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In "Einige Schadstoffe", we have quite the potent homage to the classic era of industrial noise. Think Throbbing Gristle’s Second Annual Report, Come’s I’m Jack, MB’s Symphony For A Genocide, and even Nord’s Ego Trip. The sentimentlinking all of these records is a clinical detachment in the production and broadcast of scalding tone, sickly rhythm,and unclean readymades, emerging through the spectacle of the human conditions of alienation, paranoia, and cruelty. Ultimately, such works are intende…
Intimaa' (belonging in Arabic) is a documentation of pieces composed for Touch's 40th anniversary celebrations in Los Angeles and Santa Cruz in the Spring of 2022.
Pulling from ongoing research in weaving and textiles, the pieces are informed by the interchangeability of the weaver's process with the sequencing of sound – from sourcing and preparing materials to be woven (recording, editing, and formatting samples), preparing the loom (programming the sequencer), and finally, weaving the cloth (…
The third and closing chapter of the "Raum" trilogy by an moku and stefan schmidt – "Raum Im Raum" serves finely crafted ambient / soundscapes, and is the most intense and darkest album of the series.
An iris opens: in the near future, electrons and light will flow freely, and corporate computer networks will eclipse the stars. Despite great advances in computerization, oppressive heat slows progress. It's time now. Let's move to the rendezvous point. Some minutes ago, our brains were hacked into a data-line. They vibrate in a sublime blend of wave abstractions, Le Théâtre Du Chêne Noir jazz, sliding folk blues, otherworldly reverberations, gut instinct electronica, and droning psychedelia, c…
Coming in from Spain only recently is "Vacuola", the latest album effort created by long standing - we're talking a debut cassette tape album under his real name in 1990 here... - electronic music composer Javier Hernando in collaboration with Angel Lalinde. Released via Wet Dreams Records the hand-numbered twelve tracks and roughly 42 minutes spanning album starts off on an immediately threatening and most of all hostile tip with earth shaking bass movements creeping up from gargantuan subsurfa…
“The artistry of ABoneCroneDrone is in the attention to detail. The album is beautifully performed, mixed and compiled with intelligence and strong sense of structure. It makes good use of a listener’s valuable time while issuing a challenge to hear in a fresh way.” John L. Walters.
"It’s a pleasure to bring together, on this album, musicians with whom we feel a very special connection, namely Felicia Atkinson, Büşra Kayıkçı, Carmen Villain, Kuniyuki Takahashi, Pavel Milyakov, KMRU, Ana Quiroga, Abul Mogard and Pedro Vian. All of them have been very generous in their willingness to participate in an artistic experiment: to build bridges between architecture and music.
Each of these artists chose a space and translated it into a piece of music, and the result is a sonic kale…
*300 copies limited edition* "Jens Brands has created a large number of installations, musical performances, and interactive media works. He uses the concepts of parallel activities rather than ideas of fusion. The pieces presented on this recording focus on sonic events related to electronic music (such as intense volumes and dynamics, white noise, square or sine waves) but stay entirely acoustic. On a live performance of the ratchets, the sounds are generated with the idea of a physical, scul…
Electro-acoustic composer and instrument designer Matthias Puech uses math to spin filigree "audio-naturalist noise" yarns using processed environmental recordings, dissociated instrumental vamps and sculpted electronix.
The new Sonologyst album, "Interdimensional", explores the paraphysical dimension of cosmic music. It completes the dilation process of his sound, which began with the albums "Silencers" and "Ancient Death Cults And Beliefs", which now form an ideal trilogy inspired by what is beyond the boundaries of science. "Interdimensional" is inspired by the scientist Michio Kaku who theorized what could be the remote future of the human species; beyond matter, the stars, and known dimensions. A future tha…
Zake's fruitful contributions as an artist to his own Past Inside The Present label continues on this new album Deep Into The Unknown We Shall Endlessly Roam. It is an assemblage of arrangements made using archaic tape machines such as a Sony M-570V microcassette voice recorder and obsolete VSC Soundpacer, all on analogue tape. Of course that lends the music a misty, grainy quality that defines much of Zake's ambient. Here his loops and found sounds meld and melt to create vast open spaces that …
Dismantling the acoustic to feed the electronic, Editions Mego presents Telepath, the new album by Material + Object. Born out of a single improvised recording session with a lone Violinist, Telepath is a startling album of future electronic music, resulting in an LP of unique and timeless tracks that reimagine a classic sound for an endless future.
Boldly departing from his previous canon of largely 'ambient' work, Material Object's Telepath renders itself out as something much stranger, someth…
Hailing from Geel, Jef Mertens has been researching, documenting and subtly exploring the experimental music scene in Belgium and beyond for the better part of two decades. As a filmmaker, he’s dug deep in the realm of Flemish primitive fringe (Dronevolk) and chronicled the makings of giants like Sonic Youth and Borbetomagus. After running the now-defunct free tape label Dadaist Tapes, Mertens comes with a release of his own: No Mathematics, the first record collab between KRAAK and Feeding Tube…
*200 copies limited edition.* As the theory of the atom, quantum mechanics is perhaps the most successful theory in the history of science. It enables physicists, chemists, and technicians to calculate and predict the outcome of a vast number of experiments and to create new and advanced technology based on the insight into the behaviour of atomic objects. But it is also a theory that challenges our imagination. It seems to violate some fundamental principles of classical physics, principles tha…
*50 copies limited edition. In processof stocking. 2023 stock* "Naming The Trees (zero192) by J. Surak is a concise art statement, just ten minutes a side on the limited cassette. Apparently produced by a combination of methods: analog synths, patches, treated and prepared instruments, and a humidifier – maybe a field recording of one of these handy domestic beasts, unless he “trained” its limited mind to assist in the performance in some way. Furthermore, it’s got something to do with a dance s…
*300 copies limited edition. In process of stocking* Ideas are suggested and quickly abandoned. In their wake chance becomes intention. Clues that reveal themselves upon repeated listenings. This is not background music or audio as utility. Repeated plays will unfold their rewards and spaces yet unexplored. For this is the last piece of graphite. Recorded in the studio, in the woods, and on river banks using analog electronics, prepared objects, bass, double bass, guitar, and tapes, in Hamburg/W…
"In listening to Astro-Noetic Chiasm χ by Zsolt Sőrés, one quickly has the impression that the sounds being heard are coming from an anomalous nowhere. As if they were not generated here but received from there. They simply sound otherworldly. So, what is their actual address in space and time, as well as the sender’s or the receiver’s? How are we to identify them?
We could of course try to single out the sonic settings and processes we hear according to the technology that produced them (uncon…
Faitiche presents the album Exq I by Berlin underground techno legends Muellie Messiah & Punk not Punk, mainly known under their 100Records moniker. Weighing in at 36 minutes, the track was recorded in 2010, effortlessly intermingling dub, drone and collage, a blend achieved thanks to the duo’s jazz-inspired approach to improvisation.