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Rarities and archival treasures spanning the entire Brand X trajectory - from their earliest unreleased sessions to the final contractual obligation album - plus one of the most unjustly obscure progressive rock albums of the late 70s. A goldmine for admirers of Percy Jones, John Goodsall, and the whole Canterbury-adjacent fusion scene.
Brand X needs no introduction to fusion aficionados. Formed in 1974 by Collins, fretless bass virtuoso Percy Jones, keyboardist Robin Lumley and guitarist John G…
Proto-punk MADNESS from Ladbroke Grove! The complete studio works of the most dangerous band in late-60s Britain - three albums of teeth-grinding, psychedelic rock that make the MC5 sound like a boy band. Mick Farren and his merry gang of social deviants laid the blueprint for EVERYTHING that followed: punk, Hawkwind, Motörhead, the whole bloody lot. This is where it started.
The Social Deviants emerged from London's underground in 1967, fueled by the agit-prop satire of the Fugs, the sonic ter…
The complete studio works of one of the most uncompromising groups in the history of European avant-rock. Born from the ashes of Henry Cow in 1978, Art Bears distilled the political fury and musical adventurism of their parent band into three albums of dark, brilliant songs that remain as bracing and relevant today as when they were recorded.
The story begins with a schism. During sessions for what was intended as a Henry Cow album, disagreements arose over content - Fred Frith and Chris Cutler …
One of the most singular and influential groups to emerge from the European avant-garde, finally given the definitive treatment. This box gathers the complete studio works of Slapp Happy - the German/British/American trio whose blend of naïve pop, chanson, bossa nova and experimental textures created a template for intelligent art-pop that resonates to this day.
Formed almost as a joke in Hamburg 1972, when British experimental composer Anthony Moore - frustrated by Polydor's rejection of his av…
There are albums that defy categorization, records that exist in a space entirely their own. Comus' 1971 debut is one such work - an album that, over fifty years later, still sounds like nothing else ever recorded. Formed in Beckenham in the late 1960s, Comus emerged from the same South London arts scene that nurtured a young David Bowie - indeed, they performed at his legendary Beckenham Free Festival in August 1969. But while their contemporaries in the British folk revival looked back to trad…
The complete and essential discography of one of the most uncompromising and intellectually rigorous bands to emerge from the Canterbury scene - finally available again in pristine Japanese mini-LP sleeve editions with remasters on high-quality SHM-CD!
Fred Frith and Tim Hodgkinson formed Henry Cow while students at Cambridge University in 1968, and what followed was a decade of radical, politically charged, absolutely brilliant music that drew equally from free improvisation, contemporary class…
For AI-41 Astral Industries presents a vinyl reissue of Robert Henke’s multifaceted concept album ‘Layering Buddha’. An erudite masterclass on sampling and composition, ‘Layering Buddha’ encapsulates the material process of metamorphosis and a well of nascent, ever-present potentialities. This new edition comes remastered by Henke himself.
Originally released in 2006, ‘Layering Buddha’ began with a curious encounter with the ‘Buddha Machine’ - a pocket-sized, battery powered playback device tha…
**2025 Stock. 180g One Translucent Red and one Blue Vinyls, Includes picture inner sleeves and a full-size (12") 20-page booklet with lyrics/text. ** Released in 2003 as Tour de France Soundtracks and later remastered simply as Tour de France, this eleventh studio album by Kraftwerk takes their long-standing fascination with movement and technology and applies it to one of their great offstage obsessions: road cycling. Conceived to mark the centenary of the Tour de France, it arrived seventeen y…
**2025 Stock. 180g Translucent Red Vinyl, German version ** Released in 1978, Die Mensch-Maschine (issued internationally as The Man-Machine) is Kraftwerk’s seventh studio album and the moment their cool, mechanised aesthetic snaps into its most iconic form. Built around the idea of humans and machines merging into a single functional organism, the record imagines the band as a kind of in-house design team for a coming cyborg society: four immaculately dressed figures fronting a music that is al…
**2025 Stock. 