Experimental / Contemporary

Recorded during a residency in Tenerife powered by Keroxen Festival and Discrepant back in 2020 - amidst the pandemic, no less -, the duo of Carlos Godinho and Mestre André return after their 'Mãe D'Água' debut on Sucata Tapes and an entry on Keroxen's Aquapelago Series through a split with tropical druids Lagoss. Mostly captured in performance through a quadraphonic system placed inside a huge disused fuel tank, with a few tracks recorded out in the open throughout the island, 'Lava Love' evoke…

*200 copies limited edition* blickwinkel warmly welcomes Brussels-based composer Roxane Métayer to the label with her new album Vies Sylvestres, out on November 21 on vinyl and digital formats. The album was conceived and developed during performances and travels in Japan in 2023, where its sounds and ideas gradually came together. Vies Sylvestres continues the direction of her previous release on Kraak, where Métayer built imagined narratives unfolding in forests or urban spaces inhabited by an…

François Bonnet, as Kassel Jaeger, at Epsilon Spires in Brattleboro, Vermont, in 2023: music from the 1906 Estey pipe organ, a grand piano and the acoustics of the former church.

*50 copies limited edition* »A Grey City With Its Beast« is a solo recording for choor khuur, composed and performed by Anqi Liu and recorded in San Diego in 2026. The choor khuur is an older Mongolian bowed instrument related to the morin khuur, yet it has its own construction and behaviour: a skin-covered body, horsehair strings and bow, a sound peg, and a Mongolian knife inserted between the bridge and body permit minute adjustments of tuning and timbre. Temperature, humidity, pressure, and t…

Window into the performance of someone else’s hands, traced and cut up in pieces, computer-aidedrecomposition into never-ending patterns, hocketed between worn keys and machines, the spacesounding in answer. I’m wondering what the Alps above the Val d’Anniviers are up to, moving when noone’s looking, approaching and receding, their parallax caught by melody, valley bells sing in antiphony,transmitting their beautiful view. Arranged into four parts, Sion Transcriptions’ skips, splices, and dances…

This is a set of improvised studies made on the Clavemusicum Omnituonum, a harpsichord designed in1606 by Trasunto with 31 keys per octave. With this 2016 copy made by Markus Krebs for Studio31(Basel), I let the music unfold out of the gestures the hands were able to make thanks to the newpossibilities - and obstacles - created by such a keyboard. As a classically trained harpsichordist, Irelished the opportunity to fully embrace the oblique angles opened up by the keyboard’s disorientinglayout,…

On Today’s Special, Hanne Lippard and Renato Grieco turn speech into score and accompaniment into acoustic typography. Reduced, exacting compositions for voice, viola da gamba, piano and Wurlitzer shadow the rhythm and contour of language, transforming wordplay, online debris and intimate anecdotes into a dryly comic, strangely moving suite of musical rhetoric.

"I've long been interested in exploring the elongation of the piano's decay. The shō's clean harmonics offered an enticing texture to incorporate into my experiments with slow-moving piano works." - Samuel Reinhard

*150 copies limitede edition* Originally released by Umor Rex on cassette in 2015, NK012 documents the first-ever musical meeting of Berlin-based musicians Aidan Baker (Nadja, Canada), Andrea Belfi (Italy), and Erik Skodvin (Svarte Greiner / Deaf Center, Norway). Now, more than a decade later, the album is available on vinyl for the first time, newly remastered for the format by Rafael Anton Irisarri. This marks the third release in a series of four special, limited reissues to be released in 20…

*150 hand-numbered copies limited edition* Ben McElroy is a folk/experimental/ambient artist based in the UK. He has released prolific albums since his 2016 debut "Bird Stone" for Whitelabrecs. Notable releases since then include 2018s "The Word Cricket Made Her Happy" for eilean rec. and 2022s "How I Learnt to Disengage From The pack" on The Slow Music Movement (which was folk album of the month in the Guardian). Ben also performs live around the UK (and potentially further in the future). "Thi…

