Reissues
High Contrast
This 1971 album by the Hungarian jazz guitarist Gábor Szabó is a smooth jazz-fusion record blending psychedelic jazz, pop, and Latin influences. It includes one of Szabó’s best-known tracks, "Breezin’", later famously reworked by George Benson. The album is marked by melodic guitar lines, cinematic arrangements, and a polished, atmospheric sound typical of early-70s jazz fusion. Szabo also delivers a few stellar originals, showcasing his signature fusion of Hungarian folk music, jazz, psychedeli…
Dino Valente
Dino Valente (1968) is the first and sole solo album by American singer‑songwriter Chester (Chet) William Powers Jr., widely known as Dino Valenti or Valente and celebrated as a founder and early leader of Quicksilver Messenger Service. Blending rock, folk and country with psychedelic undertones, the record pairs introspective, evocative lyrics with the quintessential West Coast sound of the era. Though it was largely overlooked upon its original release, the album has since been embraced as a c…
Bang, Bang You're Terry Reid
Terry Reid, the British rock icon whose voice has been hailed as one of the most soulful and dynamic of the late-1960s era, sees his seminal debut album Bang, Bang You're Terry Reid return to vinyl for the first time since 1977. This meticulously mastered reissue revives the powerful blend of blues rock, soul, and psychedelia that defined Reid's near-breakthrough moment in rock history.
The 1968 debut studio album by Terry Reid represents a powerful blend of blues rock, soul, and psychedelia, dr…
Soul Sauce
Get ready to ignite your turntable: Cal Tjader's seminal 1965 Latin jazz masterpiece Soul Sauce is back on vinyl for the first time since 1993. This vibrant reissue celebrates the album's enduring groove, fusing the vibraphonist's shimmering melodies with irresistible Afro-Cuban rhythms like mambo and boogaloo.
A cornerstone of Latin jazz, Soul Sauce captivated audiences with its tight, danceable grooves and accessible yet sophisticated arrangements. Tjader, the vibraphone virtuoso who bridged j…
Ese Dia Va A Llegar
Far Out continues its exploration into the singular catalogue of Argentine guitarist and songwriter Agustin Pereyra Lucena with a special Record Store Day edition of his most celebrated album Ese Dia Va A Llegar. Agustín Pereyra Lucena was one of South America’s outstanding guitarists. Hailing from Buenos Aires but obsessed with the music of neighbouring Brazil, Agustin abandoned his architecture studies to pursue music full-time, earning friendship and collaborations with Brazilian music's grea…
Einsjaeger & Siebenjaeger
Among the most luminous records ever issued by Popol Vuh, and one of the high points in the singular spiritual arc traced by Florian Fricke across more than three decades of work. Esoteric, reissuing the album on vinyl on July 31st, 2026 in a fresh cut prepared at AIR Studios, London, returns to print one of the essential statements of 1970s German music.
By the time Fricke entered the studio in Munich in 1974 with Daniel Fichelscher on guitars and percussion, Djong Yun on vocals, and Olaf Küble…
Affenstunde
A foundational record. The opening chapter of one of the most singular spiritual journeys in European music. Esoteric returns Affenstunde, the 1970 debut of Popol Vuh, to vinyl on July 31st, 2026, freshly cut at AIR Studios in London, with the original cover artwork restored and an accompanying poster. When Florian Fricke brought a Moog III modular synthesiser into a Munich studio in 1970, alongside percussionist Holger Trülzsch and engineer Frank Fiedler, he was working with one of only a handf…
Los Orientales de Paramonga 1972-1976
In the late 1960s, the coastal city of Paramonga, just a three-hour drive north of Lima, gave rise to a vibrant music scene shaped by surf, rockabilly, and tropical sounds. Among its protagonists were two musicians, Víctor Ramírez and Maximiliano Chávez, who, with their psychedelic guitars, Fender amplifiers, and wah-wah pedals, would define not only their own sound but also shape the musical identity of the region. Under the mentorship of their manager, Néstor “Romanito” Robles, the two guitari…
Industrial tape
This is where it begins. Recorded in May 1980 and self-released the same year as catalogue number 01, Industrial Tape is the founding document of the MB project, the first cassette Maurizio Bianchi issued under his new name after closing the Sacher-Pelz chapter. Working alone in his home in the Mantuan town of Pomponesco, twenty-four years old, equipped with little more than an analogue synthesiser, a tape machine, and a small bank of effects, Bianchi laid down four pieces that would set in moti…
Voyeur Tape
