Reissues

For the first time on vinyl, these previously unreleased sessions by the British jazz rock band. Recorded live at the Impulse studios prior to their 1972 debut album on Blackey/Warner. With liner notes by bassist Colin Hodgkinson. Colin Hodgkinson first met Ron Aspery whilst the two were playing in Eric Delaney's Showband. The two began to talk about forming their own band around 1969, and eventually Back Door came to fruition in 1971, with Tony Hicks joining on drums. Hodgkinson made an innovat…

Considered one of Nathan Davis’ best albums, and long a collector’s item, The Hip Walk was recorded in 1965, a time when the Afro-American Davis lived in Europe, working with such legends as Kenny Clarke, Eric Dolphy, and Art Blakey. Nathan’s Kansas City school mate, trumpeter Carmell Jones comes along for the ride. Jones played trumpet on Horace Silver’s classic 1965 Song for My Father – ‘nuff said about his credentials! Nathan’s rhythm section represents the underpinning of one of the greatest…

Featuring Nate Morgan on piano, Jesse Sharps on reeds, Danny Cortez on trumpet, Rickey Kelly on vibes, Joel Ector on bass and Derek Roberts on drums. This music was recorded in Santa Barbara in July of 1987. Since the passing of the great pianist/composer/bandleader Horace Tapscott, the Nimbus West label has continued to document the underground L.A. jazz scene that Mr. Tapscott was once at the center of. A number of great musicians who once collaborated with Tapscott, like Jesse Sharps & Nate M…

A forward thinking collaboration between electronic music pioneer Jon Appleton and trumpet great Don Cherry, that explores the relationship between the humanity and the manufactured robotic future. Using the techniques associated with Musique Concrete the ensuing improvisations create a unique entry into the great trumpeter's discography. It was an in vogue attempt to render the music of tomorrow, and today sounds more like the soundtrack to a truly great sci-fi movie. Reissued in a fascimile of…

The John Carter and Bobby Bradford Quartet/Quintet were critical to the progressive jazz movement around Los Angeles in the late 60s alongside the likes of Horace Tapscott. Both hailed from the Watts area and trumpeter, Bradford played with a woodshedding Ornette Coleman for two years in the early 60s when the legendary free movement leader decided not to record for a while but wanted to hone his trademark sound on the saxophone. Multi-reed player, Carter also worked with Coleman who brought the…

This is an unusual album in the catalogue of Ornette Coleman, and one that passes by most critics. It is however a unique insight into the ‘free jazz’ pioneer’s way of working in the early 70s. Recorded at his large loft space in downtown New York which inspired a whole scene of experimental musicians who were locked out of playing established venues. The music is a romp showing Ornette playing trumpet as well as saxophone. His quartet which featured second saxophonist Dewey Redman alongside lon…

* Numbered + handmade in an edition of 66 copies only; bound papers 466pp+ w/audio cassette tape * How biographies could be collected and transmitted: Equinox... is a tribute; a binder-curio covering Kenneth Anger’s life and work, decade by decade, through newspaper + magazine clippings, interview extracts, legal documents, and other ecstatic truths and profound undoings. The narrative is in your hands. (Also includes audio cassette tape of two hours duration)

Composing While Black presents unique new perspectives on Afrodiasporic contemporary composers active between 1960 and the present, a period that academic inquiry, concert programming, and journalistic accounts have largely ignored up to now, particularly in Europe. This interdisciplinary essay collection engages with opera, orchestral, chamber, instrumental, and electroacoustic music, as well as sound art, conceptual art, and digital intermedia, revealing Afrodiasporic new music as an intercult…

Another dream coming true! One of Giuliano Sorgini's finest and most sought-after titles is finally available as an official LP reissue – the first ever – remastered from the original tapes. Originally released in 1971 on the small library music imprint Fama, which operated as a sub-label of RCA Italy, the record contains the original music written for Scappo per cantare, a small, pseudo-psychedelic 'musicarello' (musical comedy film) broadcast on RAI television and starring, among others, Itali…

