Death Drug And TV Screen
Started out as a sideproject to Incipientium and The Family Men, Gustav Danielsbackas' Future Chemicals has slowly evolved into its own ugly thing, exploring his passion for video culture and dystopian, technological havoc. Death Drug And TV Screen was initially meant as a soundtrack for a film started in 2022 that got forever stuck in limbo. Saved from the production room vortex, Discreet Music now presents the whole, massive thing in its mind-melting entirety. Clocking in on almost 70 ambitiou…
Telegogue
On Telegogue, Charlie Thall detonates a 29‑minute, eleven‑track riot of cartoonishly surreal genre‑mashups that feel born and bred in the infinite remix lab of the digital DIY. Frenetic keys, MIDI drums and warped child voices collide into neurotic, hyper‑danceable earworms that treat the internet’s trash heap as sacred compositional mulch.
Slow Diet Ketamine Era
On Slow Diet Ketamine Era, New York City Chapters and Weird Shit U.S.A. 2 yank sampledelia into a sleazy, rubble‑strewn mixtape fever dream. Two thirty‑minute collages of chopped‑and‑screwed B‑side rips, plundered dollar‑bin grooves and neon grime‑slime hip‑hop loops sketch a pitch‑black, hysterical fiction from the sidewalk’s ignored edge.
A Body of Water
On A Body of Water, Kaloja - the duo of Jan Anderzén and Paul Wilson - summon a strangely pastoral, hyper‑alive electronic ecosystem. Psychedelic synthesis, physical modelling and impressionistic sound‑painting converge into abstract figures that ripple through an unstable yet welcoming landscape, like sentient currents moving beneath a calm surface.
Ramraid At The Wiggly Worm
Brighton artist and producer Stephen Maskell - moonlighting as Violet Cowboy - returns with an epic sixth release on Kit Records. Ramraid at the Wiggly Worm finds the sonic sculptor in playful mood, thumbing the flipbook through mulchy blues guitar, gothic storytelling, elasticated dub and gossamerlike classical minimalism.
Maskell's flow state seems to exist in the pocket where genres meld, and no sound is safe or sacred. His archive slops like a bargain bin of British culture, topped up on gle…
A Sucked Orange
*100 copies limited edition* Very, very broadly speaking, there are two kinds of Nurse With Wound albums: the sprawling, immersive, evolving drone-type recordings - think Soliloquy for Lilith, Salt Marie Celeste - and the wild, surreal freak-outs. A Sucked Orange is a prime example of the latter. Originally released by United Dairies at the end of the 1980s, A Sucked Orange has long been out of print, especially on vinyl. Infinite Fog is beyond happy to bring this singular work back as a 2LP pic…
Where the fish are as fine as the color of colors
Wistful meta-folk from the American Midwest, self-published by US musician and occasional ANF customer Erik Kramer - totally floored by this.
Shoot And Crucify
The third tape on the fledgling Cold Spring label, 'Shoot And Crucify' was released back in 1988 in an edition of just 50 copies (CS003). It features some of the very earliest works of many now-influential and essential Industrial / Noise / Experimental artists. The 'scene' at the time was built on the mail-art network, exchanging an explosion of ideas, sounds and art around the world via the (then very cheap) postal system. Just a handful of these 19 tracks have since been reissued, but the vas…
If Take, Then Take: Tricks, Half-Tricks & Real Phenomena
*500 copies limited edition* After more than four years in the works, I am beyond elated to announce the release of ballastnvp067: The Hafler Trio: If Take, Then Take: Tricks, Half-Tricks & Real Phenomena (2 x CD, DVD, cards, and enamel pin in custom fabricated box). I originally released If Take, Then Take: Tricks, Half-Tricks & Real Phenomena in 2005 as a vinyl record, and it didn’t go off without a hitch or two. (In the end, I played almost every copy prior to sending it to a customer or dist…
The Palm Leaves of Victory / Audio Letter to Mitch Meyers
The Sun City Girls were unlike any band before them or that has come in their wake. Their catalog, their ethos, their *being* - you name it, with the Girls that “it” was singular and became legend. This singularity started early and extended to their release schedule and the means behind the same. While the band would prove to be wildly prolific throughout their existence, during their nascent days they quickly realized that they could not be contained by any sort of traditional label schedule. …
Cloaven Theatre / That Old Western Sieve
The Sun City Girls were unlike any band before them or that has come in their wake. Their catalog, their ethos, their *being* - you name it, with the Girls that “it” was singular and became legend. This singularity started early and extended to their release schedule and the means behind the same. While the band would prove to be wildly prolific throughout their existence, during their nascent days they quickly realized that they could not be contained by any sort of traditional label schedule. …
Canvas on Which It Is Impossible to Paint
On Canvas on Which It Is Impossible to Paint, Tungu and Hui-Chun Lin stretch improvisation to the brink of impossibility. Lin’s fiercely physical cello dialogues with Senchuk’s cut‑tape, bass and environmental ghosts, while Makigami Koichi’s voice skews the frame further, turning the duo’s third chapter into a volatile, detail‑rich sonic palimpsest.
