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*150 copies limitede edition* Originally released by Umor Rex on cassette in 2015, NK012 documents the first-ever musical meeting of Berlin-based musicians Aidan Baker (Nadja, Canada), Andrea Belfi (Italy), and Erik Skodvin (Svarte Greiner / Deaf Center, Norway). Now, more than a decade later, the album is available on vinyl for the first time, newly remastered for the format by Rafael Anton Irisarri. This marks the third release in a series of four special, limited reissues to be released in 20…
*2026 stock. 200 copies limited edition* IRM presents An Act Of Self Mutilation Is An Act Of Freedom, a work that transforms inner conflict, physical intensity, and emotional extremity into a radical statement of liberation. Released through Phage Tapes, the album inhabits the unstable space between violence and vulnerability, collapse and renewal, destruction and release.
Rather than offering easy catharsis, IRM confronts the listener with an uncompromising sonic language—raw, abrasive, and dee…
Limited edition CD & download album from Danny Thompson’s group fusing jazz with folk music. The triple CD comes in an 8-panel digisleeve with 28 page booklet detailing the complete history of the band and illustrated with photos and images mainly from Paul Dunmall’s archives.
When asked “is it jazz or folk?” about his band Whatever, Danny Thompson replied “well, it’s Whatever!” Hence the name. When Danny started Whatever, a trio with reed player Tony Roberts and guitarist Bernie Holland, and in…
A dream come true for A Colourful Storm to be releasing an early gem by Tenniscoats, a duo whose DIY spirit, boundless creativity and lust for life and collaboration has left an indelible mark. From self-releasing albums and tapes on their own Majikick imprint to meeting kindred spirits The Pastels, Bill Wells and Jad Fair in between outings for Morr Music, Chapter and Häpna, to name but a few, Tenniscoats have embodied an understated determination and optimism for over two decades.
"A foghorn m…
Welcoming Tori Kudo back to A Colourful Storm with a new edition of Maher Shalal Hash Baz's Faux Départ, a document of a stateside tour that culminated in a recording session at the legendary Dub Narcotic Studio with a one-time ensemble of Greg Saunier and Chris Cohen (Deerhoof), Andrew Maxwell, McCloud Zicmuse, Arrington de Dionyso, Takashi Ueno, Saya Ueno, Naoki Otani, Akiko Hotaka, Masaaki Endo and Naoki Otani. Always spontaneous, never rehearsed. Music in and of this world, seemingly teeteri…
Furthermore, from prefectures and coral shores emerges a handmade zine—Red Factory Decapitation—that explores industrialised dishonour, the counter-system of ancient rituals, and the notion of an honourable death as a means of securing passage into the afterlife. It portrays an estranged warrior class whose melancholy is gradually eclipsed by ruinous hysteria, culminating in the amplification of maniacal laughter.
*100 copies limited edition* Full length of shattering, flowing, faustian noise from one of the UK's best projects. known from various compilations and ‘blood and sand’ milestone. masterful well paced melting textures and feedback needle movements.
High temperature B2B wreckordings live death machine in remembrance of the 15th anniversary of vatican shadow at hospital fest nyc. featuring new, old and kollaborative tracks from VS/AM/SE past and disparate catalogs with dueling vocal angriff. never forget war is a force that gives us meaning.
First ever reissue of Coil's 1984 debut on L.A.Y.L.A.H.: seventeen minutes of gongs, bowed metal and slow decay, subtitled Ritual music for the accumulation of male sexual energy. Single-sided 180 gram vinyl with etched B-side and a previously unpublished hard board insert.
