Reissues

In recent years, the vinyl reissue has emerged as major aggregator of change - the means to discover and appraise the lost histories of remarkable musics from across the globe. Among the most striking and neglected of these, are the sounds which rose from the Spanish underground during the 1980’s and 90’s. Long coveted by collectors - this movement, washed in strange structures and ambiences  - mistakenly tied to broader gestures of New Age, is only beginning to receive the attention that it has…

**Small repress available** Swedish saxophone player/improviser/ composer/music archivist Mats Gustafsson has worked in the outer regions of jazz, avant-garde, experimental rock and free improvisation for more than 35 years. Gustafsson is also a passionate record collector who strongly believes that actively nurturing the urge to seek for rare and obscure vinyl is a gateway to higher musical knowledge – a knowledge that it is a musician’s duty to share. He has coined the term Discaholism – and o…

**Restocked, reduced price. Limited edition of 300 copies.** Digitmovies is pleased to release the rare LP from the world of 1970s Italian cult TV. “I Have Met a Shadow” (original title: “Ho incontrato un’ombra”) was broadcast by RAI Television in Italy in 1974. The success of this screenplay was also due to the OST written by Romolo Grano. The main theme "A Blue Shadow" became a record and radio hit thanks to composer Berto Pisano’s evocative orchestral arrangement which was released on the EP …

**Limited edition of 250 copies.** Digitmovies is releasing the complete Ost by Riz Ortolani for the Spaghetti Western “A Reason to Live, A Reason to Die.” Riz Ortolani composed one of his best scores during his long career with this one, an epic symphonic score where a heroic main theme played by horns and orchestra follows the group of courageous men to their deaths. A western score, but one that's put together with a slightly different feel than usual – almost more straight dramatic at times,…

A groovy little soundtrack by the great Piero Umiliani! The score is for a b-grade spy film from the late 60s – starring Stewart Granger as (according to the notes) "a seasoned secret agent, but always ready to kiss and to bang!" A lot to live up to, we know – but Umiliani more than does the job, with a wonderful mix of tunes that run from Barry-esque Bond to swinging Milan, blending electric guitar, bubbling organ, and exotic themes into a 17 track package that sparkles with the best o…

Bruno Nicolai's soundtrack for the second and last film in the Sabata trilogy from the early 70s – noteworthy for the fact that Yul Brynner took over the starring role, and that Nicolai handled the scoring of the film! Nicolai's style here borrows a lot from frequent partner Ennio Morricone – and the overall feel of the work is extremely powerful – with the sort of broad, bold Morricone themes that we love so much – often done with unusual touches that include floating vocals, trilling f…

The first 10 years of Magma were celebrated on three memorable evenings in June 1980 at the Olympia theatre in Paris. This retrospective, reuniting most of the musicians who had performed in the group, was issued as two albums, Retrospektïẁ 1 / 2 (double) and Retrospektïẁ 3 (single). Issued first, Retrospektïẁ 3 comprises 3 titles Retrovision, a long piece in the style of the album Attahk, in which the vocalists Stella Vander, Guy Khalifa and Maria Popkiewicz turn in a blazing performance…

The jewel in the crown of Compendium Records’ brilliant back catalog is the eponymous album from the progressive jazz- funk band Saluki, released in 1977. Featuring members from the highly signi cant proggers Junipher Greene, Saluki is a much loved rare groove classic and a crate digger favourite. The album consists of eight advanced and ambitious tracks showcasing Saluki’s blistering fusion of prog rock, jazz, west- coast harmonies and funk, as well as great songwriting abilities. Extreme…

"Principe di un giorno" is the first and only album by Celeste, a Ligurian group born from the ashes of Il Sistema, a band with a considerable potential that, however, never managed to release a proper LP. Recorded between 1974 and the following year, "Principe di un giorno" was only published in '76, kept in the drawer by a label that kept saying they were waiting for the right time to release it, just to put it in the stores at the wrong moment!The almost non-existent consideration ensued at t…

Yet another 'out of time' band from the glorious golden season of Italian progressive rock, Il Baricentro - a name that does not coincidentally reveals the musicians' origins (Bari/center, Puglia) - were founded in the mid-'70s by brothers Francesco and Vanni Boccuzzi, out from the ashes of Festa Mobile.The debut "Sconcerto" saw the light in 1976: a beautiful instrumental jazz-rock LP, in which keyboards dominate over every other instrument. Despite the season of punk, new wave and disco music s…