2023 Repress. Isle of Jura's first LP reissue is the highly sought after Voyage - A Journey Into Discoid Funk by Brian Bennett, originally released in 1978. A cosmic disco classic completely re-mastered from the original master tapes by Matt Colton. Brian Bennett is best known as the drummer of the UK band The Shadows and as a composer of music for Films and TV. During the 1980’s he was awarded two Ivor Novello awards and wrote music for a wide range of programmes including Dallas, The Sweeney a…

In the swirl of underground music emerging from Dunedin, New Zealand in the 1980s, Peter Gutteridge stands as one of the era's most intense and shadowy figures. Despite being a founding member of The Clean and The Chills, Gutteridge would eschew indie-rock fame for the hypnotic and driving sounds of his later bands such as Snapper. Fittingly, it is Pure – Gutteridge's lone solo album of intimate home recordings – that serves as the most revealing and celebrated release of his career. As Peter Je…

** Art Edition with exclusive 2-color silkscreen printed wraparound numbered & signed by visual artist Stefan Thanneur - Pressed on ultra clear vinyl. Stricly limited to 175. no repress. Few copies available ** Carefully remastered and restored by Gilles Laujo. Eight-page booklet with rare and unpublished photos. Heavyweight 180-gram LP. In 1972, trumpeter Baikida Carroll and some of his colleagues from the Black Artists Group (more precisely saxophonist/flutist Oliver Lake, trombonist Joseph Bo…

425 pages, softcover, 17x24 cm All six editions of this UK fanzine, 1979-1982  Book containing all six issues of the Neumusik fanzine which David Elliott edited between 1979-82 while at university. The 'zine focussed on European, electronic and experimental music which had come out of krautrock, French progressive rock and the more esoteric side of British post-punk. David travelled extensively meeting musicians in Germany and France, and for a year was based in Strasbourg. Interviews and articl…

Like Hunt’s composition “Lattice,” released on Texas Music in the same year, the four pieces included on Cantegral Segment(s) (IR-0032, 1979) represent a culmination and transformation of Hunt’s investigations from across the decade. The “Cantegral Segments” are a body of scores (or strategies) derived from and developed alongside the evolving compositional procedure Hunt called Haramand Plane, first used in a large-scale performance of that name from 1972 that employed elaborate homemade audio …

Tip! One of the first Irida releases, Texas Music (IRIDA 0026, 1979), collects compositions by Jerry Hunt (hailing from Dallas), Philip Krumm (based in San Antonio), and Jerry Willingham (“in and out” of Austin). The record was produced in two editions: one for mass consumption in a corrugated plain brown sleeve featuring a single fish stamp on the cover by the artist David McManaway, and a small “fundraising edition” sold in the same packaging at a higher price with a numbered print by McManawa…

Larry Austin (1930–2018), thirteen years Hunt’s senior, was a key interlocutor for the composer. The two met during Austin’s term as editorial director of the magazine Source: Music of the Avant Garde and both had studied music at the University of North Texas. Following stints at the University of California, Davis, and the University of South Florida, Austin returned to UNT as professor in 1976 and took over its electronic music studio, the Center for Electronic Music and Intermedia. When Hunt…

Music of Dary John Mizelle is a recording of three densely layered compositions by the eponymous Oklahoma-born composer. Originally trained in trombone performance, Mizelle was a graduate student in composition at the University of California, Davis, under Larry Austin. The two, alongside Stanley Lunetta, had founded the free improvisation group New Music Ensemble in 1963 on campus with the intention of exploring the outer limits of performance and composition. Mizelle became the youngest member…

Tip! Music of BL Lacerta is an album of spontaneous music featuring two live performances, one at the University of North Texas art gallery and one at the Second National Tuba-Euphonium Symposium-Workshop, and a stray studio recording done at a facility in Lexington, Kentucky. The collective BL Lacerta, whose name is derived from a distant astronomical constellation, formed in 1976 (Lacerta also translates to “lizard,” accounting for the group’s reptilian cartoon logo). They began as classical m…

“Mapping” here refers to the interest of composer Larry Austin (1930–2018) in the adaptation of external structures (such as mathematical figures or shapes observed in nature) for the purpose of generating compositional material. This concern was shared by his PhD composition students at the university of North Texas, three of whom—Rodney Washka II, Gene De Lisa, and Robert Michael Keefe— are represented on Cartography. Each experimented with the possibilities of the Synclavier digital music sys…