180g translucent yellow vinyl ** Released in May 1981, Computer World (Computerwelt in the German edition) is the eighth studio album by Kraftwerk and the point where their fascination with technology locks directly onto the coming age of personal computing. Conceived as a concept album about the rise of computers in everyday life, it cycles through themes of data networks, digital communication, electronic banking and social control with an almost childlike lyrical simplicity that…
Super tip! Holy ghost music. The real deal. The sound of four men tearing a hole in the fabric of what jazz was supposed to be and letting something else pour through - something ancient and raw and utterly new. In their short time together, Albert Ayler and Don Cherry created a body of music that genuinely exists in the moment. Oblivious to rules and aesthetic boundaries, they played what they felt on their nerve-ends, embracing mistakes and wrong turns as part of the experience of making art i…
The room where butterflies live. A place between worlds. Enter at your own risk - you may not find your way back out. Sai Yoshiko's fourth and final album of the 1970s stands as one of the most singular documents in Japanese music - a jazz-inflected fever dream that marked the end of an era. Originally released in 1978 on Columbia (LX-7058-A), Chou no Sumu Heya represented a dramatic departure from her earlier psychedelic folk explorations. Here was something else entirely: a surreal and dynamic…
Sai Yoshiko (佐井好子) - one of Japan's most legendary and enigmatic singers - made her debut in 1975 with Mangekyou, an album of superbly crafted songs and crystal-clear vocals over Yuji Ohno's lush, funky arrangements. Three more masterpieces followed in rapid succession: Mikkou (1976), Taiji no Yume (1977), and Chou no Sumu Heya (1978). Her melancholic, poetic lyrics drew from the gothic imagination of Japanese novelists like Ranpo Edogawa, Mushitaro Oguri, and Yumeno Kyusaku - dark fairy tales s…
Includes deluxe 12-page booklet with unpublished photos, lyrics, translations, and liner notes written by NTS radio host Jamal Khadar. Before there was a Zambia, there was Alick Nkhata. Born in Kasama in 1922 to a Tonga father and Bemba mother, Nkhata would become the voice of a nation that did not yet exist - and help sing it into being. Vocalist, guitarist, bandleader, broadcaster, archivist, freedom fighter: he moved between these roles as effortlessly as he moved between lonesome country sli…
August 1961. Van Gelder Studio, Englewood Cliffs, New Jersey. Max Roach - the man who reinvented jazz drumming alongside Charlie Parker and Dizzy Gillespie in the 1940s, the co-leader with Clifford Brown of the definitive hard bop quintet until tragedy struck in 1956 - enters the studio with something to say. Something that cannot wait. Something that demands a new language.
The year before, Roach had recorded We Insist! Freedom Now Suite for Candid Records, a searing response to the Civil Right…
August 10, 1964. Van Gelder Studio, Englewood Cliffs, New Jersey. A young saxophonist from Philadelphia enters the studio to record his first album as a leader for Impulse! Records. At his side, as co-producer, stands the man to whom he owes everything: John Coltrane. Archie Shepp was twenty-seven years old when Four For Trane was recorded - an age that in 1964 jazz still meant being an emerging voice. Born in Fort Lauderdale but raised in Philadelphia - the same Philadelphia as Coltrane, eleven…
Gatefold cover, blue vinyl. Düsseldorf. Düsseldorf. Düsseldorf. Düsseldorf. The mantra repeats for thirteen minutes, hypnotic as a highway journey, ecstatic as a stadium anthem. It's 1976 and Klaus Dinger - the drummer who invented the motorik beat, the man who alongside Michael Rother created Neu! and redefined the very concept of rhythm in rock - has a new machine to drive. He's christened it with the name of his hometown on the Rhine. And the first record he makes with this new formation is c…
On The Madcap Laughs, Syd Barrett turns his post-Floyd fracture into a stark, lopsided songbook: blues shuffles, nursery-rhyme mantras and bare confessions recorded as if they might evaporate mid-take. The result is intimate, unsettling and enduringly luminous.
On Opel, Syd Barrett’s lost songs and alternate takes surface like fragments from a parallel 1968–70, exposing the raw circuitry behind The Madcap Laughs and Barrett. What was once fan lore becomes a fragile, disorienting self‑portrait in real time.
On Twin Peaks – Fire Walk With Me, Angelo Badalamenti distils the series’ haunted romanticism into something darker and more exposed: smoky torch songs, doomed jazz and glacial themes that move like weather through Laura Palmer’s final days, fusing beauty and dread into a single, unforgettable atmosphere.