Mutantes
*2024 repress* One album into their career in 1969, Mutantes showed few signs of musical burnout after turning in one of the oddest LPs released in the '60s. Similar to its predecessor, Mutantes relies on an atmosphere of experimentation and continual musical collisions, walking a fine line between innovation and pointless genre exercises. The lead track ("Dom Quixote") has the same focus on stylistic cut-and-paste as their debut LP's first track ("Panis et Circenses"). Among the band's musical …
We And The Sea
Rich blend of Brazilian samba and Afro percussion, more like the jazz of Getz/Gilberto than the bossa nova of, say, Sergio Mendes and Brasil '66. An exquisite album, that stretches the boundaries of Bossa Nova.
Os Mutantes
2023 repress. Lilith present a reissue of Os Mutantes' self-titled debut, originally released in 1968. With the release of their debut LP in 1968, Os Mutantes cracked the already red hot Tropicalia scene wide open. Fusing traditional Brazilian music, psychedelia, rock, and a good dose of pure experimentation, they quickly became giants both in Brazil and in the outer fringes of pop music, where they have managed to reign supreme for the past four decades. Not an easy task in such a crowded arena…
Gal
2023 reissue After Caetano Veloso broke out with his solo debut, the self-titled 1968 release recognized as the building block for the now infamous Brazilian Tropicalia movement, his friends and musical peers released similar albums, always upping the ante in terms of outrageousness and inventiveness. This release, the second of two self-titled albums released by Gal Costa in 1969, set the high watermark in terms of overall insanity and complete experimental freedom for the entire lot; not Velos…
Gal Costa
*2023 reissue* A lot changed between Gal Costa's pleasantly straightforward 1967 debut Domingo and her eponymous follow-up two years later. Domingo, also a debut for young Brazilian songwriter Caetano Veloso, featured a set of airy, somewhat standard bossa nova tunes, sung ably by Costa. Mere months after the release of this relatively safe debut, however, Costa and Veloso found themselves alongside Os Mutantes, Tom Zé, and Gilberto Gil, recording contributions to Tropicália: Ou Panis et Circenc…
Gilberto Gil With Os Mutantes
*In process of stocking* Gilberto Gil’s second album is packed with some of the best songs of his career; jubilant pop extravaganzas like “Domingo No Parque”, “Pega a Voga, Cabeludo”, and “Frevo Rasgado” that were equally inspired by the irresistible, brassy bombast of Carnaval and intelligent rock & roll from America and Britain. Even more than the other Tropicalistas, though, Gil blends his rock and native influences seamlessly, resulting in songs like “Ele Falava Nisso Todo Dia”, which chart …
Leaf-Playing In Quito, 1960-1965
Tip! *In process of stocking.* The out-of-this-world recordings of Dilson de Souza, leading a kind of tropical chamber jazz on leaves from a ficus tree. Dilson was from Barra do Pirai, in the Brazilian countryside; moving to Rio as a young man, where he worked in construction. He recorded his first record in 1954, for RCA Victor. He travelled to Quito around 1957, soon hooking up with Benitez & Valencia, who introduced him to the CAIFE label. Dilson played the leaf open, resting on his tongue, h…
Samba Esquema Novo
*Limited Clear Vinyl edition, 300 copies! In process of stocking* First released in 1963 on Phillips Records, this was Jorge Ben's debut album. "Samba Esquema Novo", which translates to 'New Style Samba' deliberately sets a new standard in Brazilian music. A beautiful, fresh and vital combination of Ben's percussive guitar and smooth/rough voice backed by Big Band style horns, percussion (the great Dom Um Romao) and strings. In 2007, it was listed by Rolling Stone Brazil as one of the 100 best B…
Jorge Ben
The sixth studio album of the Brazilian artist Jorge Ben. Released in 1969, it was Jorge Ben’s first album with Trio Mocotó, a group that would be backing him along the 70’s on many other seminal albums, such as Força Bruta (1970), Negro É Lindo (1971) and A Tábua de Esmeralda (1974). The present album is said to have influenced the “Tropicália” movement, as three tracks from this set, “Que pena”, “País tropical” and “Charles, anjo 45” were immediately covered by Gal Costa (the former two), and …
Embalo
** 2021 Stock ** Master jazz pianist Tenorio Jr. aka Francisco Tenório Júnior only recorded this one album, 'Embalo', originally released on RGE in 1964. Rumour has it that he was arrested and thrown in jail (and possibly even murdered) while on tour with Toquinho and Vinicius de Moraes in Argentina in 1976. He has not been seen since... Soon after the disappearance of Tenorio Jr. filmmaker Rogerio Lima produced a short film entitled "Balada para Tenorio," which chronicles the disappearance with…
Caetano Veloso
In continuing to expand our catalog of seminal reissues, Third Man Records is extremely proud to present the first authorized North American vinyl issue of Brazilian artist Caetano Veloso's iconic 1968 debut solo album. Caetano Veloso’s self-titled debut solo album is one of the most important and influential Brazilian (and, dare we say, South American) albums of all time. With the release of this seminal album, Veloso would become the leading voice of the Tropicália art movement, which took pl…
The Silvery Boys
"Vampisoul present the first vinyl reissue of The Silvery Boys's self-titled album, originally released in 1968. The Silvery Boys was created in 1965 in the district of Campo Grande, Rio de Janeiro, featuring a unique blend of organ, guitar, bass, drums, trumpet, and trombone. They became known as "The Famous Bandinha de Campo Grande" and released their debut album on RGE in 1967.At the end of the '60s, the sound of the garage beat and the bossa nova and samba coexisted smoothly in the repertoir…
Tropicália Ou Panis Et Circensis
*2021 Clear Vinyl repress * Originally released in 1969, this album is one of the most significant in Brazilian musical history, spearheading the musical Tropicalia revolution lead by Brazilian legends Caetano Veloso and Gilberto Gil, not to mention Gal Costa and mutant rockers Os Mutantes. Not only were the artists experimenting with the music, they were also making a very strong political statement that spoke out very harshly against the military regime in Brazil at the time. This album helped…