The Fullness of a House
On The Fullness of a House, Nial Morgan turns cheap fans, glasses and wood into a nervous, breathing architecture of sound. Domestic surfaces vibrate, stall and shimmer, yielding a quietly gripping electroacoustic diary where technical fatigue, spatial resonance and emotional ambiguity are held in fragile equilibrium.
Vos
The most recent album by Vrouw! The hand-picked tracks comefrom improvised recording sessions in which a fox spirit watches over the web of voices and sounds.
Five voices, five languages, one attitude: the all-female-collective Vrouw! comes from Berlin – and their music refuses any origin. The musicians form a network of noises, voice and structure from improvised material. Amplified everyday objects, self-made "microphone hats" and a bass that holds everything together - the result is a sound b…
Stilla Dagar, Stilla Nätter/Stille Dage, Stille Naetter
*200 copies limited edition* Swedish-Danish collab album of lush, low key new age/ambient DIY gold, based mainly on synth, piano, saxophone, spoken word and field recordings. Marvelous peak summer music. A private press style/no label release distributed by Discreet Music.
With the released LP “Stilla Dagar, Stilla Nätter / Stille Dage, Stille Naetter Limited Edition,” the split release by Gustaf Dicksson, Post‑Tragic, Sonja Labianca, and Frida Johanne takes the next step in their creativit…
Live at Relais Biardo
Smittness enjoys playing live. Recorded in Paris in April 2026, this album brings together songs and fragments written between 2017 and 2026. It holds the fragile charm of live performance: a voice that might break, a word that might slip, a moment that only exists because people gathered in the same room to listen. For smittness, whose songs often live somewhere between promise, memory and hesitation, a live album feels like the most fitting first physical release – a small document of somethin…
Fading Pictures
*2026 stockn* Last time, RLW (Ralf Wehowsky—active years ago on P16.D4 and since then releasing a largely uncategorizable brand of noise music across numerous publications) thrilled us on these pages with his album Satanic Inventions. Now, again on Stephen Meixner’s label Black Rose Recordings, the similarly conceptually dense album Fading Pictures is released.
In the liner notes, Wehowsky describes the close connection between electroacoustics and Cinéma L’Oreille. He understands electroacousti…
Furafauna
Furafauna is the culmination of three years of work by Thorsten Soltau (who sometimes works under the name Femurl, with both names attributed to this album). Consisting of four pieces and two remixes, one by Troum and one by Sewicide, he dabbles in a wide variety of mostly (but not exclusively) electronic structures. Elements of abstract noise, glitching digital, and traditional composition all are present at various points, culminating in a dense and at times challenging but engaging album.
Heresy Museum
Nice Music presents, from the artist well-known in drastic DIY thrills circles as People Skills, the debut release under the endonym S.B.A. (or Samael B. Aaens). Shotput through a career of recordings for prestigious underground pillars - Siltbreeze, Blackest Ever Black, Kashual Plastik, Altered States Tapes, Regional Bears and I Dischi Del Barone, yet for the first time ever, S.B.A. touches home, unleashing a series of recordings using his distant glowing beacon 'Heresy Museum' as the pivot poi…
Bing Industries
"Impassable moments lingering in the present,” utters Beth Robertson, the soft spoken voice cresting over a jostle of harmonics, creaks and knocks. “Existing just after us but before her. Everything lingers.” It’s inevitable that a record inspired by gigantic mounds of waste should be rich in the residue of the past, yet it’s striking to hear these atmospheres crackle with future-facing anticipation. Out of the sounds salvaged and recycled from previous performances at Tokoro Studio, we hear all…