We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
play

Morton Feldman

First recordings: 1950s

Label: Mode

Format: CD

Genre: Compositional

In stock

€15.00
+
-

A remarkable discovery of over 75 minutes of Morton Feldman's music. This disc represents 13 unrecorded early works spanning 1950 to 1953, many previously unpublished. Highlights: his only works for magnetic tape, 'Intersection,' realized in 8-channels by Feldman with John Cage and Earle Brown.
Considered lost
, the work has been restored and presented here for the first time in 40 years. Also: his score for 2 cellos to Hans Namuth's film of Jackson Pollock, presented in its entirety including narration by Pollock himself; the solo piano collection 'Nature Pieces' which combine elements of Feldman's youth with his mature style; previously missing works from the Extensions and Intermission cycles. The performances are superbly played by pianist Philippe vandré and the Turfan Ensemble from Frankfurt."

Highlights:
. His only work for magnetic tape, Intersection, realized in 8-channels by Feldman with John Cage and Earle Brown. Considered lost, the work has been restored and presented here for the first time in 40 years.
. His score for 2 cellos to Hans Namuth's film of Jackson Pollock, presented in its entirety including narration by Pollock himself.
. The solo piano collection Nature Pieces, which combine elements of Feldman's youth with his mature style, and the Variations written for a dance by Merce Cunningham.
. Previously missing works from the Extensions and Intermission cycles.


Details
Cat. number: mode 066
Year: 2008
Notes:
Intersection (1953) for magnetic tape * Nature Pieces (1951) for piano * Variations (1951) for piano * Extensions I (1951) for violin & piano * Extensions 3, unpublished version (1952) for piano * Extensions 4 (1952-54) for 3 pianos Piece for Violin & Piano (1950) * Two Intermissions (1950) for piano Intermission 3 (1951) for piano * Intermission 4 (1952) for piano Intermission 5 (1953) for piano Intermission 6a (1953) for 1 piano * Intermission 6b (1953) for 2 pianos Music for Jackson Pollock (1950-51) for 2 cellos * * First recording Tracks 20 to 25 are the original soundtrack to a film by Hans Namuth. Recording: Hessischer Rundfunk, Studio 1, Frankfurt, Germany, May and October 1996, and May 1998. 20-bit Digital Mastering & Tape Restoration: Sonicraft, New Jersey. With thanks to Don Gillespie and Peter Namuth. 28-page booklet includes liner notes in English, German and French.

More by Morton Feldman

Triadic Memories
For Bunita Marcus