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Living-room noise. Temporary retrospective of 75 minutes of/by William Nurdin. Sonic immersion, textures and off-road recordings accumulated during 10 years
* 2020 Stock. Edition of 200. * As with Luc Ferrari, it is an assemblage of recorded sequences in which we recognize a succession of various events and we reconstruct in our imaginary a possible narrative that may have been at the origin of these sounds. This is not the sound landscape (Soundscape or Field recording) whose neutrality of the author must be one of the characteristics. It is not reportage. Above all, it involves the assembly, by montage and superposition, of sounds of different ori…
**2020 stock** Turkish-born musician and composer Ilhan Mimaroglu worked extensively with electronic (tape) music. The two programmatic pieces paired here are "To Kill a Sunrise," a dirge subtitled "Requiem for Those Shot in the Back" with words borrowed from a poem by Guatemalan guerilla poet Marco Antonio Flores, composed in Columbia-Princeton Electronic Music Center (New-York, N.Y., 1974). And "La Ruche" composed at Groupe de Recherches Musicales (Paris, France, 1968) an experiment of reminis…
**200 copies** Looking for the desert, awaiting abandonment, marrying detachment: essential steps for those who ardently want new dawns and new lands to get lost in. First of all losing the common coordinates, the secure footholds, the consolidated certainties, forgetting scores, borders and judgments. A laying down, on the one hand, of the external conventions in order to make room and give light to the unexpected, to what pulsates underground, unheard. On the other hand, a putting aside of one…
**New vinyl reissue remastered from the original 1979 master tapes, packaged in classic Folkways-style tip-on jackets with liner notes.** Ann McMillan did not record prolifically, but she was at the vanguard of electronic composition in New York in the 1970s. A student of groundbreaking composer Edgard Varèse, McMillan’s primary medium was magnetic tape, which she manipulated to create surreal soundscapes. On Gateway Summer Sounds, her debut album released on Folkways in 1979 and recorded at the…
Can a music made with the modern tools of digital music and contemporary production sound eerily as if created with the same equipment that Stockhausen, Henri and Berio all availed themselves of in the radio studios of the '50s and '60s – and yet sound bright and fresh to the ears of today's listeners? Robert Worby shows us how, with "Factitious Airs". — Carl Stone
Two musique concrète symphonies of industrial sound, in which musical relationships emerge from sounds more often regarded as noise. All the sounds were recorded by Sounds of Changes, a pan-EU project capturing obsolete and endangered industrial and domestic sounds.
**2020 stock, tip!** "Ruggero Tajè is one of the electronic Italian pioneers of the '70s. He started as a jazz drummer playing with guitarist Pino Distaso. Then he was one of the pupils of Italian electronic composer Angelo Paccagnini (protagonist of Italian contemporary electronic music with the more known Berio and Maderna) during the same period of Riccardo Sinigaglia and Gaetano Liguori. After his studies he took the guitar as main instrument. He didn’t release his music till nowadays, apar…
**200 copies** "Francisco Meirino's work in my humble opinion speaks for itself. I'm just incredibly honored to be able to put this out for him and help promote it. If you really need a description to go on though, here is my brief thoughts on it. Masterful pacing and layering of eurorack textures, vertigo inducing frequencies, immersive field recordings, broken electronics and reel-to-reel tape. Francisco has a technique that I like to call "slow cuts" where he will make you zone out on a certa…
Born in Milan, Fabio Selvafiorita is a composer of instrumental and electro-acoustic music. "The Fall" is his first full-length solo release. Selvafiorita’s acousmatic music investigates the complexities between in-formal abstractions and Pathos in sound manifestations.
Burkhard Stangl and dieb13 live and work in Vienna, both being long time protagonists of the local scene as well as travelling and collaborating with musicians from all over the planet. Many of those collaborations and connections have been documented on the double-CD compilation klingt.org: 10 Jahre Bessere Farben [mikroton cd 5 | 6] commemorating the first ten years of existence of named online platform, which was founded and is since being run by dieb13.Burkhard Stangl needs no further introd…
**200 copies** "Farol is the sound portrait of a monumental architecture : the 25 Abril bridge in Lisbon. The 25 Abril bridge is a symbol for the Portuguese capital. Visible to tens kilometers around, it serves as a visual and noisy landmark. As we come closer, the buzz becomes stronger until it gets blatant, like the light from a lighthouse which becomes blinding when the coast is near. Farol est le portrait sonore d’une architecture monumentale. Ce field recording nous emmène au cœur du pont d…
"The cold December day freezes the atmosphere, making it eternal. Birds pass by. A construction site. The sound of the shijou opens the zazen. Humble gestures and wooden marbles. Steps across the hallway. The floor creaks break the audience’s breathless silence. Air flows between the maple branches. Frogs, water, and forest remind us of the transient beauty of nature. The organ’s mechanical imperfection and resonant glass tubes echo, warming the space. Raw tones, distant spaces, sound molecules …
**300 copies** Tarab explores re-contextualised collected sounds and tactile gestures formed into dynamic, psycho-geographical compositions inspired by discarded things, found things, crawling around in the dirt, junk, the ground, rocks, dust, wind, walking aimlessly, scratchy things, decay and most if not all the things he hears and sees. More than simply documenting a given site, tarab is interested in a direct engagement with our surrounds, teasing out half narratives, visceral sensation, fal…
Neunau is an artistic project focused on sound research, started in 2015 in Valcamonica. This ancient name was found carved on a rock surface in the LOA area, an Iron Age sacred place of recent discovery. The project is carried out through an archaeological and musicological approach to the sound research. In 2017, under a commission by Comme des Garçons, Neunau produced the music track 'Concrete', also working along with Vice France on the creation of the video documentary 'Sound of Concrete', …
Fantôme Phonographique present a reissue of Luc Estang and Pierre Henry's Saint-Exupéry, originally released as a 10" in 1959. During his long and illustrious career, the French composer and musique concrète pioneer Pierre Henry created a large amount of incidental music to accompany literary texts, both on record and for the stage, from Jules Verne to Victor Hugo, from Lautréamont to Antonin Artaud. This incredibly rare LP from 1959 is a radio play about the life of French pilot and writer Anto…
**Limited and numbered to 150 copies** "Object Shape Description" is the debut recording by Brussels based Italian artist Marco Lampis. Lampis works between the visual and auditory disciplines, creating installations both with and without sound, in which discrete sensory perceptions become entangled. How might we understand sound through sight or be able hear by looking? This collection of recordings is inspired by the rhetorical figure of Ekphrasis in which a visual artwork is described verball…
An Anthology of Greek Experimental Electronic Music 1966-2016 aspires to map the heterogenous landscape of Greek experimental electronic music in all its contextual, sociopolitical, geographical and aesthetic disparity. With a single exception: it zeroes in on post-80s music. It comprises works of very different kinds by composers of all sorts of backgrounds that, still, can be thought of, as both "Greeks" and "experimentalists". Experimental electronic music is generally expected to be highly v…
Premiere release! Two sound compositions discovered at Toshi Ichiyanagi’s home in 2018 to be released for the first time! One is an unknown early work created on a computer and the other is material for an experimental short film by Toshio Matsumoto. Particularly, the former piece was revolutionary. the quirky sound he made on the computer at the time was unheard of especially because a computer could only create simple sounds then. Moreover, it also includes an unknown electronic ambient piece …