James Fulkerson’s release on Irida, Works (IRIDA 0017, 1980), is the first collection of the trombonist’s own compositions, all of which he had written and developed in the mid-’70s. Just as Jerry Hunt had done with Cantegral Segment(s), Fulkerson problematized the presentation of his work as a record in the liner notes, where he noted the complex and intense relationship he had developed with the pieces over countless concerts and rehearsals: “I was overwhelmed with the sense of disparity betwe…

Spectre is the third album by the late West Coast composer, healer, and medium Pauline Anna Strom. First released in 1984, the album finds Strom exploring the darker corridors of human mythology under the influence of vampiric lore, evoking a hushed gothic solitude and showcasing her breathtaking dexterity of sound design. Despite its shadowy hues, Spectre offers generous glimpses of a vivid light that could only have come from a heart wide open to the cosmos. Restored and mixed from the origina…

Tip! Plot Zero is the second album by the late West Coast composer, healer, and medium Pauline Anna Strom. First released in 1983, Strom envisioned the album as a “mind trip without chemicals,” utilizing boundless imagination to cover a canvas with brilliant synthesized shapes and tones. The pieces on Plot Zero flow freely and infinitely, evoking a transportative momentum with Strom’s distinctive synthesizers soaring across infinite horizons into vast, colorful nebulas. Restored and mixed from t…

Trans-Millenia Consort is the near mythical debut album by the late West Coast composer, healer, and medium Pauline Anna Strom. First released in 1982, the album is a bold and beautiful evocation of a life that exists between and beyond time. Evoking ancient rituals and primordial futures, the music of Trans-Millenia Consort glows with a strange iridescence; its pulsing embryonic waveforms flutter and drift, tones fall like raindrops of the long-ago, and melodies shimmer and dance across the age…

Last copies, reduced price Echoes, Spaces, Lines collects Trans-Millenia Consort, Plot Zero, and Spectre, the first three albums by the late West Coast composer, healer, and medium Pauline Anna Strom. Restored and remixed from the original reels by Marta Salogni, newly remastered, and adding Oceans of Tears, a fully realized but previously unreleased album exclusive to the box set, these first official reissues are the definitive encapsulation of Strom’s prolific and profound vision and confirm …

2023 Re-press. Triple LP. Painstakingly recorded, processed and assembled over the last five years, Stars Of The Lid once again deliver a massive work filling two compact discs and three vinyl albums, clocking in at over two hours. While most albums of this length would be considered tedious at best, SOTL are arguably the only contemporary composers who can seemingly alter the time-space continuum simply through the playback of their organized sound. They take time itself and stretch, compress a…

2023 repress on triple-vinyl. "Are there other earthling-conjured soundworks rivaling the majesty of Henry Flynt's minimalist hillbilly fiddle fantasias or the heavens-rending power of Olivier Messiaen's works for organ? Undoubtedly, else why bother listening. But the only thing speaking at us right now from these charmed regions are the celestial airs of these Stars of the Lid. Alternately lulling and wielding a potency that wholly escapes 'experimental' musics, Stars of The Lid bring big, whom…

2023 repress. "The first vinyl release in the U.S. for this, the fifth Stars of the Lid album, originally released by Sub Rosa in 1999 and then reissued by Kranky in the fall of 2002. A pivotal album in their career, this marked the first time the duo completely stepped away from the more abstract sound pieces of earlier albums and engaged with the more symphonic and compositional approach that has become the forte of their more recent recordings."

*300 copies limited edition* The CD sold-out rapidly (just a couple of copies still available at OEC) and we took the decision to go with the re-edition of such masterpiece of Japanese Power-Electronic Industrial! This new version also includes 3 bonus tracks from the cassette only release "Kikai Chudoku" out on Three Plugs Records in 2016 and long time sold-out. Completely re-mastered CD, comes with a brand new and completely different art-work. “Incapable God in silence, I am slavebreed hating…

*199 copies limited edition* Very obscure release involving our long time comrade "Lord Nordvrgr" (the mastermind bhind: MZ.412 / Folkstorm / Bøltorn / ᚾᛟᚢ ᛁᛁ // ᚦᛟᚦ ᚷᛁᚷ / & many other projects) devoted to Sami Population / Sapmi Nation... Ihkuve intention is to prove that music can be a tool for both liberation and revenge. For hundreds of years the Sami people of northern Scandinavia has been oppressed, killed, castrated and decimated in the name of the church, and still to this day there is d…

