Reissues

Narrative film music and sound design for Robert Wiene 's classic 1920 psychological thriller. Digitally restored in 4K by the Friedrich-Wilhelm-Murnau-Foundation. Musician and writer Karl Bartos has long been admirer of Weimar-era culture. During his time in Kraftwerk , he helped create the stunning track Metropolis , directly inspired by a band viewing of the classic 1927 Fritz Lang film of the same name. The original orchestral music composed for The Cabinet of Dr. Caligari by Giuseppe Becce …

s of their "Liederbuch" tour, which took the Welttraumforscher from Milano to London or Vienna during the last two years, they developed completely new versions of songs such as "Der Traum der Welt", "This Could Be The Greatest Love in Town" or "Alpha Beta Centauri" in the summer of 2023. These special tracks as well as two unreleased songs can be found on their new cassette, which with the title "1981" refers to the founding year of the Welttraumforscher. After 19 years (2004 saw the release of…

A summit of German sonic royalty: producer Conny Plank, Guru Guru drummer Mani Neumeier and Cluster's Moebius. 'Zero Set' is muscular, percussive electronic funk, dubwise, propulsive and years ahead. A krautrock supergroup in the studio.

This is the first solo album by Dieter Moebius, recorded at Conny Plank's studio and originally released in 1983 on Sky Records. By 1969 at the latest, Dieter Moebius was synonymous with the avant-garde electronic music scene in Germany. He and Hans-Joachim Roedelius formed Cluster, a seminal electronic/ambient duo, while Moebius was also a member of the so-called Krautrock supergroup Harmonia (with Michael Rother and Roedelius), as well as collaborating on various other projects with the likes …

Big Big Tip! Danielle Boutet’s Pièces is a mysterious artifact of Quebecois marginalia, self-released in 1985. Moving from languid ennui to high drama, Pièces is a dreamy gestalt, an album that borders Chanson, spoken-word, jazz noir, and minimalism, conjured from the chasm between acoustic and electronic realms. Pièces allows us a window into the highly intimate songcraft and compositional skill of an artist who longed to linger not in the public eye, but in relation with others and the world a…

Celebrating the 50th anniversary of the 1973 cult classic Theatre Of Blood, Quartet Records, in collaboration with MGM, presents the first-ever LP edition of the iconic Michael J. Lewis’ score! Directed by Douglas Hickox and starring Vincent Price and Diana Rigg, with guest victims Ian Hendry, Harry Andrews, Robert Morley, Michael Hordern and Jack Hawkins, among others, the film is a macabre British black comedy about a Shakespearean actor who is systematically humiliated by critics who consider…

Quartet Records, in collaboration with Aribage Limited and the Michael Kamen estate, is proud to present the premiere release of the early Michael Kamen (Brazil, Lethal Weapon, Die Hard, Licence To Kill) score for 1982 British thriller Venom. Directed by Piers Haggard and based on the novel by Alan Scholfield, starring Sterling Hayden, Klaus Kinski, Sarah Miles, Nicol Williamson, Susan George and Oliver Reed, Venom tells the story of a group of international terrorists who attempt to kidnap a we…

Quartet Records, in collaboration with Camille 3000 and the Piero Piccioni estate, presents the premiere CD release of a delightful score by Piero Piccioni (Fumo Di Londra, Colpo Rovente, Camille 2000, I Giovani Tigri) for Luigi Comencini’s film LO SCOPONE SCIENTIFICO, a 1973 Italian comedy-drama starring Alberto Sordi, Silvana Mangano, Joseph Cotten and Bette Davis. The story is about an aging and wealthy American woman who journeys to Rome each year with her chauffeur, George, to play the card…

Quartet Records, in collaboration with MGM, presents a remastered 50th anniversary edition of Michael J. Lewis’ score for the 1973 cult classic Theatre Of Blood, directed by Douglas Hickox and starring Vincent Price and Diana Rigg, with guest victims Ian Hendry, Harry Andrews, Robert Morley, Michael Hordern and Jack Hawkins, among others. The film is a macabre British black comedy about a Shakespearean actor who is systematically humiliated by critics who consider him hammy and old-fashioned. Th…

