Exploratorium
Tip! Gene Coleman is a composer, musician and video director, who has created over 70 works for various instrumentation and media. Central to his work is the inventive use of sound, image and time, and the desire to create experiences that expand our understanding of the world. Since 2001 he has explored the global transformation of culture and music’s relationship with video, science and architecture. Gene has been developing a series of works around concepts of Neuro Music and Transcultural Mu…
Of Shadow and Substance
Acclaimed NYC composer, producer and saxophonist Lea Bertucci explores dissonance, drone and dynamics with two new longform compositions for strings, electronics, harp and percussion Of Shadow and Substance.
A room outdoors
'A room outdoors' is a 48 minute piece written in 2006 by Michael Pisaro-Liu for sustaining instrument, harmonium and field recordings. This was the first work in which Pisaro-Liu incorporated field recordings into his score. This double CD contains two different realizations of the piece, one made in Brussels during the lockdown in April 2020 and one set up in Cremona in June 2023, each realized by the following artists: Disc 1 features Belgium-based Guy Vandromme (keyboards) and Adriaan Severi…
Héliophonie
This is a binaural release, compatible with Stereo. This release gathers two electroacoustic works by Gerard Pape.
The Weather Pieces
The set of The Weather Pieces are reflections on the perception of meteorological phenomena. The listener is immersed in a hybrid sound world, as the line between the live performer and the computer generated propositions becomes blurred. The musician follows a score that leaves room for interaction with the computer’s ever-changing proposals. The works also use the performer’s voice, using spoken texts to convey inner thoughts and feelings. Les si doux redoux for basset horn grew out of an…
Four Full Flutes
Born in Indiana during October 1933, since his arrival in New York City in 1958, Phill Niblock has occupied a central position within the world of avant-garde and experimental practice. Relentlessly active, his work as a visual artist and composer, in addition to his support of others via Experimental Intermedia - the performance venue he has run from his Soho loft since in 1968 - and XI - the label he founded in 1990 - have continuously lit a path for his peers and the generations that have fol…
The Diary Of The Unforgotten - Selbstportrait VI
*2023 stock* A beautiful collection of recordings from 1972 to 1978, first released in 1990 (with different artwork). "Selbstportrait VI" contains compositions Roedelius did in addition to his work with Cluster, Harmonia and Brian Eno in the legendary Forst years. In the booklet Roedelius looks back on this personal and artistical important period of his life. He explains the magic of the idyllic place and its influence on his music.
Wie Das Wispern Des Windes ... / Like The Whispering Of The Wind...
*2023 stock* If we can agree on 1969 as the year of Cluster's inception, then Roedelius needed a good 17 years to discover the aural qualities and musical beauty of the grand piano for his own compositions. Rarely has the title of a Roedelius album so poetically and yet so accurately described its content. On "Like The Whispering Of The Wind" from 1986 Roedelius expands his Études towards amorphousness, then suddenly a disarmingly familiar melody appears, from a completely different source perha…
Study In Fifths I (For Two Flutes, Keyboard And Electronic Sounds)
*2023 stock* Contemporary classical composer Masamichi Kinoshita was born in 1969 in Ono, Fukui Prefecture. He currently lives in Tokyo. Kinoshita regularly performs at Ftarri in Suidobashi, Tokyo. In February 2020 he held the first concert in the series "Ftarri's Harmonium," featuring the harmonium housed at Ftarri. The series has since continued at a rate of one concert every few months; the fifth was held on July 3, 2021. In each concert, Kinoshita (on harmonium) performs his own compositions…
Musical Procedure
*2023 stock* This CD documents a series of works that I call "Musical Procedure." In composers' usual works, the sounds to be performed are written in a score; but in these pieces the procedures (which could also be called programs, algorithms or specification sheets) for shaping music, such as performance methods and the general ideas of the works, are written as concisely as possible, and the type of sound to be produced is left largely to the performers. The score is merely an arrangement of …
![Paraphrase on Shichikushoshinshu [1664]](https://cdn.soundohm.com/data/products/2023-09/a1670394315_16-jpg.jpg.500.jpg)
Paraphrase on Shichikushoshinshu [1664]
*2023 stock* Published in the Edo era (1664), "Shichikushoshinshu" is a beginner’s guide to three musical instruments—the "hitoyogiri" shakuhachi, the koto, and the shamisen—which includes lyrics and fingerings for songs believed to have been popular at the time. Tai decided to create a new musical instrument in order to perform the shamisen music in "Shichikushoshinshu" (Japan’s oldest shamisen “scores”). The result was the self-made electric stringed instrument he calls the coiled cello. In 20…
