A Quartet For Guitars
Can you say something about a quartet for guitars?
Hmm. Where to start?
Well let’s start with why “Affetuoso e sostenuto”? And what about those track tittles: “Ineptitude”, “Awkward”, “Gaucheness”, “Underwhelm” and “Failing”?
Google “Affetuoso e sostenuto” and probably a reference to Haydn will appear on the screen, a nine minute section from his String Quartet Op. 20. No. 1 ( the third movement). For the musicians on this recording after an examination of the score their very first instruction …
Why Is The Sea So Blue
In Why Is The Sea So Blue Margareth Kammerer continues to explore songs in experimental music contexts, elaborately interweaving lyrics into nine wistful soundscapes. Originally recorded in 2006, with the band consisting of Christof Kurzmann (voice, saxophone), Axel Dörner (trumpet), Burkhard Stangl (vibraphone), Werner Dafeldecker (double bass), Big Daddy Mugglestone (percussion) and Marcello Silvio Busato (drums), the album’s final shape emerged with the production of Valerio Tricoli in 2011, …
Vtoroi
The first Mikroton release featuring Russian musicians Ilia Belorukov, a saxophonist from Saint-Petersburg, and Kurt Liedwart, an electronic and computer musician from Moscow who also runs the label. It’s their second longplaying work following Obwod which was released on Copy For Your Records. On the new CD the duo goes even further into the realm of unknown contriving to work with silence, space and chance with their traditional means like sinewaves and saxophone’s long tones. Saxophone prepar…
Shifting Currents
The recordings for the piece were gathered over the course of a year from Huddersfield, Stirling, Aberdeen (United Kingdom), and s’Hertogenbosch (The Netherlands). These were used to create an installation consisting of over 100 tracks that were remixed in real time during each performance. The set up varied from show to show, sometimes playing through 6 speakers and 3 subs, and at other times, through 12 speakers etc. The performers were positioned at the centre of the audience, who in turn, we…
Bloody Imagination
Ten years ago, a week before Christmas in 2002, Teruto Soejima, a Japanese experimental/avant-garde music critic, organized a festival at a small live venue called Knuttel House, located in the east side of Tokyo. Named as “Independent Underground Music Festival”, it was held with the following message by Mr. Soejima:
“Today in the advanced improvised music scene, new artists keep coming up one after another. In there, free jazz, contemporary music, techno, prog, traditional music, experimental …
Stodgy
eRikm first met Norbert Möslang in December 1998 at the festival More Scratch in Nantes when they first played together as part of ad-lib quartet gig which later became known as poire_z, a prominent electroacoustic improvisation quartet which existed until the split of Voice Crack in 2002.
Norbert Möslang has been playing in Voice Crack duo with Andy Guhl since 1972, they’ve been working with “cracked everyday-electronics”, modifying and recontextualising the use of home electronics. After the s…
A Floating World
The French WPB3 trio explores areas between abstract minimalist contemporary concrete instrumental improvised music and energetic noisy free jazz with an uncompromisingly totally free approach.
Nusch Werchowska has been involved in improvised music since she met Barre Philips in 1993. A pianist who is able to translate a conversation between Debussy and Cecil Taylor as well as John Cage using all kinds of prepared techniques. She played with numerous musicians in the field of improvised music su…
Limmat
Limmat is the second CD from Günter Müller, Jason Kahn and Christian Wolfarth, following their first album Drumming released in 2005 on Creative Sources. Recorded during one afternoon in Kahn’s Zürich studio, “Limmat” features three unedited improvisations melding microsounds, percussive mastery and swaths of noise and static into a mesmerizing whole.
Originally from Los Angeles, Jason Kahn has lived in Europe since 1990. He has performed or recorded with musicians such as Günter Müller, Norbert…
Klingt.org: 10 Jahre Bessere Farben
The ever progressing sophistication of the Internet brings with it not only many positive aspects but also a more and more tangled convolution of data threads, a twisted web that can, like bundles of tangled fishing net, make trawling for and distributing useful and meaningful information difficult or even impossible. Good thing there’s klingt.org, a clear, straightforward forum that for the past ten years has provided a community of musicians and artists with an Internet platform free of charge…
Planes
Over three decades Jason Kahn developed his unique sonic language, now exploring the interaction between sound and space using a compact setup of percussion and analog synthesizer. He has performed and recorded albums with Günter Müller, Norbert Möslang, Kim Cascone, Arnold Dreyblatt, Steve Roden, Dieb13, Richard Francis, Ryu Hankil, Jon Mueller and many others. He ran his own Cut label from 1997 to 2008, releasing 25 albums.