101 Copies. Recorded in July 1980 and issued shortly thereafter on Andrew Cox's YHR Tapes with the catalogue number YHR 005, Voyeur Tape was the first MB cassette to cross the Channel into the British industrial underground, preceding by a matter of months its companion Cold Tape, which would follow on the same imprint as YHR 006 before year's end. Together the pair formed Maurizio Bianchi's decisive entry into the small mail-order network through which European industrial music was circulating …
Cold Tape
101 Copies. Recorded in the autumn of 1980 and originally issued the same year on Andrew Cox's YHR Tapes in the United Kingdom, Cold Tape marks the moment Maurizio Bianchi's music first crossed the Channel into the British industrial underground. After a feverish run of self-released cassettes that spring and summer under the MB name, working from his home in the Mantuan town of Pomponesco, Bianchi entered into correspondence with the small network of European cassette imprints that had begun to…
Atomique Tape
Edition of 101 copies. Recorded in June 1980 and self-issued the same year on cassette, Atomique Tape belongs to the legendary first wave of releases under the MB name, the moniker Maurizio Bianchi adopted that spring after closing his earlier project Sacher-Pelz. Across roughly twelve months, working from his home in the Mantuan town of Pomponesco, Bianchi produced an extraordinary run of self-released tapes that would, almost immediately, place him at the centre of the international industrial…
Hadayro
* Edition of 199 copies * Originally released on cassette in 1985, H·A·D·A·Y·R·O is a landmark of Japanese noise music. It documents the early vision of Solmania and the singular sonic approach of Masahiko Ohno. For years, it remained a cult artifact among collectors and underground enthusiasts. This vinyl edition renews its impact, feeling more like a rebirth than a simple reissue. Solmania was far more than a band; it was Masahiko Ohno’s personal sound laboratory. At the heart of the album are…
The Human Race Was Restored To Life Repeatedly
* Edition of 199 copies * Government Alpha, the project of Yasutoshi Yoshida, is one of the central figures in Japanese harsh noise, emerging from Tokyo's early 1990s underground scene. Through his Xerxes label, he developed a style that is both extreme and meticulously constructed, balancing ferocity and precision with remarkable control. Even at its most chaotic, every sonic eruption feels carefully placed.
Originally released on cassette in 1994, The Human Race Was Restored To Life Repeatedly…
Delitto sull'Autostrada (7")
Tava Tava Rare is pleased to announce the first release on 7" of Franco Micalizzi's main theme to the film “Delitto Sull'Autostrada”, directed by Bruno Corbucci and starring the Italian-Cuban-American actor Tomas Milian. Eclectic, innovator, full of life and energy, out of the ordinary, the composer is best known for his scores in poliziotteschi films such as “Roma A Mano Armata”, “Napoli Violenta” or “Italia A Mano Armata”, whose theme was used also in Quentin Tarantino's “Death Proof”. The mus…
Live in Europe 1968 & 1972
On Live in Europe 1968 & 1972, Marion Brown leads a borderless quartet through two rare European concerts, pairing his singing alto with Gunter Hampel's vibes, Barre Phillips' bass and Steve McCall's drums in a sound that hovers between lyrical free jazz and chamber‑like intimacy.
Sonic House Reunion
On Sonic House Reunion, Bobby Bradford, Mark Dresser and Hafez Modirzadeh reconvene a long‑running alliance, turning cornet, five‑string bass and hybrid reeds into a quietly radical chamber unit where Ornette‑rooted lyricism, spectral tuning and deep listening pull the music in multiple directions at once.
Sun's Blessings
On Sun’s Blessings, Sunny Murray and Sabu Toyozumi meet as a double‑drum frontline, turning a 1999 Sapporo concert into a two‑part ritual where clattering polyrhythms, rolling thunder and sudden hollows of space make free improvisation feel both volcanic and oddly tender.
Keeping It In Context
On Keeping It In Context, Daniel Carter, Sabir Mateen, William Parker and Lou Grassi turn a 1996 Context Studios session into a blazing, deep‑listening workshop, with twin reeds, singing bass and restless drums stretching free jazz language without losing its earthy pulse.
Wembley 1974
Pink Floyd’s legendary Wembley 1974 performance captures the band at one of the most pivotal moments in their career, as they toured in support of the groundbreaking The Dark Side Of The Moon. Recorded during a period of extraordinary creative momentum, this historic show offers a powerful snapshot of Pink Floyd at the height of their artistic vision, blending atmospheric soundscapes, immersive instrumentation, and the unmistakable sense of experimentation that would come to define an era.
Set a…