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*2023 stock* This LP by German synth music pioneer Hans-Joachim Roedelius features almost no synthesizers at all. When they do appear (most prominently on "Über den Wolken"), they're a background instrument, supporting his piano. At other times, Roedelius duets with saxophonist Alexander Czjzek. But the primary instrument is his grand piano, and the pieces aren't the droning marathons of 1970s German "kosmische" music, they're three- and four-minute vignettes (some tracks are in the six-minute r…
Building on the back of their stunning release of Ensemble 0’s rendering of "Femenine" issued earlier this year, Sub Rosa returns with "Two Extended Pieces for Four Pianos", featuring brand new recording of two seminal works composed by Julius Eastman between 1970 and 1980 - "Evil N*gger" (1979) and "Crazy N*gger" (1980) - realised by Nicolas Horvath, Melaine Dalibert, Stephane Ginsburgh, and Wilhem Latchoumia.
Gondwana Records announces 'Goodbyes' the debut album from Estonian pianist and composer, Hanakiv, a deeply beautiful, meditative piano album featuring special guest Alabaster dePlume.
Starting at a very young age, Katrina Krimsky developed her musical self along a pathway of strong classical, pianistic training. Highlights of her playing on the classical side include her wonderful recording of Samuel Barber’s monumental Sonata for Piano, Op. 26, (Transonic Records 3008, 1975), a composition that is a virtual dictionary of early and mid-Twentieth Century composition techniques, first performed by Vladimir Horowitz in 1949 and 1950. Another example is her equally wonderful reco…
With Solo Piano, Glass presents himself “unplugged” - no electronic keyboards or synthesizers, and no overdubs, either - just solo piano. “Metamorphosis” was written in 1988 and takes its name from a play based on Kafka's short story. Its second track, “Metamorphosis Two”, formed the basis of one of the main musical themes in the film “The Hours”. It is also the song that the American rock band Pearl Jam uses as their introduction music to concerts. “Mad Rush” was written for the occasion of the…
Modernity in Russian music emerged despite its struggles with the Soviet regime in the early 20th century, with the mystical vision of Scriabin’s musical legacy providing a foundation on which to build. In these acclaimed albums we discover Medtner’s life affirming Sonatas, and hear Lourié’s journey from Impressionism to pioneering Cubist conceptions. Mosolov’s works are bold and complex, while Roslavets new tonal system brings ‘fi re and ice’, and Stanchinsky’s sophisticated virtuosity anticipa…
Ark Hive of A Live is a 4 CD set of recordings by Andrew Poppy, along with a 128 page book, including writing by Andrew Poppy; an introduction by Paul Morley; other writing by Leah Kardos, Nik Bärtsch and Rose English; and archival photographs.
Florence Cats is a poet, visual artist, sound composer, performer and acupuncturist. Born in Vilvoorde in 1985, she is currently living and working where Brussels meets the Sonian forest. Ys is a generous debut. A genuine personal statement. It's raw and courageous. Sunken Cathedral is Florence interpreting Claude Debussy’s La Cathédrale Engloutie (trans. the Sunken Cathedral). The track reminds me of one of those fabled Charles Ives home recordings. Recording himself on Speak-O-Phone - an old b…
This 2 CD album features Japanese pianist Miharu Ogura’s jaw-dropping rendition of Karlheinz Stockhausen’s Klavierstücke I–XI, for solopiano, recorded live at Monopiano festival 2021. Includes a 20 page booklet with
an essay by Robin Maconie, former Stockhausen pupil and author of the book “Other Planets: The Complete Works of Karlheinz Stockhausen 1950–2007”.
Temporary Super Offer! Compositori sardi contemporanei produced by the Swiss label Hat Hut Records Basel and directed by Werner X. Uehlingeris a snapshot of the Sardinian contemporary music world with an initial focus on eight composers Luciano Chessa, Andrea Granitzio, Paolo Pastorino, Riccardo Collu, Giuseppe D'Amico, Giovanna Dongu, Claudio Sanna, and Luca Sirigu. The project is conceived as a work in progress, therefore with constant updating of the repertoire and attention to what is happen…
*In process of stocking.* Other Minds is pleased to present Lockdown Fantasies, the new album from composer Neil Rolnick. The album features two new works for piano and electronics written for and performed by Geoffrey Burleson and Kathleen Supové. Both works are dense and thoughtful with an emotional edge, much like the oeuvre that Rolnick has built up over his 40 year career as a composer.
The album opens with its titular piece, "Lockdown Fantasies," performed by Geoffrey Burleson. The piece w…
*2022 stock* Sonatas and Interludes for Prepared Piano, a cycle of 20 short pieces for prepared piano (a piano modified by inserting nuts and bolts and other objects between the piano strings in order to produce percussive and otherworldly sound effects) by American composer John Cage. Created in 1946–48 after the composer had been introduced to Indian visual and performing arts, the cycle was intended to represent the so-called permanent emotions—the heroic, the erotic, the wondrous, the comic,…
*In process of stocking* Human Remains follows Creatures of the Deep and Black Sarabande as the final installment of a trilogy of piano based recordings by Robert Haigh for Unseen Worlds. The trilogy marks the end of the late era of solo albums by Haigh before he steps away from music production. The title, Human Remains, was initially based on a painting of the same name by Haigh that is suggestive of an ancient structure resolute in the wake of overwhelming forces. As a metaphor for our curren…
*In process of stocking* The album features two pieces for solo piano that occupy - each in a different way - a central position in Petr Bakla´s output, as the composer explains in the elaborated liner notes. As pianist, Miroslav Beinhauer focuses on contemporary music. Besides, he is probably the only person in the world to master Alois Hába´s sixth-tone harmonium, for which instrument he encourages new repertoire.
*120 copies limited edition* 42’37’’ is forty-two minutes and thirty-seven seconds long.Track 7 is named Sept.42’37’’ is filled with sounds and silences.Track 4 is named Quatre.42’37’’ is an imaginary musical seascape where time is in suspension.One can listen to 42’37’’ for 34’22’’ or any other length.42’37’’ is composed by Wladimir Schall and released on parisian label AmiciMiei.
**2022 stock** Sonatas and Interludes for Prepared Piano, a cycle of 20 short pieces for prepared piano (a piano modified by inserting nuts and bolts and other objects between the piano strings in order to produce percussive and otherworldly sound effects) by American composer John Cage. Created in 1946–48 after the composer had been introduced to Indian visual and performing arts, the cycle was intended to represent the so-called permanent emotions—the heroic, the erotic, the wondrous, the comi…
The story of six soulmate musicians meeting at the intersection of classical composition, pop, electronic and minimal music begins in 2016 with their celebrated performance at the Cologne Philharmonie. After follow-up performances at the Bundeskunsthalle Bonn as well as the Hamburg Elbphilharmonie, Gregor Schwellenbach, Daniel Brandt, John Kameel Farah, Paul Frick, Erol Sarp and Kai Schuhmacher made a guest appearance at the invitation of Radio Berlin Brandenburg in the iconic Haus des Rundfunks…
Nicholas Bussmann was born in 1970 and is a very diversified artist. He first made a name for himself in the real-time music scene as an improvisational instrumentalist, then he devoted himself to electronic music and now he moves quite freely between artistic styles. His works are usually highly praised and are mostly part of exhibitions or other types of total artworks.The News Triology fills the first page of this work and is thus the first part of this extraordinary project released on vinyl…