Reissues
Keith Rowe: The Room Extended
In London, in the fall of 1965, a group of four musicians dissatisfied with the constrictions they had encountered in the British jazz scene, came together with a highly thought-out agenda to revolutionize the way music was created, rejecting rules firmly in place then (and still today) among even the most forward-looking of musicians: no repertoire, no solos, no regular rhythms, no melodies, no fear of silence, 100% improvised. Keith Rowe was one of the founding members. They called themselves …
Pourquoi
"Pourquoi" originally released in 1978 on French Crypto label. It sounds like a new side of Cortex: songs are mainly composed around the voice and the various keyboards of the band leader, Alain Mion, who also played bass lines on synthesizer. Besides, the band gave up the live recording to use the beloved Stevie Wonder or Quincy Jones' technique of "re-recording". But, in spite of these changes, their groove remains as spontaneous and as powerful. Also, the band collaborated with great backing…
Volume 2
“Volume 2” is the 2nd and rarest album which had been recorded by the French Jazz-Funk band legend, Cortex. The obscure French jazz group that's been a favorite of jazz collectors for years! Reissued last in 2002 by Follow Me Records, it’s now back in stock in a final limited repressing of 500 copies, reissued by Trad Vibe Records under official license from Alain Mion. It really is another absolute killer album of dope Jazz-Groove tracks! Unlike their first album it's all instrumental (save fo…
La Musica Futurista Nell'italia E Nel Mondo
The Manifesto Of Futurism by Italian poet Filippo Marinetti, published in 1909, still has an intoxicating force. "We want to glorify war . . . to destroy museums, libraries, and academies of all kinds," wrote Marinetti. "We shall sing to the great crowds excited by work, pleasure or rioting, the multicoloured, many-voiced tides of revolution in modern capitals." Color was as important as force to the movement, and it was a search for new sound colors that fired the ambitions of artist and instru…
Drums and Nature
Two long tracks from reknowned sculptor Walter De Maria featuring a tribal drumming pattern and the sounds of nature. The two pieces included were originally recorded in 1964 and 1968. Produced by Estate of Walter De Maria in association with Gagosian Gallery in 2016. In the case of Walter De Maria, a seminal figure in the history of environmental art, these recordings from the 1960s signal the role of sound in his early practice. Cricket Music (1963) and Ocean Music (1968), were made during an …
Artists on Hanne Darboven
Artists on Hanne Darboven is the first installment in a series culled from Dia Art Foundation’s Artists on Artists lectures, focused on German conceptual artist Hanne Darboven. Established in 2001, the lecture series highlights the work of modern and contemporary artists from the perspective of their colleagues and peers. The inaugural Artists on Artists title is published in conjunction with the opening of Darboven’s 1980–83 installation Kulturgeschichte 1880–1983 (Cultural History 1880–1983, 1…
Artists on Walter De Maria
Artists on Walter De Maria is the second installment in a series culled from Dia Art Foundation’s Artists on Artists lectures, focused on the work of artist Walter De Maria. Established in 2001, the lecture series highlights the work of modern and contemporary artists from the perspective of their colleagues and peers. This Artists on Artists title marks the fortieth anniversary of De Maria’s The Lightning Field, The New York Earth Room, and The Vertical Earth Kilometer. It features contribution…
Two-Way Mirror Cylinder Inside Cube and a Video Salon (Book + DV
This video and book are based on Dan Graham’s Rooftop Urban Park Project,
which opened as an extended exhibition at Dia Center for the Arts in
1991. Re-released as a DVD and packaged with the original 1992
publication, this title includes an essay by the artist and a 20-minute
video.