Quartet Records is proud to present a brand-new recording conducted by Fernando Velázquez of another film score that is either lost or inaccessible – in this case no fewer than five films scores by John Barry: a suspense classic from the ’60s, a film adaptation of a classic play, and three television movies starring Katharine Hepburn. John Barry would have turned 90 on November 3, 2023. The unforgettable music of this five-time Oscar winner continues to be celebrated around the world, and indeed…

Quartet Records and Paramount Pictures present an expanded and remastered 2-CD edition of 1979 Ennio Morricone’s classy thriller-drama score for Terence Young’s Bloodline. Based on a best-selling novel by Sidney Sheldon, Bloodline mixes bizarre stories of family inheritance, control over a failing international pharmaceutical company, family business, betrayal, infidelity, murder and snuff movies! It features a cast of international stars including Audrey Hepburn, Ben Gazzara, James Mason, Romy …

Quartet Records, in collaboration with Gruppo Sugar and Revelation Music Italy, presents the world- premiere release of the highly requested score by Piero Piccioni (More Than A Miracle, Cadaveri Eccelenti, Playgirl 70, Sartana) in his iconic collaboration with director Francesco Rosi, with whom he began working in 1959 on the film I Magliari and continued until 1987 with Chronicle Of A Death Announced. Tre Fratelli, winner of four Nastro di Argento and nominated for an Oscar for Best Foreign Fi…

"On a good day it is strenuous to stay current with pianist Matthew Shipp's imposing and voluminous output. On an even better day it is a fool's hardy errand to say the least. Now with the planned re-issuing of some of his great early deconstructions of musical thought and theory, starting here with 1990's daringly incongruous yet hypnotically accessible, Circular Temple, keeping up just got a whole lot harder. With William Parker on bass and Whit Dickey on drums, this four-movement suite for pi…

*2024 stock* What did the future sound like in 1980? Futurible is brought to you by Italian composer Gianni Safred and will take you both back in time and into the future. Safred uses Moog and Arp synthesizers that have now become commonplace in popular music. These sounds are "suitable for space travels, space explorers, experiments, fantastic adventures, future enterprises, interplanetary stories, important achievements, industrial accomplishments of broad implication… modern scientific discov…

*2024 stock* In this 1982 Folkways release, Jon Appleton plays four compositions written for the Synclavier, a digital synthesizer he helped to develop in the late 1970s. “The Sweet Dreams of Miss Pamela Beach” was recorded in a studio using a 24-track recorder to “layer” portions of the music. The remaining three pieces were performed live with “some small sections and accompaniments contained in the digital memory of the instrument at the time of performance.” Liner notes contain brief descrip…

*2024 stock* Elliott Schwartz plays four of his compositions for solo piano and pre-recorded tape, a project that remains "a continuing attempt to enhance, expand, obscure, develop or otherwise modify the piano sonority and the act of piano performance, through electronics." In his improvisatory piece "Grand Concerto" he uses fragments from the Grieg, Tchaikovsky No. 1 and Liszt No. 1 piano concertos; it is as epic in scope as the classical favorites.

*2024 stock* This album recorded in 1967 by the Electronic Music Studio (EMS) of the University of Toronto exemplifies early experimentations in electronic music. It was the first studio of its kind in Canada (founded by Dr Arnold Walter) and the second in the North American Continent. The abstract songs are eerily captivating. Liner notes include explanations of how the songs were created, as well as biographical information on the members of the EMS.

*2024 stock* A 1983 Folkways release, Computer Music from the Outside In showcases three composers narrating the ideas and processes behind their computer music compositions, as well as the compositions themselves. The first two pieces are by Barton McLean: “Etunytude” is an etude-like piece made of gradually changing harmonic sounds, and “The Last Ten Minutes” is meant to be an abstract representation of the devastation of “the last nuclear holocaust.” “The Whistling Wind,” by Karl Korte, is ba…

*2024 stock* Computer Music serves as the official musical documentation of the November 1981 International Computer Music Conference, held at North Texas State University in Denton, Texas. The album features five compositions with music that ranges from electronic sounds to female vocals, flute and horns, stringed instruments, and percussion. The composers include Larry Austin, whose early works were recorded with the help of Leonard Bernstein; Bruce Pennycook, who now teaches music at the Butl…