Originally released on CD in 2003. The hour-long performance on this disc was captured live on October 5th, 2002 when Wobbly, People Like Us, and Matmos circled their wagons in the lecture hall of the San Francisco Art Institute. Having mutually agreed upon a country and western theme, Vicki Bennett (People Like Us), Jon Leidecker (Wobbly), and Drew Daniel and M. C. Schmidt (Matmos) pored over their archives of honky tonk classics, chopping and dicing Nashville's finest almost beyond recogniti…

Previously unreleased live and studio sessions from 1969/70. Transeuropean Jazz by Bruno Spoerri`s and Hans Kennel`s sextet and octet “Jazz Rock Experience” from Zurich. Deep brew of electrified Jazz-Funk, spiritual sounds, folk music from Eastern Europe and free improvisation. Original material plus vibrant versions of Leadbelly, James Brown and Eddie Harris, featuring a.o. Spoerri (el-ts and ss), Kennel (tp), Dave Lee (el-pi, clavinet and vibes), Raffael Waeber (g), Jonas Haefeli …

Mule Musiq present a reissue of Fumio Itabashi's Watarase, originally released in 1982. French-born English DJ, record label, owner, and music collector Gilles Peterson once called Watarase the best jazz record from Japan. Tokyo based Mule Music unearth Watabase, the second solo piano album of the Japanese jazz pianist Fumio Itabashi, remastered from the original recordings. While diving deep into the seven compositions on Watarese, any sensible listener finds out, that the instrumental piano pi…

Mule Musiq present the first vinyl reissue of Fumio Itabashi's Nature, originally released in 1979. The legendary Japanese jazz pianist's first solo record ever, Nature was recorded at Nippon Columbia's first studio in Tokyo from March 13-15 in the year of its release. It features Itabashi making feverish love with the piano and he shares the studio with the great bass players Hideaki Mochizuki and Koichi Yamazaki, drummers Kenichi Kameyama and Ryojiro Furusawa, soprano saxophonist Yoshio Oto…

Robbie Basho (1940-86), who died young after a stroke, never got his due in the culture at large, but steel-string guitar enthusiasts have known for decades that he was one of the greats of "American Primitivism". Technically adept and compositionally imaginative, fusing the music of many cultures into a mesmerizing solo style, he has been an inspiration for many; his music has generated a surge of interest in recent years. This 1982 concert was part of a four-show Italian tour. It took place at…

Robert Rental was the stage name of Robert Donnachie (1952–2000), a British pioneer of post-punk, DIY, and industrial music. Originally from Port Glasgow, Scotland, he moved to the south of England with Thomas Leer in the late 1970s where he met Glenn Michael Wallis. Glenn was recording music with the group Heute and leaving to start his solo projects NKVD and Konstruktivists. Both were heavily involved with Throbbing Gristle and the Industrial Records crew. In the Summer of 1979, Robert invited…

It is with such pleasure that I introduce the first vinyl LP by composer/event-maker Charlie Morrow.  Toot! Too culls performance recordings from 1970 to 2014.  It focuses on his Wave Music series, which are compositions based around swarms of like-instruments; i.e. sixty clarinets, conch choruses, and an army of drums and bugle horns, etc. A personal favorite is the 1978 piece, “100 Musicians With Lights” which was performed at dusk in Central Park. One hundred players (brass, reeds, percussion…

Lullabies For Insomniacs presents ‘For Leena’, a collection of unreleased pieces composed between 1991 & 1998 by Dino J.A. Deane for the choreography of dance works by Colleen Mulvihill.Dino J. A. Deane began his professional career, at the age of nineteen, as a musical arranger and multi-instrumentalist (trombone, flutes, keyboards, percussion). He worked in funk bands around Los Angeles before moving to San Francisco in the mid 1970’s, where as an improvising artist he became involved in the d…

20120 Restock. The "Making the Third Ear" part of the title refers to the phenomenon that listeners experience when listening to Maryanne Amacher's compositions -- played at the right volume, sounds seem to emit from within the listener's head! Even though these works were written for installations in specific spaces, and not for recording, the "third ear" still happens (but not with headphones). The included pieces range from a rather comforting wash of tones ("Synaptic Island") to boggling, bl…

