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In February, 1968, as the false Spring of hope was rising in occupied Czechoslovakia, ESP instructed Karl Velebny to record his group of improvisers during their upcoming tour of Germany. In April, 1968, the clandestine project was completed. Karel survived a terrible auto crash and sent photographs to ESP, which were utilized on the LP cover as a symbolic reference to the plight of the Czech people. A must for anyone interested in European jazz and the history of its relationship with the '60s …
Recorded in Baarn, Holland on December 21st, 1966, Music From Europe was a strong statement of European free jazz from one of its first and strongest leaders, Gunter Hampel. Over the beautifully structured compositional suites are strong blowing and improvising by both reedmen (Hampel, Breuker) and the elastic rhythm section (Veening, Courbois).
Paul Bley recorded the compositions of Carla Bley with a quintet that included Eddie Gomez, on the evening of October 20, 1964, at Mirasound Studios, with Alfy Wade as engineer. His group included Milford Graves, Marshall Allen of the Sun Ra Arkestra, and Dewey Johnson.
In Search of the Mystery, Gato Barbieri’s debut album as leader, was recorded March 15, 1967, on the heels of his work on Don Cherry’s famed Blue Note recordings: Complete Communion and Symphony for Improvisers. This avant-jazz masterpiece from the Argentine tenor saxophonist shows off his volatile, shrieking sound to full and unrelenting affect, fueled by the twin interweaving strings of cellist Calo Scott and bassist Norris Jones (Sirone) and Bobby Kapp’s impressionistic drum splatter. Recorde…
One the real folk/oddity classics of the ESP-Disk catalog, in a league with the best of Ed Askew. When MIJ, aka Jim Holmberg was found by ESP, yodeling by the fountain in Washington Square Park, on a hot, summer Sunday afternoon, he explained that an auto accident had fractured his skull and impaired his hearing. But it had also altered his perceptions and enabled him to do things that he did not understand, but which worked musically. The next day ESP sent him into the studio. With Onno Scholtz…
Originally released in 1966. Featured artists: Albert Ayler (tenor sax), Ed Blackwell(trumpet), Don Cherry (trumpet, cornet), Sunny Murray (drums), Gary Peacock (bass), Roswell Rudd (trombone), John Tchicai (saxophone, alto sax). Michael Snow is a Canadian national treasure, a true Renaissance man. He assembled a stellar group to improvise a sound track for his art film, titled Walking Woman, featuring a silhouette that is rumored to have been inspired by Carla Bley. Digitally remastered. Manufa…
Dagored present the first extended vinyl release of Nico Fidenco's soundtrack for the 1966 film, Per il Gusto di Uccidere. This is a classic soundtrack from the great Nico Fidenco, composer of Black Emanuelle (RED 204LP, 1975), for the western movie Per il Gusto di Uccidere from the cult director Tonino Valeri, who also directed My Name Is Nobody (1973) and Day of Anger (1964). Fidenco is linked to the tradition of the great spaghetti western soundtracks such as the ones composed by Ennio Morric…
This is the sixth album by Dorothy Ashby, a Detroit born jazz harpist who passed away in her early 50s in 1986 way before her time. She left us a rich legacy of music with this 1965 release being one of her milestones. The music is pure bright and swinging with a joyful mood. Dorothy Ashby performs her lines big time with her harp and captures your soul with the melodies she picks from its strings. She is always there upfront while the brass section mostly fills the background with colour if the…
When Ira Gitler, jazz journalist and producer at Prestige, curated this album, the term "collector" was already well-established among music enthusiasts. The pursuit of out-of-print recordings, old 78 rpm discs, and unreleased material had reached an intensity comparable to the fervor seen in the vinyl-collecting market decades later. Gitler aimed to offer jazz fans unreleased Prestige recordings while meeting expectations for the amount of music on an LP. Initially dismissed as a mere compilati…
Racional Vol. 1 is the 1975 album from Brazilian funk and soul master Tim Maia, created during his brief but intense conversion to the Rational Culture cult. The album’s cosmic themes, spiritual lyrics, and deeply grooving arrangements have since made it a revered cult classic - once obscure and self-released, now hailed for its blend of spiritual quest and irresistibly tight Brazilian funk.
Le Cri du Caire is a striking mosaic of Sufi poetry, jazz, and spoken word, led by the magnetic presence of Abdullah Miniawy alongside Peter Corser, Karsten Hochapfel, and Erik Truffaz. Fusing hypnotic loops with visceral strings and evocative brass, the album channels the hopes and struggles of Cairo’s youth into a transcendent musical ritual - challenging, inventive, and brimming with emotional intensity.
2025 stock Imagine being a punk rocker before there were any others, or a hippie whose message of peace was infused with a sardonic whimsy. That’s what it must have been like to be Pip Proud, in Sydney in the late 1960s, railing against the media and its hypocrisies, making a music that cut through all lies. — David Nichols Pip Proud, sui generis, could be considered an Australian outsider, with his untutored and uninhibited singing style, his primal guitar playing, his resolutely personal visio…
Debut 1969 album by New Orleans’ The Meters. Led by organist Art Neville, the quartet was rounded out by jazz-influenced guitarist Leo Nocentelli, along with the bubbling rhythm section of bassist George Porter, Jr. and drummer Joseph "Zigaboo” Modeliste.
Their regional influences were a smashing together of rock n’ roll, syncopated ‘second line’ rhythms from Mardi Gras parades, and jazz improvisations that only could have come from the New Orleans music scene.
The Meters helped move R&B music t…
1970 seminal second album by New Orleans’ The Meters is one of their most beloved releases. Produced by one of New Orleans’s preeminent musicians, Allen Toussaint. Between backing such names as Lee Dorsey and Betty Harris, The Meters cranked out a follow-up that was even funkier than its debut.
The 1969 follow up to Silver Apple’s debut found the duo digging into the far reaches of their songwriting psyches for a darker and more emotionally charged set of songs. While the debut set the stage for a sound the world had never heard before, Contact is where the Silver Apples began inhabiting that sound with more urgency and experimentation.Sourced from the original master tapes plus inner sleeve with unseen master tape box photos. Featuring the original controversial artwork with the Silve…
If you’re as obsessed with unfairly unheralded bands as we are, bringing out a proper, well-deserved official re-release to change that course is always an honor. Case in point, Jackpot Records proudly announce Gandalf’s 1969 self-titled release as one of our proudest moments. Working alongside band member Peter Sando from the original master tapes, it is time for the rest of the uninitiated to catch up with this beautifully crafted haunting psych- pop record (fans of THE LEFT BANKE, KALEIDOSCOP…
2025 stock Reissue of an exceptional album of improvisations, recorded when percussionist Charles K. Noyes was lured to the Bay Area in the summer of 1979 by Henry Kaiser. Noyes and Maercks had played regularly as a duo when Owen was still based in Worcester, MA. But he'd shifted his ass westward in the wake of the Teenage Sex Therapist session (FTR 153-2LP), which had been organized by Kaiser following their collaborations in the band, Monster Island. Half of the album was recorded live at Woo…
Poco Prima dell'Aurora represents a significant collaboration between Ivano Fossati and Oscar Prudente, released in 1973. This transitional album weaves together folk-pop textures and progressive echoes, reflecting the vibrant creativity of Italian songwriting in the early seventies. Marked by solid arrangements and lyrical depth, its enduring freshness lies in both its authenticity and the synergy between two distinct musical voices.