Pressures of the Fresh
Kjetil Brandsdal: Record players/sound effectsThore Warland: Percussion/sound effectsRecorded at Consulatet, Stavanger. Recorded and mixed by Gaute Granli. Mastered and cut by Frédéric Alstadt. Design and print by Drid Machine. Photography by Henrik …
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*2026 stock* Hand marbled LP covers with foil embossing and screen printed info. Each cover is unique. Marbled vinyl.
Kjetil Brandsdal: Record players/sound effectsThore Warland: Percussion/sound effects.
Recorded at Consulatet, Stavanger. Benefits &…
Hope for Nothingness as Something
*75 copies limited edition* A two-chapter suite for modular & FM synth, wind & string instruments, electronics, sound objects and field recordings. The work is structured as a two-chapter descent from concrete score to analog & digital abstraction. I…
Juho Toivonen / Civilistjavel!
Double feature stint on Kashual Plastik. Twofold recreational Nordic spice, cultivated for dreamy solitude escapades and meditative tune voyages in witchcraft mood. Side A comes from Finnish experimental musician Juho Toivonen, shaped in his home in …
Music for the Process of Dying
On Music for the Process of Dying, Homo dissolves language into a porous, five-part soundscape where breath, organ, flute, electronics and the outside world seep into one another, sketching a wordless vigil for the psyche as it approaches the thresho…
Leviathan Whispers
On Leviathan Whispers, Tim Hill shapes saxophones, tape loops and treated field sound into slow-burning rites of longing and delirium, a spectral song-cycle where folk memory, Blakean vision and drone minimalism coil around each other in restless, da…
Dou Dou Doudo: Ao Vivo Na Cooperativa Árvore
*300 copies limited edition* Audio taken from a live performance by Anar Band (Jorge Lima Barreto and Rui Reininho) with E.M. de Melo e Castro in November of 1978 at Cooperativa Árvore, Porto. The performance was filmed. A segment was included in »Ob…
Kachouzu
On Kachouzu, Merzbow compresses his late‑period harshness into four short movements, a 2×6″ lathe‑cut blast where metallic textures, searing feedback and dense midrange roar behave less like tracks than like successive cross‑sections of the same nois…
Dreamachine
Wewantsounds is delighted to release for the 1st time on vinyl Brion Gysin's cult recordings, produced by Ramuntcho Matta in the 80s and early 90s. The release features the hypnotic 32-minute journey "Dreamachine," which transforms the effects of Gys…
Gman+
Gman+ gathers some of the most elusive material from Merzbow’s 2011–2012 period and welds it into a single, punishing disc, four tracks that function as both archival rescue and self‑contained statement. The collection pulls together work originally …
Kotorhizome
Kotorhizome catches Merzbow in a phase where noise stops behaving like a vertical wall and starts acting more like an underground network. Recorded between 2011 and 2012 and released later as part of the Slowdown archive cycle, the album is built fro…
Bit Blues
Bit Blues sits in the middle of Merzbow’s Horizon cycle like a scorched signpost, three tracks cut from performances recorded at Munemihouse in 2011 and 2012 and later remastered in 2021. All the music is by Masami Akita, working with a small, intens…
Sugamo Flower
Sugamo Flower compresses a particular 2011 moment in Merzbow’s practice into two long tracks that feel like one continuous, mutating organism. Both pieces are sourced from performances recorded that year, later repurposed as material for “Sugamo Flow…
雲の絶対値 Kumo No Zettaichi
On Kumo No Zettaichi, Merzbow trades drum violence for a hall of hovering machines, two 2011 pieces where small drone boxes, oscillators, and minikoto threads knot into a dense but strangely weightless sky of electric weather. It is harsh ambient as …
Arijigoku (Test Mix)
On Arijigoku, Merzbow drags live drums and high-saturation electronics into the same pit, a 2008 vortex where blast-beat turbulence and molten noise spiral together like a ritual gone feral. It is harsh music with a striking sense of propulsion, less…
Yono's Journey
Yono's Journey invites listeners to travel through Akita's sonic landscapes, perhaps following an animal guide. Merzbow turns a 2007 home-recorded session into a three-part storm, where hyper-saturated feedback and low-end throb fold into each other …
Black Rome
The ominous title evokes fallen empires, decadent excess, historical weight. Rome - eternal city, center of classical and Catholic civilization - becomes "Black," suggesting inversion, corruption, death. Perhaps this is Rome during plague, Rome in as…
Electronic Union
Electronic Union suggests synthesis, merger, coalition - multiple electronic elements combining into unified sonic statements. These mid-2000s recordings demonstrate Akita's mature integration of diverse digital techniques, creating hybrid approaches…
Merzbird Variation
Merzbird (Important Records, 2004) stands among the most celebrated laptop-era releases. This "Variation" offers alternate perspectives on that material - different plumage for the same sonic creature. Bird imagery connects to Akita's growing animal …
Plasma Door
The evocative title conjures thresholds between states of matter - solid becoming liquid becoming gas becoming plasma. Plasma Door captures Merzbow at a moment of material transformation, sound itself seeming to change state under extreme pressure. P…