Lidingö
2025 stock ** "Lidingö, a summit between innenklavier specialist Andrea Neumann and percussionist Burkhard Beins, is altogether knottier and gnarlier. Part of the important Berlin scene, the two play together in Phosphor as well as with Sven-Åke Johansson. Beins is a masterful player, often eschewing struck percussion in favor of rubbing, stroking, and scraping, only occasionally landing a gargantuan thudding bass drum for example. Neumann uses only the strings, resonating board, and metal frame…
Still and moving lines of silence in families of hyperbolas
Monumental reissue of Lucier's four-part investigation into acoustic interference. Musicians sustain tones against fixed sine waves, creating audible beat patterns that reveal the hidden architecture of sound itself
![Rumeur [For Solo Accordion]](https://cdn.soundohm.com/data/products/2025-11/R-563445-1131937112-jpeg.jpeg.500.jpg)
Rumeur [For Solo Accordion]
Alfredo Costa Monteiro, accordion. Recorded by Ferran Fages, March 2003 in Barcelona. Rumeur was conceived in continuity; but not in the narrative sense; each piece was developed independently, but always with a common preoccupation: The timbric continuity of each of them and the way it comes about, intuitively directed by a kind of sonorous alliteration. rumeur is about the manifestation of sound in its fluidity, its prolongment, or, better said, its sequence, in the same way that a rumour, by…
Kasi Naigo
2001 release ** "A sound study of Ingmar Bergman’s Tystnaden (The Silence) and the silence of the Other… the object itself is a compression of an impossible space through the trituration of a gesture-the infinite as a question… A singular blast of air interchanged with a hollow, crackly static drone are almost constant through this, disc, and they serve to create an eerie, lonely, wide-open silence…"
Il Fiore Della Bocca
Produced in 2003 for the sound art department of a german radio station, "Il Fiore della Bocca" is one of the most controversial text sound compositions by Alessandro Bosetti. Composed exclusively with the voices of physically and mentally handicapped people, the piece displays an impressive richness, depth and variety of sound, covering the full range of musical possibilities of the spoken voice; from heavily processed to completely unprocessed, naked and direct. The piece has an ambiguous natu…