Soar
Edition of 200. Uniquely fruitful duo, John Wall and Alex Rodgers beguile again with a brilliant batch of oily glitch-hop and processed vocals in ’Soar’, a book and CD from Antwerp’s finest publishing house, Entr’acte Just as we were caught out by their ‘Rafia Longer’ 7” in 2015, ’Soar’ finds pivotal London-based artist Wall recalling everyone from Lorenzo Senni to Vladislav Delay and Jay Glass Dubs in the piece’s viscous contours and pinched percussion, while Alex Rodgers supplies the pointed …
Solar Heat
Sultry Tjader jazz! Vibraphone legend Cal Tjader’s fusion of different genres and styles was an acute influence on Carlos Santana (and Latin rock as a whole). On Solar Heat he stirs in tastes of Exotica, Funk, and of course Latin and Jazz elements on this 1968 set of jazzed-up pop chestnuts and original bossas like the delicious “Fried Bananas.” Pressed at RTI, on colored vinyl
Paper Garden
Gatefold cover vinyl reissue of 1968 psych record originally released on the Musicor label. Sgt. Pepper taught a lot of bands to play in 1967, including New York's Paper Garden, whose absorption of the Fab Four's Summer of Love statement came out on Musicor Records the following year. What Paper Garden can't match in terms of the Beatles sophistication they make up for in ambition, as exhibited on the harpsichord-enhanced pop genius of 'Lady's Man', orchestrated gems like 'Way Up High', the fuzz…
Pathways To Unknown Worlds
**First ever CD reissue, containing three Pathways session recordings left off the original, one never before issued** Intrinsic energies of mythic worlds! Pathways was originally issued on LP in 1975 as part of Sun Ra’s ill-fated and short-lived ABC/Impulse! partnership. This Modern Harmonic edition has been exquisitely mastered from the four-track session reel. The Impulse! LP was formatted as “Quad Compatible”—short for “quadraphonic”—which you could enjoy if you had four speakers, a custom q…
Something Weird
Something weird, and something very cool too – a set that brings
together a whole host of strange and unusual tunes from the glory days
of exploitation cinema! These cuts are all from a time when the b-movie
underground was playing it fast and loose – trying to get more folks
into the theaters with some ultra-sleazy themes – which resulted in
wilder music than you might have heard in movies just a few short years
before! The package is presented by Something Weird – the video company
wh…
Begin
The Millennium looms large in the hearts of fans of the '60s sunshine pop genre. The studio group was the creation of legendary tunesmith/studio genius Curt Boettcher, who had previously been instrumental in the formation of the fabled '60s cult acts the Ballroom and Sagittarius. In 1968, Boettcher assembled a group of talented California singers and musicians (including singer/guitarists Lee Mallory, Sandy Salisbury, Joey Stec and Michael Fennelly and Music Machine drummer Ron Edgar) to record …
Red Weather
After leaving Blue Cheer in 1969, guitarist Leigh Stephens, whose pulverizing roar was an essential element of the band's original sound, made his solo debut with Red Weather. In contrast to his former band's stripped-down metallic blast, Stephens spread his musical wings to explore new musical territory. Although Stephens' trademark guitar sound is still prominent, it's featured in a more eclectic context that encompasses elements of avant-psychedelia and electric blues. Also featured is stella…
Outside Inside
Blue Cheer's second album, Outsideinside, fully matches its predecessor's primal power. The last Blue Cheer release to feature the beloved lineup of Stephens, Peterson and Whaley, Outsideinside is a bracing orgy of volume, distortion and aggression, with such highlights as "Just a Little Bit," "Come and Get It," the instrumental "Magnolia Caboose Babyfinger" and the band's distinctive take on the Rolling Stones' "Satisfaction." Like its predecessor, Outsideinside has been out of print on vinyl f…
Vincebus Eruptum
Blue Cheer looms large in the annals of hard rock, laying down the sonic foundations of heavy metal, and serving as a crucial influence on the birth of punk, grunge and stoner rock. While the rest of the rock world was mellowing out and embracing the spirit of the Summer of Love, the seminal San Francisco power trio was churning out ballsy blues-rock anthems whose fuzz-heavy, adrenaline-charged intensity helped to alter the course of contemporary music.Vincebus Eruptum, Blue Cheer's landmark 196…
The Verve/MGM Albums
This beautiful, deluxe boxed set gathers the rare mono versions of the band's first three studio albums along with the superior mono version of Nico's Chelsea Girl and a definitive edition of the band's unfinished fourth album! Mastered by Bob Irwin, cut by Kevin Gray, and pressed at RTI, this collection is an essential purchase for the discerning vinyl devotee. For all tomorrow's parties, this is your soundtrack. At a time when the Rolling Stones were forbidden from singing about spending the n…
Nachtfalter
Günter Schickert's debut Samtvogel (1975) was one of the most significant guitar albums of the krautrock era. Points of comparison from today's perspective are Syd Barrett or Pink Floyd's more adventurous early recordings. Schickert's follow-up, Überfällig (1980) was released on the legendary Sky label. Once again a milestone recording, it showcased Schickert's hypnotic echo guitar which developed into one of the hallmarks of the krautrock sound. Schickert's new album Nachtfalter, translating as…
Die Vertreibung Der Zeit (1980-1986)
ALU's inception as descendants of the psychedelic group Sand, founded by Ludwig Papenberg and Johannes Vester, comes in 1980. Their first single "Bitte Warten Sie!" appears on their own label Der Letzte Schrei! in 1981. Even on these early recordings, the project's sonic orientation is discernible: sequencer-driven, simplistic rhythmic structures layered over fragments of free text, a common thread tracing ALU's musical contours through various successive metamorphoses. Although the band emerged…