Reissues
Omen
Ah, CP #200; never in 12 years did I think we'd make it this far. Those of you keeping count will realize that, despite the catalogue number this is actually the 181st title in the series; that said we're definitely winding down & what a great run it's been. This, in many ways, is the perfect title to ring in this momentous occasion; arguably the longest in the Creel Pone "Queue" (mainly as virtually the entire cabal, upon discovery, scratched their collective heads, rooted around for close to…
in Celebration of the 25th Anniversary of the Experimental Music
Replica edition covering this wonderful 2LP boxed set, issued on the occasion of the 25th anniversary of the Experimental Music Studios of the University of Illinois School of Music. Features work by a largely otherwise undocumented array of midwest composers, including Antonio G. Barata, Paul Christian Koonce, Carla Scaletti, Michael Kosch, Brian E. Belét, Sever Tipei, & Nelson Mandrell alongside those by more well-known ones such as studio head Herbert Brün, Mary Ellen Childs, and recent Cre…
The Complete Narco Recordings
After a several-months-long blackout, Creel Pone is back in action! What a fine little number to get the ball rolling with once again; a reproduction of all five LPs originally self-released by Nicolas “Nik Pascal” Raicevic on his Narco Records and Tapes label - rumored to be one of the first truly independent labels, with Raicevic simply walking into an L.A. pressing plant & placing orders for stock - between 1969 and 1975. The music is nothing short of genius; a fine beaded mist of exceeding…
Electronomusic, 9 Images
Much in the way I was confounded by Rod “A Safe Place to Land” McKuen’s forays into noise-oriented electronic music - see: Heins Hoffman-Richter, “Symphony for Tape Delay, IBM Instruction Manual, & OHM Septet," aka "Music to Freak your Friends and Break your Lease” - this set of “Electronomusic” by RCA-Victor “Living Stereo” architect - he recorded the vast majority of the legendary classical label’s productions, working with Van Cliburn, Heifetz, Horowitz, Leontyne Price, Fritz Reiner, Toscan…
Hot Box 1974-1994
Destroy All Monsters are known by some for their role as a bastion of resistance of Detroit's rock; for being, during their second period, the band in which Ron Asheton would reappear. For others, they are a pivotal reference point in the copious but relatively unknown avant-garde underground from the same city, after Thurston Moore and Byron Coley dug up their first recordings in 1996 and the original line-up reunited. Destroy All Monsters comprises two complementary and interconnected poles th…
Orion Awakes
Mental Experience present a reissue of Golem’s Orion Awakes. Orion Awakes was recorded and produced circa 1976 by Toby Robinson, aka Genius P. Orridge, while he worked as second engineer at the famous Dierks Studio in Cologne. Memories from those hazy times are sketchy, but all evidence leads you to believe that the musicians featured here were well-known names from the kraut scene working under pseudonyms, recording 100% underground, non-commercial music under Toby’s guidance, just for fun. App…
Esoteric
In November 1977 and May 1978, months before drummer Phillip Wilson recorded his great LP Duet with trumpeter Lester Bowie for the Improvising Artists label, Wilson hit the studio for Esoteric, a recording of solos and duets with cornetist Olu Dara. Wilson (1941-1992) was one of the keypercussionists in creative music, the Art Ensemble of Chicago's early trapsman, one third of the fusion band Full Moon, and an all around fount of invention and sensitivity. In addition to his work in the jazz and…
Red Chrysanthemums: Solos 1977
2015 release. On the occasion of improviser and composer Wadada Leo Smith's exhibition Ankhrasmation: The Language Scores, 1967-2015 at Chicago's Renaissance Society, Corbett Vs. Dempsey present Red Chrysanthemums, a previously unreleased live recording of solo performances by Smith, documented in Los Angeles in December of 1977. Three adventurous, spacious tracks that feature Smith's unique and innovative trumpet, as well as percussion, tuned percussion, and flute, all captured as Smith was in …
Solo Guitar Volume 2
Derek Bailey, solo guitar. Recorded on 22 June 1991 at approximately the times indicated.