Lucky restock, totally sold-out at source **First-time vinyl reissue. Limited edition of 500 numbered copies on clear vinyl, one time pressing.** The inter-disciplinary maverick John Duncan emerged in 1970s Los Angeles as a confrontational performance artist and, as the decade progressed, aligned himself with the experimental-music collective Los Angeles Free Music Society. His sound art appeared on various self-released cassettes and alongside artists such as Jim Pomeroy and Yoshi Wada on the L…

Few copies back in stock, sold-out at source **First-time vinyl reissue. Limited edition of 500 numbered copies on clear vinyl, one time pressing.** Considered as the first piece of electronic music to accompany a ballet, Totentanz is the arrestingly abstract and mightily expressive result of Warner Jepson's experiments with tape and Don Buchla's groundbreaking synthesizer, the Buchla 100. Totentanz, originally self-released in 1972, reveals a composer relieved of convention.In the 1950s and 19…

Few copies back in stock, sold-out at source **First-time vinyl reissue. Limited edition of 500 numbered copies on clear vinyl, one time pressing.** New Zealand-born sound artist and composer Annea Lockwood received formal training at various institutions before exploring the sonorous potential of glass in a series of performances in the late 1960s. With plates of wired glass, glass discs, chunks of green cullet glass, glass tubing, sheets of micro-glass, glass jars and other incarnations of the…

Few copies back in stock, sold-out at source **First-time vinyl reissue. Limited edition of 500 numbered copies on clear vinyl, one time pressing.** Gnashing, thrashing and teeming with enchanting microtones – Machine Guitars is the definitive recorded work of Remko Scha, although the late Dutch artist didn't play a single note himself. Rather, Scha arranged a motorized, rotating wire brush and saber saw in front of suspended electric guitars and let these metallic torrents flow.Scha was a lingu…

Comes in digipak with an 8-page booklet and a sheet announcing this CD as part of the ZNR box to be released in 2018. Originally released in 1978. "The second and last release by this most exquisite and eccentric of groups, who hardly touched the world of working bands, and whose existence was tenuous, flickering, mythological -- and yet who managed, to find its way to legendary status -- rather like Marcel Duchamp's fountain, by leaving an indelible trace in recorded form of their verifiab…

Beverly Glenn-Copeland debut is a folky jazz record that stands out for Beverly’s sublime high vocals. The 11 tracks where recorded with an all-star band consisting of Dough Bush, Don Thompson, Terry Clark, Lenny Breau, Jeremy Steig and Doug Riley. The latter also produced the record. Years later he would release ‘Keyboard Fantasies (1986)’ which is a mixture of digital new age and early expirimental Detroit techno. It shows the versatility of his very underrated talent. About this new re…

White vinyl, 200 copies. Pekka Airaksinen is a legend of the European musical underground, and The Sperm was his first outfit. Active from 1967 to 1971, they challenged every possible norm society and the current musical climate had. Ungodly racket to some, psychedelic experience to others, The Sperm’s Shh! album and their EP 3rd Erection have become legendary collector’s items, far ahead of their time in terms of musical experimentation. Svart Records have joined forces with Pekka Airaksinen, w…

Restocked, reduced price. Silence present a five-LP box set featuring International Harvester titled Remains. The box contains their debut album from 1968 Sov Gott Rose-Marie and Hemåt from 1969, along with three full bonus albums with live material dating from 1967-1969. It also includes a poster, lots of pictures, and a long interview with member Thomas Tidholm made by Mats Eriksson Dunér. 180 gram black vinyl; Edition of 1000.International Harvester emanated from Pärson Sound and later became…

LP version. Bureau B present a reissue of Heldon's second album Allez-Teia, originally released on Disjuncta in 1975. Before making his own music in the early '70s, Richard Pinhas was a King Crimson fan. The British group has buzzed in Pinhas's mind for decades, but their greatest impact came early. When he first saw them play, Pinhas was struck by music played during intermission. "When I saw (King Crimson guitarist) Robert Fripp and Brian Eno perform in Paris later, I realized that the intermi…

'Dreamland': more sunlit Berlin-school reverie from Tyndall. Interlocking sequencer patterns and glowing melody drift in gentle motion, private-press cosmic music of great warmth and innocence.

