and melodically generous, the Cluster co-founder in intimate, searching mood.
'Happy moments', and it sounds it. Roedelius spins fragile, looping keyboard miniatures of great warmth and melodic grace, the gentler, sunlit side of the Cluster and Harmonia mastermind. Quietly radiant kosmische ambience.
The master of the echo-guitar, alone in the wilderness. Schickert layers cascading, delay-drenched guitar into trance-inducing krautrock ritual: hypnotic, psychedelic and deeply cosmic. Solitary genius from the Berlin underground.
French minimal-wave shadows from the cassette years, 1980-83. Fondation's cold drum machines, brittle synths and noir atmosphere distil an entire underground era: austere, romantic and hypnotic. A coldwave excavation.
The lost album. Recorded in 1974 and shelved for decades, 'Punkt' captures Faust between anarchy and melody: brooding, expansive and strange. A missing chapter of krautrock history, finally heard.
The fourth trove of Faust rarities. Studio sketches, false starts and sudden brilliance from rock's great disruptors, proof that even the offcuts of this collective crackle with fearless, unrepeatable invention.
Volume three of Faust's archival 'snapshots'. More unheard fragments from the krautrock legends' vaults: collage, groove and glorious chaos, the sound of a band that treated the studio as both demolition site and playground.
Snapshots from the Faust vaults, unheard studio moments from krautrock's most anarchic band. Tape collage, motorik grooves and pure sonic sabotage sit side by side, a document of the collective's fearless early-'70s experimentation.
Der Plan sharpen their cracked pop craft. 'Normalette Surprise' fizzes with cheap synths, tape trickery and gleeful absurdity, the Düsseldorf collective turning DIY electronics into surreal, catchy miniatures. Essential NDW.
Der Plan's riotous debut, a founding shot of Neue Deutsche Welle. 'Geri Reig' is anarchic, homemade electronic pop: dime-store keyboards, Dada humour and pure Ata Tak irreverence. NDW at its most inventive and unhinged.
The Ata Tak pranksters score a film. Der Plan's soundtrack to 'Die letzte Rache' is gleeful, cracked electronic pop: toy synths, absurd humour and genuine invention. The mischievous engine room of German new wave.
Solo home electronics from Liquid Liquid's percussionist. Between 1984 and 1988 Dennis Young taped melodic, marimba-tinged synth miniatures, bright, rhythmic and disarmingly personal. A private cache of downtown-NY DIY.
Schnitzler decelerates: long, hovering electronic tones and slow-turning sequences that reward patience. 'Slow Motion' is among the more meditative corners of his vast output, cold, spacious and quietly mesmerising.
The second volume of Schnitzler's cinema for the mind's eye. Sequencer motifs and alien textures sketch scene after scene of electronic drama: the restless imagination of a true pioneer, drawn from his boundless tape archive.
Imaginary soundtracks from the Kluster co-founder. 'Filmmusik 1' collects vivid electronic scenes, sinister, playful and cosmic by turns, music for films that never existed, from one of Germany's boldest sonic minds.
More from the inexhaustible archive of Berlin's electronic anarchist. Schnitzler stacks pulsing sequences and caustic tone-colours into restless, self-contained machines of sound: uncompromising, hypnotic and utterly his own.