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On Alice The Goon, Nurse With Wound stretch a single bad dream into half an hour of delirium: queasy not‑quite‑“easy listening” that mutates from lounge lilt to industrial throb, like a Popeye cartoon left to rot in a dripping underground cinema.
First studio meeting between two figures long circling each other in the Dutch experimental scene. The structure is itself a kind of mirror: Spiegeling is Machinefabriek's remix of Orphax's De Eerste Dag, Reflectie is Orphax's twenty-minute remix of Machinefabriek's 2007 piece Stofstuk, and the title track is the only fully joint composition. Long-form drone built through indirect dialogue, with each signature still audible but inflected by the other.
Second album by DNMF, the duo formed between Machinefabriek and the Dutch droning free-jazz combo Dead Neanderthals. Across some forty minutes Smelter develops a highly dynamic amalgam of metal, drone and dark ambient, the heaviness of the Neanderthals' instrumental mass folded into Zuydervelt's electroacoustic processing. The result moves between glacial expansive stasis and dense ferrous noise, holding the two registers in productive friction without resolving them into either.
Huge Tip! A long-overdue return to one of the most singular moments in Nurse With Wound's sprawling discography. Originally issued in 1994, Rock 'n' Roll Station marked a turning point - the album where Steven Stapleton's decades-long engagement with collage, musique concrète, and the outer limits of post-industrial sound first met the hypnotic, rhythm-driven studio sensibility of Colin Potter. What began as a request to rework some of the more percussive sections of 1992's Thunder Perfect Mind …
2026 Reissue. LP version. Originally issued in 1983, Midori Takada's debut LP Through The Looking Glass has long remained one of the most coveted artifacts to emerge from the fertile soil of 1980s Japanese experimental avant-garde. A near-perfect work - a window into the unquestionable singularity of its era and geography. For many record collectors, this is the great holy grail, the unobtainable gem. Its reemergence has been long awaited.
For Japanese experimental avant-garde musicians, the 198…
On Oblivion Seekers, Ben Vida turns everyday speech into a glowing maze: neutral‑toned duets, drifting chamber textures and collaged overheard phrases dissolve meaning and sound into one long, entrancing mantra of language in motion.
Xerrox Vol. 3 is the eighth solo studio album by German electronic artist Alva Noto, released in 2015 as part of the ongoing Xerrox penthalogy, which began with Xerrox Vol. 1 (2007) and Xerrox Vol. 2 (2009).Inspired by formative influences such as Andrei Tarkovsky's 1971 film Solaris, La Isla Misteriosa y el Capitán Nemo by Juan Antonio Bardem, and Henri Colpi, Carsten Nicolai exchanges austerity for cinematographic lushness in the remarkably widescreen third volume of his Xerrox series.
In line…
Xerrox Vol. 2 is the sixth studio album, released in 2009 by German electronic artist Alva Noto. It is the second installment of the Xerrox penthalogy, based on the concept of digital replication of source material. As with the first Xerrox album, the starting point is a set of samples culled from external sources. This time, snippets and recordings from Sunn O))) collaborator Stephen O'Malley and composer Michael Nyman are featured, as is an excerpt from the 2004 Insen tour with Ryuichi Sakamot…
Xerrox Vol. 1 is the third studio album by German electronic artist Alva Noto. It was released in 2007 as part of the ongoing Xerrox pentalogy, based on the concept of digital replication of source material.