'Sunlight': Berlin duo Tyndall bathe their sequencers in warmth. Bright arpeggios and melodic synth lines glide through classic cosmic terrain, homemade German electronics of real charm, a cult reissue.

French minimal-wave shadows from the cassette years, 1980-83. Fondation's cold drum machines, brittle synths and noir atmosphere distil an entire underground era: austere, romantic and hypnotic. A coldwave excavation.

Caught onstage in 1980, Cluster improvise an evening into long, mutating electronic landscapes. The duo's live telepathy in full flow, sequencers churning, textures blooming and dissolving. A vivid document of kosmische in real time.

Proton Pump is a milestone achievement in the winding career of alto saxophonist, gibberish shrieker and jazz legend Akira Sakata. It’s a lightning-fast, real-time cut-up of melody and bare-knuckle action that swings between the avant garde and hardcore be-bop. Sakata is backed by his famed rhythm crew Chikamorachi -- drummer Chris Corsano and acoustic bassist Darin Gray -- and joined by composer and pianist Masahiko Satoh. Sakata and Satoh emerged out of the late-1960s Tokyo jazz scene -- S…

It may be known or unknown, but apart from Idea Fire Company’s first two collage-style LPs and The Island Of Taste, all IFCO LPs have been recorded live. There are some scattered studio pieces on Anti-Natural and Stranded, but otherwise, there are only a couple of overdubs or edits per LP. We also rarely do more than one take of any of the pieces. Unless there is a sound problem or a very egregious error, I never see any need for it. One of the many points of IFCO is that the music is being play…

Double CD version. Includes booklet. Sub Rosa present Music From Yemen Arabia: Sanaani, Laheji, Adeni And Samar a reissue of both Music From Yemen Arabia: Samar and Music From Yemen Arabia: Sanaani, Laheji, Adeni, recorded by Ragnar Johnson and Jessica Mayer. These songs originate from the city of Sanaa, the sheikdom of Lahej and the port of Aden. These songs originate from the city of Sanaa, the sheikdom of Lahej and the port of Aden. Samar is the delicious, luxury time when people gather f…

Avant trio This Heat dissolved at a turbulent time in the UK. Margaret “The Iron Lady” Thatcher was in power, and her budget-cutting, ultra-conservative influence was felt strongly in–among many other places–the cultural melting pot of Brixton, South London, where This Heat had their origins. Dusting himself off after the collapse of the band in 1982, guitarist/vocalist Charles Bullen united with Julius Samuel to form Lifetones and embraced the sounds of the local West Indian community to…

Of all the artists to fall under the sweeping banner of Kosmische / Krautrock - a movement which has benefited from continuous attention from the reissue market since the 1980’s, Georg Deuter remains among the most unacknowledged and under-appreciated. The reasons remain slightly behind reach - the likely consequence of his association with the New Age movement across the 1970’s and 80’s, the lingering effects of stigmas which were later applied that movement’s efforts, and the reissue ma…

Last copies, sold out at source. Replica reissue of one of the rarest free jazz LP ever made: Masayuki Takayanagi & Kaoru Abe's earthshattering Kaitai Teki Kōkan. Supposedly released in a limited run of 100 copies in 1970, this incredibly rare record igot finally  its first vinyl reissue via Craftman Records. The album features a recording of the duo’s live performance at the Kōsei Nenkin Kaikan concert hall in Shinjuku on June 28th, 1970. The reissue is pressed on 180g vinyl and replicates …

**Small 2018 repress available** First time reissue on vinyl of this much sought after release by Jean Hoyoux on the brand new label Cortizona. Jean Hoyoux remains a mysterious figure. He was Belgian psychologist, astrologer, and musician who released two albums during the early 80’s, and seems to have died shortly after. Little information is available, beyond the fact that he was dedicated to the study of the healing properties of music - the guiding theme of the album we have before us. Heali…

Cacophonic present a reissue of Musique Expérimentale, originally released in 1962. Further concrète explorations from the second generation of forward-thinking sonic auteurs that would push the boundaries of experimental music known collectively as the Groupe de Recherches Musicales, founded by Pierre Schaeffer. Having found a job in 1936 at Radiodiffusion Française (later Radiodiffusion-Télévision Française, or RTF) as an engineer, Schaeffer developed a newly found interest in music and with t…