Nemiesta
Three years after the release of Black Angels Songs, Miroslav Tóth together with Dystopic Requiem Quartet comes up with a rare album inspired by non-places, i.e. buildings and objects that were either unfinished, abandoned, over-multiplied, or were marked by mining and yet had no meaning in the end. Also featured on Non-places is Nénia, a track dedicated to the victims in Ukraine, written three days after the outbreak of war during the album's creation. The recordings were made in the Czech Repu…
Works for the Ever Present Orchestra Vol. II
Works for the Ever Present Orchestra Vol. II continues Black Truffle’s documentation of the late work of legendary American experimental composer Alvin Lucier, who sadly passed away in 2021 at the age of 90. Like the first volume of the series, the two works recorded here were written for The Ever Present Orchestra, an ensemble founded in Zürich in 2016 to perform Lucier’s work exclusively. At the core of the music Lucier wrote for the ensemble is the electric guitar, an instrument he began to e…
Cantegral Segment(s) 16.17.18.19. / Transform (Stream) / Transphalba / Volta (Kernel)
Like Hunt’s composition “Lattice,” released on Texas Music in the same year, the four pieces included on Cantegral Segment(s) (IR-0032, 1979) represent a culmination and transformation of Hunt’s investigations from across the decade. The “Cantegral Segments” are a body of scores (or strategies) derived from and developed alongside the evolving compositional procedure Hunt called Haramand Plane, first used in a large-scale performance of that name from 1972 that employed elaborate homemade audio …
Texas Music
Tip! One of the first Irida releases, Texas Music (IRIDA 0026, 1979), collects compositions by Jerry Hunt (hailing from Dallas), Philip Krumm (based in San Antonio), and Jerry Willingham (“in and out” of Austin). The record was produced in two editions: one for mass consumption in a corrugated plain brown sleeve featuring a single fish stamp on the cover by the artist David McManaway, and a small “fundraising edition” sold in the same packaging at a higher price with a numbered print by McManawa…
Hybrid Musics
Larry Austin (1930–2018), thirteen years Hunt’s senior, was a key interlocutor for the composer. The two met during Austin’s term as editorial director of the magazine Source: Music of the Avant Garde and both had studied music at the University of North Texas. Following stints at the University of California, Davis, and the University of South Florida, Austin returned to UNT as professor in 1976 and took over its electronic music studio, the Center for Electronic Music and Intermedia. When Hunt…
Music of Dary John Mizelle
Music of Dary John Mizelle is a recording of three densely layered compositions by the eponymous Oklahoma-born composer. Originally trained in trombone performance, Mizelle was a graduate student in composition at the University of California, Davis, under Larry Austin. The two, alongside Stanley Lunetta, had founded the free improvisation group New Music Ensemble in 1963 on campus with the intention of exploring the outer limits of performance and composition. Mizelle became the youngest member…
James Fulkerson
James Fulkerson’s release on Irida, Works (IRIDA 0017, 1980), is the first collection of the trombonist’s own compositions, all of which he had written and developed in the mid-’70s. Just as Jerry Hunt had done with Cantegral Segment(s), Fulkerson problematized the presentation of his work as a record in the liner notes, where he noted the complex and intense relationship he had developed with the pieces over countless concerts and rehearsals: “I was overwhelmed with the sense of disparity betwe…
No grief without joy
*Limited Edition Handmade CDR in cardboard string sleeve with liner notes and album art.* "A collection of five pieces, made between 2016 and 2019, in a short period that echoes, in part, the grief after my mother’s passing at the end of 2015. These pieces bring together artists from (a.o) Cape Town, The Hague, Toronto, Torino, and Johannesburg. Listening back to these earlier pieces I can discern feelings of emptiness, fleeting moments of joy and play. It is the unending sense of absence versus…
Muted Stones: A Tribute to Yadollah Roayee
*Limited Edition Handmade CDR in cardboard string sleeve with liner notes and album art.* "During the period spanning from 2016 to 2020, I underwent a profound realization that led me to feel lost within myself. As each year passed, I found myself feeling a sense of rupture and absence, far from home. In search for comfort, I turned to my native language of Farsi. However, even within the confines of my language, I was unable to escape the feeling of fragmentation. Each sentence I read seemed to…