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Soon after their 1978 debut on the Brian Eno-produced No New York, a compilation that defined the No Wave scene, James Chance’s group Contortions had already evolved— getting sharper, tighter and just plain faster. Despite the loss of keyboardist Adele Bertei and bassist Geoge Scott (who refused to sign a new contract demanded by Chance and his then partner, band manager Anya Phillips) Contortions were firing on all cylinders, and their first full-length album, 1979’s Buy, is a marvel of hot-wir…
Obstacle #79: Memory Is Current
Tip! * Edition of 250. In process of stocking * Obstacle #79: Memory Is Current offers a sequence of works for player piano, a device which captured Rick Myers’ imagination in 2017. Divining a method from mathematical measurements and intuitive drawing systems, Myers obstructed piano rolls using adhesive tape. Performed in this altered state on a player piano in the hallway of Easthampton Machine and Tool in Easthampton, Massachusetts, the music embedded in the rolls was extricated from its hist…
Arch of Motion
*Edition of 300* In recent years Swedish musician Linnéa Talp has grown interested in liminal spaces of sound, increasingly searching for her breath deep within passages of a song when instruments gently and patiently bridge the verses. In 2020 she released Cochlea, a brooding pop-rock record made under the name Deerest. “I’ve been trying to work with my body, my breath and my listening,” she says of her work since finishing that release. “I wanted to integrate a sense of slow and simple movemen…
Sapropelic Pycnic
*2022 stock* Sapropelic Pycnic is the world debut of music presented under the name of "Ka Baird." While this record is a commencement of many sorts, it is in no way a mere beginning: Ka is one of the founding members of experimental psychlings Spires That In the Sunset Rise. Formed in 2001 out of the Chicago scene, and described by late guitar legend Jack Rose as a "female Sun City Girls," Spires' sisterhood of sound deepened the New Folk slant with an array of avant- and world-flavored directi…
Pole Of Inaccessibility
From the lower registers of the piano, a rumbling cloud of sound appears, in which sparkling overtones creates melodies and rhythms that points out the directions of the composition. In this sound world Earth meets Morton Feldman; meets Noto/Sakamoto; meets Philip Corner's piece "Gong" in its transcribed version for low strings. The Korg MS20 interferes now and then, making it impossible to clearly define the boundaries of the piano. The album download comes with a 99 page thesis in Swedish with…
Now's The Time - Solo Drums
If you have a chance to celebrate, take it. Drummer Fredy Studer, one of Switzerland’s top percussionists, has good reason to celebrate. This year he will be 70, he’s playing Willisau Jazz Festival for the 27th time (making him the musician who has played this festival the most) and is publishing his very first solo recordings! He has recorded these with a total absence of overdubs and electronic effects. “Now’s the Time – Solo Drums” is issued as a superb box set by Everest Records und Maniac P…
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*In process of stocking* "This is also connected with exorcism. In the ruling system of medieval religion and politics, demons, devils, etc. were treated as viruses that could contaminate the governing system or as bad sectors inside the memory that caused malfunctions. Since the devil constructs a position value in the system through the body of a person possessed by the devil, it is necessary to find out the devil’s real name, that is, the prototype code or pattern information in order to expe…
In the Box
* Last copies *. A happening -- maybe one could call it that. Confusional Quartet is one of the most original and unique bands to ever come out of Italy, and one of the few bands able to switch from the prog rock era to dislocated art forms, painting their music with traces of early electronica and a post-punk twist (read: no wave). A bridge linked the band from Bologna (rock) to the musical past and present of the nation, with senses of urgency and creativity on top and a revolutionary aestheti…
Phew
This is a really cool post-punk record that manages to be somber at times yet weird and funky too. Very creative! As After Dinner approaches Rock in Opposition through more of a Japanese pop lens, this record does much the same with Krautrock. Of course it doesn't hurt that the musicians Phew is playing with are huge figures from that scene: Holger Czukay, Jaki Liebezeit, and Conny Plank namely. Lots of great drumming, interesting synths, and really whacky bass sounds!