*2024 stock* Contrabass (double bass) solo virtuoso Bertram Turetzky performs seven solos on the contrabass in this 1981 release. Using bow, plucking strings, tapping on the instrument’s wood body, and employing a little audio technology, Turetzky demonstrates the full range of musical sounds that can be produced on the contrabass. His repertoire on this recording includes a piece dedicated to him (“The Last Contrabass in Las Vegas”), two of his own compositions, and the Lennon-McCartney ballad …

Edition of 35 copies, with two inserts. A reissue of Angus MacLise's  Kathmandu Cycle with added material from other, long out of print, CCC releases. Angus MacLise is something of a legend within the realms of avant-garde sound. A central figure of the 1960s New York underground, the percussionist, composer, poet, occultist and calligrapher contributed to the early Fluxus newspaper, VTre, was an early member of the Theatre of Eternal Music, alongside La Monte Young, John Cale, Tony Conrad, and …

Edition of 26 copies. Greta Monach (1928-2018), an early proponent of computer generated concrete poetry. Greta spent her childhood in indonesia and curaçao. In 1946 she returned to the hague, where she saw abstract painting for the first time, and started to think about abstract (non-semantic) poetry. For decades she experimented without success. from 1946 to 1948 monach studied literature at leiden university, then switched to music. She studied the flute for seven years at the royal conservat…

A never-before released Nathan Davis 1966/67 live recordings. Official release with the full permission and cooperation of the Nathan Davis Estate & INA (Institut National de l’Audiovisuel). "Style is not a given. Not many musicians reach the level of artistic personality where you can unmistakably recognize them. It takes character, roots, honesty, soulfulness. Nathan Davis had style. His tone on tenor was unique. So was his soprano sound and his distinctive approach to flute. His musical world…

2025 Repress. In the pantheon of jazz "holy grails," few albums combine rarity and excellence like this one. Recorded in 1965, this session represents a forceful reminder of the limitations of the "great names" approach to jazz history, capturing Sahib Shihab (Edmund Gregory) at the height of his creative powers with Denmark's finest musicians. Shihab played with many of jazz's finest. Shortly after he became one of the first jazz players to change their names due to an Islamic conversion, he jo…

A never-before released The Heath Brothers 1976 live recordings. First official release with the full permission and cooperation of the INA.   Sam Records is proud to presents here a live recording the band gave in Paris at Studio 104, Maison de la Radio, on April 16, 1976. In addition to a superb version of ‘One for Juan’, the band perform two tracks from the ‘Marchin’ On! album, ‘Watergate Blues’ and a wonderful version of ‘Smilin’ Billy’. “That was the first Heath Brothers album. Stanley Cowe…

Two days after recording the first album ever issued on the Black Saint label, Billy Harper and his quintet were onstage at the Antibes Juan-Les-Pins jazz festival. Though Black Saint is a phenomenal album and is rightfully considered as one of the finest jazz releases of the period, Antibes ’75 shows that Billy and his men gathered momentum to push the boundaries of their studio effort even further.  That night, surrounded by stars, pine woods and a captivated audience, the quintet delivered a …

The first official reissue of one of Turkey's most sampled records in 45 years! Turkish psychedelic masterpiece from 1980.

"Sky, the record company, were more than a little disappointed with the performance of Grosskopf's first solo effort "Synthesist", so there was no great sense of urgency as far as its successor was concerned. "they even halved my advance!" Grosskopf recalls. "Oceanheart" was released some six years after "Synthesist". "The album title reflects my love of transcendental meditation, of course it might be taken for watery esoterics." (A similar vibe was evident in the cover art, hence fresh artwork…

Huge Tip! Originally released in 2013 for the 40th anniversary of the cult 70’s horror film, only 500 copies of The Wicker Man 40th Anniversary Edition were pressed on black vinyl which have become highly sought after.  One of the maddest soundtracks you'll ever buy – a strange mix of folksy tunes, sound effects, and odd noisy bits – recorded for the equally odd film of the same name! The record is impossible to describe accurately, but it's a really dark one – strangely fragile at some moments,…