Using the process of copying as a basis, the Xerrox series deals with the manipulation of data through endless reproduction. Due to the inherent fallacy of making copies from other copies, everyday sounds become so altered that they are hardly associated with their source material. As a resu…
One of the most striking and enigmatic works to appear on Discreet Music in recent years. There is a long tradition of artists who have tried to set scripture to music and failed magnificently - the failure itself becoming the subject, the wound becoming the work. Carrie DeCunzo Mirande's debut album belongs to this lineage. In the twenty-four days before Christmas 2024, she read the twenty-four chapters of the Book of Luke and attempted to respond in sound. Two piano pieces emerged - one inspir…
** Edition of 250** Here it is, the big 25 year celebration of ODRZ's performances and recordings. 100 guests and a 100 tracks. Available as a USB-card housed in a 7" fold-out sleeve. Among the various artists: Francisco Meirino, Deison, Lyke Wake, Sshe Retina Stimulants, Enten Hitti, Bruno Cossano, Simon Balestrazzi, Officine Schwartz, Andrea Marutti, Maurizio Bianchi, Iugula-Thor, Maurizio Marsico, KK Null...
Kitchen. Label is proud to present Jewels, the debut album from Tokyo-based composer Ryuuta Takaki, emerging from a new chapter in the city’s alternative wave. His music opens realms of mysticism, memory, and imagination, unfolding like radiant mosaics that echo symbolic traditions, Eastern esotericism, and a neo-Orientalist dreamworld. Takaki shapes music that moves between sacred stillness and ornate intensity. Though his creative path once passed through experimental hip hop and electronica, …
Towards the Center of Time and Surrounded by Spirits by Peter Van Hoesen is an immersive exploration of perception and temporality. Crafted with precise spatial sound design, it fuses techno’s structural logic with the meditative density of electroacoustic composition, turning rhythm into a vessel for introspection and astral presence.
From the soft, digital murmur of notation software and the absence of physical instruments, The FURICO Music Team (FMT) emerges not as a band, but as a motion. A pendulum. A thought experiment materialized in waveform. Founded in Japan and composed of TM and TI, FMT is a conceptual unit for sonic construction and transformation. They describe their works as "Auditory Art," where sound is both medium and inquiry. Every note is born in a digital void, composed entirely through notation software a…
*2025 stock* 'i hold a wish for you' is Aspidistrafly’s first full-length album. A delicate immersion into quiet, reflective spaces, it is inspired by the solitary beauty of Banana Yoshimoto’s novella 'Moonlight Shadow'. Just as Yoshimoto’s prose captures fleeting moments of grief and longing, Aspidistrafly’s album weaves an ethereal tapestry of sound and silence, embracing themes of transience, memory, and the gentle passage of time. Each of the nine tracks melds acoustic instrumentation, whisp…
*2025 stock* Ahead of the release of Aspidistrafly’s long-awaited new album, their 2011 fan-favourite second album 'A Little Fable' will be reissued on vinyl for the first time. “With a hushed wispy voice in the spirit of Vashti Bunyan, Aspidistrafly have more in common with ambient composers like Max Richter — and, along the way, have found their own leaf-covered path.” wrote NPR Music upon its original release. Now marking the 10th year anniversary of the album, 'A Little Fable' is still being…
Edition of 150 copies. The journey from site-specific environmental installation to studio composition rarely produces such compelling results as Massimo Toniutti's Shanghai Files (6 or more ring-shaped films), the inaugural release from Darren Tate's newly founded Fungal Editions. This remarkable work traces its origins back to 2007, when Toniutti created an environmental piece consisting of six pre-recorded sequences of different lengths, each looping on its own speaker suspended from a centur…
A listening zone, a space between spaces, an interspatial environment. Micro concrete sounds and digital processing. Sounds and project developed in 2024 during a residency at NUB Project Space, featuring the collaboration of Abo Abo and Demetrio Cecchitelli. The two artists first met in 2018 and, in 2019, released an album for Biodiversità titled 2:2.
*2025 repress* Deep, deep, earth music from Tsutomu Ōhashi and the Geinoh Yamashirogumi crew. A macrosymphony composed for the International Garden and Greenery Exposition in Osaka, Japan, 1990, Ecophony Gaia, was supposed to be the stunning, aural centerpiece for a light and water performance system echoing the sentiment of the venue: "Harmonious Coexistence of Nature and Mankind". Ecophony Gaia was in its truest essence the final part of a trilogy that began with 1986's Ecophony Rinne, continu…