Solo Guitar Volume 1
Derek Bailey plays electric guitar plus VCS3 synthesiser on Where is the police?; on Christiani Eddy he plays electric guitar unamplified and on The squirrel and the ricketty-racketty bridge he plays two acoustic guitars at the same time (not double-tracked). The improvisations are on electric guitar.' Recorded February 1971; equipment and recording Hugh Davies and Bob Woolford. Improvisations 4, 5, 6, and 7 and the three compositions were previously released on Incus LP 2 in 1971. In 1978 the r…
Time Machines
“4 Tones to facilitate travel through time.” So begins the listeners’ journey into what has become one of the most treasured and revered pieces of Coil history ever released. Each of the four pieces on Time Machines is named after the chemical compound of the hallucinogenic drug that they were composed for, and the album was meticulously crafted to enable what John Balance referred to as "temporal slips" in time and space, allowing both the artist and audience to figuratively "dissolve tim…
Vol. 2
Japanese CD reissue of The Nihilist Spasm Band's second album, originally released in 1978 on the Michael Snow'sMusic Gallery Editions label. Recorded live at the Toronto Music Gallery, February 4th 1978.The NSB was formed in 1965 by a group of people who enjoyed music and wanted to play in a band. There was no desire to learn to play traditional instruments so kazoos were bought and assorted noise makers modified or built from scratch. The band started playing regularly every Monday night in 19…
no record
"In 1965, eight guys from London, Ontario, decided to start a free-improv group — 'free' to the point of building their own instruments, which they decided couldn't be set up to produce specific pitches... Their vocalist, schoolteacher Bill Exley, banged on a cooking pot and bellowed hilariously about stupidity and destruction and Canada. They didn't treat what they were doing as an advanced, visionary form of experimental music, but as a big, stupid, fun, ecstatic noise. By the '90s, noise arti…
The Paul Bley Synthesizer Show
LP version. Bamboo present the first ever reissue of Paul Bley's The Paul Bley Synthesizer Show, originally released in 1971. This stunning album was recorded over three sessions in New York City on December 9th, 1970, January 21st, 1971, and March 9th, 1971. The Paul Bley Synthesizer Show produces new songs and tough translations of previous works from Mr. Joy while joining the likes of other seminal works in 1972's Dual Unity (BAM 7018CD/LP), 1971's Improvisie (BAM 7019CD/LP), and Bley-Pea…
Music for Commercials
Originally issued by Crammed in 1987, this is one of the most sought-after releases in the legendary Made to Measure series. Known for his numerous albums, soundtracks, and collaborations with an impossibly broad array of artists (from Ryuichi Sakamoto and DJ Towa Tei to Van Dyke Parks, Björk, Manu Dibango and Elvin Jones), composer, saxophonist and producer Yasuaki Shimizu also released several electronic music productions during the '80s, which are currently generating a lot of interest (…
Sulle corde di Aries
1973’s Sulle Corde Di Aries was Franco Battiato's third release and showed his fascination for electronic, minimalist and systemic musics, as well as his third chapter in Battiato’s foray into esoteric pop. While the artist would venture further out into avant-garde terrain on subsequent releases, his early records enjoy a lyrical and playful spirit—eschewing traditional, song-based composition in favor of kosmische voyages. On Sulle Corde Di Aries, Battiato guides the labyrinthine structural ch…
Pollution
Pollution from 1972 is the captivating follow-up to Fetus. Like its predecessor, the album features Baroque textures, motorik rhythms, weird tape effects and Franco Battiato’s perfectly oblique vocals, with a minimalist sound mainly based on the use of a VCS3 synth, unusual lyrics, complex arrangements: upon hearing Pollution, Frank Zappa joyfully proclaimed it “genius.” While Battiato’s core group of collaborators remains largely the same as on his debut, this phenomenal band (joined by an eigh…
Fetus
"Fetus is an album beyond all definition. It's a masterpiece of daring and wild risks that work every single time. Battiato takes us through eight uniquely super-detailed songs that tug at the heart strings as no other experimental record ever could." Jim O' Rourke. Franco Battiato is often heralded as Italy's answer to Brian Eno. A quizzical composer/lyricist, Battiato turned pop music upside down in the early '70s with three classic LPs – Fetus, Pollution and Sulle Corde Di Aries – that for…
Lucifer Rising Ost
Originally pressed on LP in 1980, we hereby present an affordable, remastered presentation of the legendary/notorious Lucifer Rising soundtrack that was originally composed for Kenneth Anger’s film of the same name. Comes with printed inner sleeve and spot gloss jacket.“When I composed and recorded the soundtrack for a reconceptualized Lucifer Rising a decade after the first abandoned attempt I drew on my own life experiences to tell the story in music evocative of the mythical Lucifer awakening…
Stoned - An Electronic Symphony
Official re-issue of Danish electronic music from 1974! Vinyl LP comes with booklet and limited to 500 copies - no repress. Frederiksberg Records announces the first re-issue of ‘Stoned’ which is exclusively licensed from Gunner Møller Pedersen in person and has been carefully restored from the original master tapes. It comes with a booklet of liner notes by Thomas Knak. ‘Stoned’ by Gunner Møller Pedersen is a pioneering partly-electronic composition from Denmark. Gunner believes that it’s m…