Reed Whistle And Sticks
This highly experimental work represents some early sound collages from this quirky British composer. Affiliated with the avant rock group Henry Cow, Anthony Moore's works are highly regarded in the experimental music scene thanks to his Flying Doesn't Help album from 1978, a cult masterpiece of avant rock which enjoyed a much higher profile in the underground than his debut. This could be attested to the abstract nature of this recording, which explored tape-loop repetitions that build slow-pha…
An Oblique Reference To Zeros
A budget-priced collection of tracks by artists who've had releases out on Fourth Dimension Records or whose music has entered the label's orbit and made a good impression. In an ideal world there'd be at least several albums by all concerned on Fourth Dimension Records, but the label operates from more or less the same dingy old basement it always has and subsequently has to limp along in usual fashion. It is precisely because of this that 'An Oblique Reference to Zeros' has been assembled. The…
almenrauschen
These five albums by Klaus Janek appear to have been originally released in 2018, but were bundled together under the title almenrauschen in 2019 in nice colour-coded sleeves designed by Stephanie Roderer – I’ll refer to this aspect at the head of each review section – in an edition of 300 units. The name “almenrauschen” derives from the aural sensation perceiving a non intentional sound world and transforming it to musical sense-making.
This bundle includes the following albums on vinyl:
- Casp…
Infinite Bang
'Janek’s “source of inspiration” was apparently Stanislaw Lem’s novel Solaris and Janek’s own social observations in Prospect Park in New York City “…where I was living during the main research period for this work”. I’m not familiar with Lem’s novel, but if you’re expecting echoes or resonances from the soundtracks of either the Tarkovsky film or the George Clooney remake, I’m afraid you may be disappointed.
On side A we find “Infinite Bang Part 1”, which is more solo contrabass and electronics…
Prospecting
'The first track on side A is “Violeros Revisitados”, which is a fight between the sounds made by Brazilian traditional musicians and the UHER Report 400 tape machine the sounds were recorded on. This source material was recorded by Gunther Kipfmüller in Northeast Brazil in the 1970s. Kipfmüller’s daughter, Milena , processes the raw material while Janek adds his contrabass and electronics to the mixture. Brazil born, Milena is also Berlin-based and works as”… a freelance soundartist, dramaturgu…
Reciprocum
Magenta. Road at night. Its probably worth quoting from the sleeve-notes so you get an idea of what the intention is on this disc: “The album consists of music chosen from a pool of recordings made over a time span of 10 years and according to its expression composed ‘together’. All of the music was created through a practice of combining the compositional and performative act. The album making process consists of two levels: the music created in the past functions as material and is put into fo…
Libellule Ebouli
*300 copies limited edition* Two guitars heard, one played that listens to the second. Two superimposed timelines that are replayed through the disc. Libellule: One side with use of drone. Ébouli: a side where the guitar is detuned as the piece progresses. Guilhem Lacroux designed this disc so that it could be listened to in 45 rpm and 33 rpm. The 45 rpm, as a version of real time - I live - and the 33 rpm version that of the state of suspension, the invitation to slow time. Interview between Gu…
The Echoing Shell
With their collaborative duo debut, Dean Spunt and John Wiese invite you to experience the frenzy of percussive space and discreet sound found inside The Echoing Shell.
February Papers
For Avant-Garde / Improvised Music enthusiasts, this is a Holy Grail!
![Tearful face of my cute love [is begging to me]](https://cdn.soundohm.com/data/products/2022-03/Ki-front-with-obi-mock-1-jpg.jpg.500.jpg)
Tearful face of my cute love [is begging to me]
*285 copies limited edition* 'The latest entry in An’archives’ ‘Free Wind Mood’ series, Ki is a trio that pits long-time collaborators Tamio Shiraishi (saxophone, voice) and Takahashi Michiko aka Mico (drums, voice, vocoder, melodica, piano, percussion) against drummer, percussionist and vocalist Fritz Welch. They each bring a wealth of experience, from Shiraishi’s early moves in the Japanese underground of the late ‘70s and early ‘80s – he was a founding member of Fushitsusha, and played with T…
Flatwise Huddle - Performing And Expanding Cracked Everyday Electronics 1968-2016
Andy Guhl’s career as an improvisational musician went from strength to strength in the 1970s but it wasn’t until 1983 that the Swiss experimenter and architect stopped using any traditional instruments in order to embrace electronic collage, a technique that incorporates the use of modified radios, turntables, transmitters and other objects in a sort of ante-litteram circuit-bending. A similar approach emerged in collaboration with Norbert Möslang as part of Voice Crack, a collective active fro…