Tip! At the time, Yuji Takahashi was known internationally primarily as a pianist. Yet the decade from Phonogène (1962) to Tadori (1972) reveals another essential side of his work: an exploration of electronic sound, mathematics, and computers in composition, and of their changing relationship with human performance. One of the starting points was his encounter with Iannis Xenakis. Takahashi studied probability theory and set theory, and in Phonogène developed his own probabilistic approach to o…
Visionaries in Mexico have sought ways to look beyond the stars for millennia. Ancient civilizations like the Maya and Aztecs designed their cities as gigantic star maps, orienting their buildings to mark equinoxes, solstices, and zenith passages. This inquisitive form of meaning-making through art has long been endangered—first by Spanish colonizers; then by the Mexican government’s throttling of artistic expression in the late 20th century; and now by the violent anti-Mexican sentiments of the…
Visionaries in Mexico have sought ways to look beyond the stars for millennia. Ancient civilizations like the Maya and Aztecs designed their cities as gigantic star maps, orienting their buildings to mark equinoxes, solstices, and zenith passages. This inquisitive form of meaning-making through art has long been endangered—first by Spanish colonizers; then by the Mexican government’s throttling of artistic expression in the late 20th century; and now by the violent anti-Mexican sentiments of the…
Visionaries in Mexico have sought ways to look beyond the stars for millennia. Ancient civilizations like the Maya and Aztecs designed their cities as gigantic star maps, orienting their buildings to mark equinoxes, solstices, and zenith passages. This inquisitive form of meaning-making through art has long been endangered—first by Spanish colonizers; then by the Mexican government’s throttling of artistic expression in the late 20th century; and now by the violent anti-Mexican sentiments of the…
*100 copies limited edition, black vinyl* In continuation of our deep-dive into the diamond vaults of US Prog, it is with great pleasure that we bring you the first reissue of the 2 ultra rare albums by the Detroit-based October. This is a deliciously eclectic combo of sonic explorers whose recorded testament consists of a string of pebbles that crystalized in a collectively interminable quest for that eccentrically elusive eureka moment.
Fueled by King Crimson and Yes, but also by the improvis…
The mighty Argentine progsters Bubu make a triumphant comeback with their 3rd and final album El Ultimo Cortejo. Composed in part based on notes discovered by the band’s mastermind Daniel Andreoli in his parents’ basement, dating back to the Anabelas (1976) period, and in part on newly infused sonic elements by the evergreen lineup that boasts some of the finest upcoming musicians from Buenos Aires’ rampant neoprog scene, El Ultimo Cortejo carves new pathways in Bubu’s evolutionary trajectory by…
Twenty years on, Prurient's Pleasure Ground returns in the edition it always wanted. This is the hinge record in Dominick Fernow's catalogue, the one that opened the electronic chapter of the project: the scorched power-electronics of the early years meeting synth tones, slow doom weight and the meditative cold of Nordic black metal. Recorded in a single day, 14 February 2006, it first surfaced as a self-released double cassette sold at Carlos Giffoni's No Fun Fest in New York, then arrived in s…
Recorded across a single sweltering Paris summer in June 1978, Adonia - the lone album credited to Ose - captures a rare alignment of intellect, imagination, and emerging technology. For decades it has lingered as one of the great half-secrets of French electronic music's most fertile decade, traded between collectors who understood exactly what they were holding.
At just twenty-six, Hervé Picart was living three parallel lives: scholar of rhetoric and ancient languages, journalist for the Frenc…
Conal arrived in 1981 on the Norwegian independent Uniton Records, in a run of 4,000 copies, at a point when Conrad Schnitzler was long past being a German secret. The founding member of Kluster and a brief early presence in Tangerine Dream had spent the 1970s building a body of work largely outside the record industry, issuing a torrent of self-released cassettes and LPs whose titles almost all open with the syllable Con, completed by a second that points somewhere. By the start of the 1980s th…
Last year, the long-awaited self-titled debut finally appeared on vinyl. Now the series continues with Enter Now The World, the second album by Jouni Havukainen's project. Originally released by Cold Meat Industry in 1992, it remains, for many listeners, the project's masterpiece.
The elements that defined In Slaughter Natives were already present on the debut. On Enter Now The World, everything became larger, heavier and more detailed. Thunderous percussion, heavy electronics, brass and string …
This is supposed to be a 40th anniversary reissue. Well, it still is, but with year of a delay. It was told enough about the early Metgumbnerbone recordings. We just keep some quotes here.
"It’s hard to imagine anything more haunting than the folk horror ritual sounds which Metgumbnerbone conjured forth in the Ruins of Industry." - Kristian Olsson, Shock Tilt
"Working mainly with percussion, Metgumbnerbone evolves an improvisational continuum that depicts subterranean and old, eerie, murky templ…