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“Tremula Luce” is Tommaso Pandolfi's debut album under his own name, out on Window Seat. The Venice-based composer and visual artist follows fifteen years of activity as Furtherset with a new record inspired by the last pages of María Zambrano's “Claros del bosque” and her metaphysical, intimate visions of skies. Unfolding as both a continuation and a rearticulation of his sonic language, circling melodies and time-suspending ambiences here take shape anew. The album opens as a vast, melancholic…
*2026 stock* Alessio Santini works with sounds and images. After playing guitars in obscure black and doom metal bands during nineties, and working on several electronic music IDM projects, he started a path of research on granular sound processing and audio-video interaction, from fifteen years now.
Kenter is an electric guitar + acoustic drums (both heavily manipulated), record. Big, raw, digitally distorted guitars are processed, re-processed, then processed again, leading to massive noise, t…
Five classic computer music works realized at the Elektronisches Studio der Technischen Universität Berlin in 1983/84 by two Hungarian and one Argentinian composers, released by Hungaroton in 1985. With insert.
Excellent LP on INA's "Collection GRM" with four beautiful electro-acoustic pieces realized between 1969 and 1977 at Bell Laboratories and IRCAM by computer music pioneer, released in 1978.
Few figures within the long, strange arc of American experimental music have occupied terrain quite as singular as Tom Recchion's. Co-founder, in the mid-1970s, of the Los Angeles Free Music Society - the gloriously unruly collective of basement noise-makers, exotica obsessives, tape manipulators, and assembled-instrument visionaries whose lineage runs through Smegma, the Doo-Dooettes, and Le Forte Four - Recchion has spent the subsequent decades assembling one of the most idiosyncratic bodies o…