*2024 stock* "What could be more classic for all you horror-soundtracks-on-vinyl heads out there than a compilation of Hammer Horror themes eh? This release, spanning the years 1958 to 1974, features works by a variety of composers, from films like The Mummy, Quatermass and the Pit, and Taste the Blood of Dracula. Stacks of dramatic bloody fun on Silva Screen." - normanrecords.com

*2024 stock* "‘Don’t Look Now’ a film that is now considered a key work in the horror genre of cinema and has caused some critics to reappraise it some thirty years after it’s original release. A guarded Pauline Kael writing in 1973 for The New Yorker wrote “the fanciest, most carefully assembled enigma yet put on screen.” Jay Cocks for Time wrote more enthusiastically “Don’t Look Now is a rich, complex and subtle experience that demands more than one viewing.” The film’s director Nicholas Roeg …

*2024 stock* "Silva Screen repress the soundtrack to 'The Living Planet', the sequel to David Attenborough’s groundbreaking 'Life On Earth'. Scored by Elizabeth Parker who joined the BBC in 1978 her synthesizer-led score for The Living Planet received an Emmy nomination at the time, and it was released the same year by the BBC on vinyl. Now, the Silva Screen label has unearthed this rare album, and have re-issued it on limited arctic pearl coloured vinyl. (Recorded at BBC Radiophonic Workshop)."…

*2024 stock* "Mention The Avengers to people above a certain age - let’s be kind and say over 40 - and the famous Laurie Johnson theme music will get mentioned almost immediately. It’s as much about the show’s iconic status as Steed’s bowler hat or Mrs Peel’s fab outfits - all Biba and Quant. But as with all the best spy shows of the 1960s - and the strike rate was amazingly high - the music wasn’t just about having a great opening theme. Incidental scores also played a major role in developing …

*2024 stock* 1"‘The Devil Rides Out’ is a 1968 Hammer horror film. The score, by James Bernard, perfectly amplifies the film’s scary nature, moving from sparse string and woodwind arrangements, emphasising the creepy bits, to full on orchestral power to aid the film’s more dramatic, edge-of-the-seat moments." - normanrecords.com

*2024 stock* "Carol Reed’s classic post-war mystery, The Third Man, hardly lacks for admirers. If in 1949 it was merely a well-received thriller, “a bang-up melodrama” as one New York Times reviewer put it, at some indeterminate moment it became a masterpiece – a cherished grandfather-clock in the Academy attic. In 1999, a BFI poll declared it the No. 1 greatest British film of all time. In 2018, Time Out rightly criticised this list’s lack of diversity and ran its own poll on the subject. They …

Superbly constructed pop psychedelia c. 1968, performed by some of the best musicians in the world First commercial release of any kind and in any format of these recordings Comes with an 8-page booklet with photos and detailed information of the creation of this rarity

"Psychedelic improvisational spiritual avant-rock/jazz featuring the legendary Larry Young on organ and equally astounding Joe Gallivan on drums, steel guitar, Moog synth, and percussion; the mysterious Nicholas wailing on guitar synthesizer and ring modulator; and Jimmy Molneiri on drums and percussion -- recorded live at an anti-war rally in Washington D.C., in June 1972. They aimed the speakers at the Nixon White House, and blasted away as an anti-war protest! (The music so completely freaked…

* 2024 stock. Last copies. * One of the "holy grails" of Indianapolis private-pressdom (surpassed only by Zerfas and Anonymous) available again in its original format! Ray "McKay" Pierle and his musically-adept brothers and friends partied, jammed and partied some more on Indy's south side throughout the mid-70's, forming a band (Loos) which managed to garner zero media attention at the time. However, Ray's trusty Teac four-track was always close at hand and countless hours of home recordings we…

* 300 copies limited edition * Recorded at the San Francisco Theological Seminary’s own Montgomery Chapel, acid-folk-rock psychedelic gem Search Party "Montgomery Chapel" was the brainchild of (then Reverend) Nicholas Freund. Having left Wisconsin in the late 1960s to join a burgeoning West Coast religious scene, Freund spent considerable time in Sacramento before making their way to San Francisco in 1968 to lay down this one-off with some students of his. The result is a spooky, metaphysical tr…

Huge buzz saw bass churns its way through this heavy-progressive tune, all stern Fripp-ian chord changes and driving insistency, amidst the primal guitar sludge.” — Julian Cope’s Head Heritage website