Asher is one the most interesting new composers in the United States, …
Palmar Zahler
It is now 5 years that I travel to Latin America. My home base in Buenos Aires; and from there to almost all the other countries. When I arrived there first, I did not know much about the music scene, especially about any scene committed to “New Music” or “Improvisation”, but with the time i encountered a lot of movement, a lot of interesting music (of any form or genre) and I encountered musicians, that if they had been born in the so called “civilized West” would be within the most important p…
Cym_Bowl
Cym_bowl is Günter Müller’s fourth solo CD. On cym_bowl he follows even more consequently the idea he already realized on his last album reframed; focused on the sound of one cymbal and one singing bowl; he feeded his iPods with dozens of variations of processed sounds. Afterwards he conceived with recorded material from sessions he improvised with processed cymbal and bowl sounds only the 4 pieces for his new album. cym_bowl could easily go as a symbol of getting lost in time.
Istantanee vol.1
* Limited Edition 300 copies High Quality 180gr Black Vinyl * These musical compositions – which I called Istantanee (snapshots) – were realized with sonic materials issued from experimental studies on the expressive capabilities of the instrument arranged in such a way as to take account of the rhythmic and harmonic peculiarities of the material itself.
To maintain the spontaneity of the original musical idea, each snapshot was recorded three or four times on different kinds of tape – the timbr…
Boundary Scan
How secluded can contemporaneity be? Is every art aimed at an inherent center? Are sound waves soft boundaries? Pack a bag, a sky and a bonfire log to join six exceptional musicians on their expedition to the rough and mellow edges of electronic sound. Periferiya is a Russian-swiss collaboration between Boris Shershenkov (St. Petersburg), Kurt Liedwart and Mikhail Myasoedov (Moscow), Thomas Korber (Zürich), Christian Kobi (Berne) and Christian Müller (Biel) which took place in the remote Vallée …
Lastfirst
* Edition of 200 in 6-panel ecopack/digifile * Lastfirst is the brand new project by MB. The work is based on a reworking of his 1999 album entitled First Day Last Day. The original work has been totally reprocessed and reworked into a darker version that reflects even more the dark times we are living in. A symphony that digs deep into our souls and lays bare all our fears. Together with Dead Colours (2003), Lastfirst represents one of the most intense and profound moments in MB's discography. …
Private Thoughts Recordings
* Edition of 200 in 6-panel ecopack/digifile * Nine years after the death of Pierpaolo Zoppo, an unforgettable artist and a forerunner of Industrial Music with his Mauthausen Orchestra 'cult' project, this new CD of completely unreleased material - containing tracks he composed between 2009 and 2012 - is finally released by Standa.
The album - a release which has been officially authorised by his family - shows us Pierpaolo Zoppo at the peak of his artistic maturity: after investigating the most…
Needs Must When the Devil Drives
* Edition of 200 in 4-panel ecopack/digifile * After the critically acclaimed "Pondfire" (Boring Machines, 2015) and "Grey Mornings" (Boring Machines, 2017), Paul Beauchamp has taken a new direction with his third album, "Needs Must When the Devil Drives". With this work, a single track lasting a little over half an hour comprising several movements, Beauchamp has moved away from the use of acoustic instruments as sound sources and has instead followed the mantra of Brian Eno of "the recording s…
Remedies For a Foggy Day
*2021 Stock * Formed in 2016 Daimon is the trio of Nicola Quiriconi (VipCancro, Lisca Records), Paolo Monti (The Star Pillow) and Simon Balestrazzi (T.A.C., Dream Weapon Ritual, Hidden Reverse, A Sphere Of Simple Green, Candor Chasma, Kirlian Camera, etc.).
Devoted to a vibrant and majestic personal form of drone music, Daimon are exploring new depths as well as highly dynamic soundscapes that will surround you with their overwhelming sense of fluttering memories.
In 2017 they toured across Euro…
Licheni
* 2021 Stock * Simon Balestrazzi and Nicola Quiriconi have performed together many times over the last few years both with the deep drone audio/visual project Daimon and Balestrazzi guesting with Quriconi’s long lived ensemble VipCancro. “Licheni” documents their first meeting as a duo and explores an adventurous sonic territory between free improv and microsound. Balestrazzi (T.A.C., Dream Weapon Ritual, A Sphere Of Simple Green et al.) has been around for more of three decades painstakingly ex…
Cinque Studi sul Paesaggio
Abu-l-Hasan al-Nuri primitive Sufi saint writes: "they possess nothing and are possessed by nothing" is the basis for five landscape studies, as an idea of emptying the soundscape in its concept and also in its practice, a laboratory of environmental recordings and sampling.
This work is visited by readings ranging from Céline to Novalis passing through Georg Buchner in his "Lenz" arriving at Arthur Schopenhauer, offering insights above all in his writings on music and in the "world as will an…