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*In process of stocking. 2023 stock* "As a chamber music ensemble the saxophone quartet has a surprisingly long pedigree. The first work for it was written in 1857, less than twenty years after Adolphe Sax invented it, a Saxophone Quartette Club was founded in New York in 1879, and by 1896 a California Saxophone Quartet was on tour. While the modern saxophone quartet is now most likely to be associated with the jazz tradition, the standard ensemble of soprano, alto, tenor and baritone saxophones…
Tip! *In process of stocking* "On "When the Streets Were Quiet", composer, bassist, and bandleader Max Johnson turns the focus to his finely wrought chamber music. Active in many contexts, Johnson is voraciously eclectic and impressively versatile. The works on this collection betray little overt reference to his wide range of stylistic activities, instead zeroing in on his craft centered approach to composition. With an emphasis on counterpoint, imitative textures, structural markers defined by…
Yannis Kyriakides evokes memories of a site and of the workers of the mines of Amiandos, reflecting on a past not that far gone. In 7 pieces he tells profound stories of loss, and of the fascination for a magnificent and malignant stone. Amiandos is Kyriakides 8th album on Unsounds records.
The three works on this disc explore different aspects of Radulescu’s theory of Sound Plasma as it evolved over the course of the 1970s, from Radulescu’s early to middle periods.
*2LP Gatefold with tipped in booklet * Presented together for the first time, American composer John McGuire’s Pulse Music series (1975-1979) blurs the popular narrative that Minimalism was a reaction against Europe’s angular, intellectual, inscrutable high-modernism. McGuire, born in California, studied at Occidental College in Los Angeles and UC Berkeley before going to Europe to study with Karlheinz Stockhausen, Krzysztof Penderecki, and Gottfried Michael Koenig. His compositions lock seriali…
*2022 stock.* Actually, the CD "Nachthelle" should have been a concert for the 80th birthday of Johannes Fritsch (1941-2010). Because of Corona, it now became a CD. Luck in misfortune. Johannes Fritsch was a composer, improviser, violist, author, publisher, organiser and, last but not least, professor of composition at the Musikhochschule in Cologne, where his class was always open to guests over the years, also from the field of improvised music. The present publication contains the pieces "Vio…
The Multiple Joy[ce] Orchestra presents its new CD "works by Carl Ludwig Hübsch" with all kinds of illustrious musicians from Cologne (and non-Cologne)!
*2022 stock* In November 2020, stuck in cologne, Elisabeth Coudoux composed this pieces – more close to her own intuition. These ideas are a direct result of a conceptual processes that matured over the span of many years, shaped by the individual sound and the personalities of the musicians involved. 12 short sonic islands teem with abstract, experimental sounds that don’t shy away from melody or formal play. Earis - The ear behind the iris - the idea of seeing without words, of forming a music…
This 2 CD album features Japanese pianist Miharu Ogura’s jaw-dropping rendition of Karlheinz Stockhausen’s Klavierstücke I–XI, for solopiano, recorded live at Monopiano festival 2021. Includes a 20 page booklet with
an essay by Robin Maconie, former Stockhausen pupil and author of the book “Other Planets: The Complete Works of Karlheinz Stockhausen 1950–2007”.
Iannis Xenakis's early electroacoustic works define already the compositional space he is using later in his mature, almost one-hour long works like Persepolis or La Légende d'Er. After arriving in Paris as a Greek refuge in 1947, Xenakis quickly found a work as construction engineer with the architect Le Corbusier. He tried in vain for several years to become a member of the Groupe De Musique Concrète (GRM) and thus to gain access to the electroacoustic studios at the French radio. Pierre Schae…
Iannis Xenakis's late electroacoustic music became electronic: all sounds are synthetic "explicit computer music" as Peter Hoffmann called it. The music presented here shows Xenakis's way back from spatialized immersive music and multimedia spectacle to simple loudspeaker music. The sound does not move anymore, there are no synchronized visuals: nothing remains but structured noise. Xenakis used two inventions he had already presented in the context of the Polytopes: sounds created by stochastic…
*In process of stocking* Play Off is the new record by the composer Vasco Mendonça, performed by Drumming GP and edited by Holuzam. Resulting from the accomplice creative partnership between Vasco Mendonça and the ensemble led by Miquel Bernat, all the works on this disc (which includes an unusual piece for countertenor and percussion, from poems by Terrance Hayes and Tracy K. Smith) are commissions from the group to the composer, under the Composer in Residence programme in 2019/2020.
At this l…
The Plains at Gordium was composed from June to August 2004 and is dedicated to Charlotta Kotik. The incentive to compose the piece came from a percussion group in Brno, Czech Republic, who asked me for a piece of music. Not being a commission-disciplined composer, I wrote a piece for six percussionists, while the Czech group, DAMA-DAMA had only four members and could not perform it. The size of the piece also defies the scale of a standard percussion piece, 1,290 measures over a 108-page score.…
Erhard Grosskopf (b. 1934) is a Berlin-based composer of contemporary music who has been active since 1963. His works include chamber and orchestral as well as electronic music, and have been performed in the West German pavilion at Expo '70, by various radio orchestras, renowned string quartets, and avant-garde groups such as Gentle Fire or Agitation Free.
A thread that runs through all of Grosskopf's works is the idea of composing not on a timescale but in a space. Grosskopf views himself as a…
Other Minds is excited to present Hypothetical Moments, a DVD of the collaborative works of Carol Law and Charles Amirkhanian, available on video for the first time. Some of the work included within will be familiar to followers of Amirkhanian’s work (Dog of Stravinsky, Mahogany Ballpark), but the vast majority of Hypothetical Moments has been entirely unavailable until now. Both video and audio have been lovingly restored and remastered, opening up a new pathway into the densely layered and ref…
This is the second Tzadik release of music by one of the most original and under-appreciated composers of the twentieth century. With José Maceda's passing in 2004, several of his most passionate musical collaborators have been continuing his legacy and they come together here to present his most ambitious and greatest large scale work—Strata. Beautifully recorded in Manila at the University of the Philippines and directed by Maceda's long-time collaborator Ramón Santos and Mills College colleag…
*In process of stocking. 2022 stock* "...the music you can listen here on this CD is result of collaboration of musicians from five countries gathered for participating in DIMC held in Rudme in summer 2001. Some compositions are examples of collective improvisation notated graphically, by different ways. Thus, graphical score can look like a sort of "verbal instruction" for performers, with a prescription how selected musical models interact. It is this way by which pieces by Henrik Rasmussen an…
*In process of stocking. 2022 stock* "This CD features music from concerts with Intuitive Music Group (founded 1990) and from some of its members' touring activities in Poland and Russia. It centers around composer and pianist Henrik Ehland Rasmussen. There are three long solo pieces, including one based on a formula given by his countryman Niels Viggo Bentzon, in which countless varied statings of the formula produces an astounding number of ever-developing pianistic phenomena. The other pieces…