*300 copies limited edition* Tokyo Hallucination was first released in 2021 and sold-out immediately. Hence: here we go with a second print of such masterpiece for all who missed it. A Psychadelic journey through Tokyo between ecstasy & hallucination... Best Experimental-Industrial by the Japanese master. Sounds are rumbling and beating with far rhythms, sampled voices of city ghosts & spirits. Cut-ups by deformed animals, blinking lights, fast moving geisha’s, blood and drugs…Like a Japanese Bu…

A carefully curated selection of the crucial compilation tracks from Horror Electronics / Post-Industrial project BURIAL HEX, gathering and remastering them together, striving to create a resonance between disparate sources, forming an extraordinary new experience.

With a few more instrumental solos than regular Lobo albums, Cantiga De Longe takes advantage of the genius of the arranger / instrumentalist Hermeto Pascoal. The album has other stars, including percussionist Airto Moreira and drummer Cláudio Slom. There are several important songs on this album: "Casa Forte" (which would be recorded later by Flora Purim), "Mariana, Mariana," "Cantiga de Longe," "Zanzibar," and others. Not Lobo's biggest hits, but beautiful melodies and lyrics on an album with …

One of the very finest groups to emerge from the American cassette scene of the mid aughts, Emeralds released Solar Bridge in 2008 as their first run-in with a proper, formal album release.

Cleveland neo-kosmische outfit Emeralds broke free of the underground in 2010 with the hallucinatory Editions Mego-released 'Does it Look Like I'm Here?', now been remastered and bumped up with seven additional tracks, including two Daphne remixes.

The third and final book in the trilogy of volumes dedicated to Grim Humour fanzine, which ran between 1983 and 1993 and lasted a total of eighteen editions. Following on from the first two, published respectively in 2020 and 2022, this book continues the same approach through its mixing reprinted original pages with rewritten features, some insightful reflections on many of them and additional material by both editor/publisher Richard Johnson and various other contributors. Writers involved wit…

In the winter of 1980, Chicago tenor saxophonist Fred Anderson (1929-2010) brought his quartet to Milwaukee, where they were recorded live in concert. These tapes were first plumbed for The Milwaukee Tapes Vol. 1 on the Unheard Music Series in 2000.

* Few copies available, in process of being stocked * Special bundle taht includes all three 2023 reissues of 75 Dollar Bill first three cassette tapes 75 Dollar Bill – Cassette As far as I can tell, our first cassette, originally released in 2013, was assembled from live recordings from the Manhattan Inn, the Greenpoint restaurant bar (part owned by my childhood friend Rolyn Hu) where we had our first show, and practice recordings from Rick and Sue’s old studio in the Pencil Factory Building. L…

*50 copies limited edition. Includes 5 cards* This devilishly album is your chance to witness Anton LaVey's hidden talent as a musician. Released in the mid-1990s, this gem features the Prince of Darkness showing off his skills on various instruments like the organ and calliope. Classical melodies collide with carnival-inspired tunes, all twisted into a dark vibe thanks to LaVey's wicked interpretation.The macabre ambiance that often surrounds the legendary founder of the Church of Satan is perf…

*2023 stock* Limted 2022 restock, last copies. Originally released in 2006. Tetuzi Akiyama has been a major player on the free music/improv scene in Tokyo for over 20 years. Pre-Existence first came out on CD as a part of the great Wooden Guitar series from Locust. Akiyama's playing here is one of a minimalist approach, discovering and investigating the empty spaces between each note. He does not follow the Takoma guitar school style of finger-picking, but instead invokes a far more warped primi…

*200 copies limited edition* “I decided to treat my process like gathering tiny beach rocks -- nothing stands on its own initially but after a few months you find yourself with a collection,” says Chicago cellist, composer, and improviser Lia Kohl. She’s talking about beginning work on her album Too Small To Be A Plain, which began as experiments in creating small bits of music every day. For years, Kohl has worked in collaboration with artists, ensembles, and bands, either in projects of her ow…