Tip! Algol is a new electroacoustic trio formed by Christian Lillinger (Germany), Elias Stemeseder (Austria), and Camilo Ángeles (Peru). The project was born during a collaborative tour and recording sessions in early 2024, between Mexico City and Guadalajara, and has since expanded with performances across various cities in Europe and Latin America. Conceived as an open system of real-time sonic construction, Algol operates at the intersection of composition, improvisation, and electroacoustic …

Other Minds is pleased to present Lost Horse Wash Drone, a new recording by composer and guitarist Giacomo Fiore. The CD features Fiore’s playing on a variety of justly-tuned guitars alongside field recordings from Joshua Tree National Park. The concept for this album grew out of Giacomo Fiore’s week-long residency at the Lou Harrison House in Joshua Tree, California in March 2023. Immersed in the surroundings of the desert, Fiore delved into an exploration of Lou Harrison's musical legacy, draw…

Tip! *Limited edition of 40 copies.* »Atollo« is the debut solo album of the Italian percussionist and composer Daniele Di Gregorio, a virtuoso of the marimba and the vibraphone who has worked with a large number of artists, including Donato Dozzy, Giorgio Gaslini, Tony Scott, Randy Becker, Luis Agudo, as well as Mina, Andrea Bocelli, Fabio Concato, Malika Ayane, and many others. He also has a long-standing collaboration with poet and composer Paolo Conte. His latest work »Atollo« is divided int…

Another Timbre presents Me Hollywood by Oliver Leith. 5 chamber works by UK-based composer Oliver Leith, performed by Explore Ensemble. Cover drawing by Susan Te Kahurangi King. ‘Me Hollywood’ sees a hired ensemble soundtrack their patron's evening. He is hoping, or, knows even, that the music will elevate each banal gesture. Films will eventually be made about him, so he’s just making it happen now, his life is filmic, it just needs a score, he drinks, he sings, he plays the piano, he cares for…

Tip! Three pieces spanning free improvisation, noise and extended saxophone technique by long-time collaborators Jason Kahn and Ulrich Krieger.

Nostalgia is not an ideology, though in this moment, we could be mistaken for thinking it might be just that. Over the past years, the idea of nostalgia has been filtered through various political and technological lenses and has become a tool used for forgetting, rather than remembering. Instead of embracing histories’ complexities and inconsistencies, this version of nostalgia seeks only singular recollection. This contemporary phenomenon of nostalgia has become a methodology at best, and a we…

Which is the more productive situation for improvisation: the shock of the first time encounter, unhindered by history or habit, or the long-term association and the evolution of more complex interactions? It's an unresolved, perhaps even undecidable, question. This recording brings together four improvisers together in a multi-layered situation which combines multiple permutations of the untried and the familiar. The four had never all played together before but the quartet contains various his…

'Murdúchann’: Where layered vocal transformations summon siren songs and sonic phantoms from within the source. The word ‘Murdúchann’ comes from a Middle Irish word evoking a siren-like being—a sea singer or mermaid. It derives from ‘muir’ (sea) and ‘dúchann’ (chant, song). The singing melodies said to hold sway over seamen were characteristic of the sirens of classical mythology—likely imported into Irish literature via Homer’s Odyssey. "Over the past decade I have been working with a vast sour…

Julien Sénélas, Jérôme Vassereau and Soia present a new version of "In C", Terry Riley's seminal work: a musical interpretation with two modular synthesizers (11 oscillators) and a graphic interpretation of the original score.

*2026 stock. 100 copies limited edition* "Bill Harris is a community builder first and foremost. As one of the founders of the Amalgam collective, he has helped to keep Chicago’s storied improvised music scene together through the dark ages of the 2020s. Additionally, his studio space Marmalade has hosted performances from some of the most boundary-pushing voices of contemporary experimental music - artists such as Charmaine Lee, Brandon Lopez, Sandy Ewen and more - during a time in which such s…

We are proud to release Three Movements from “Some Kind of Seasoning” by the eminent Warren Burt: composer (and performer, writer, instrument builder, educator) of genius. Burt was born in 1949 in the USA, and moved to Australia in 1975. Throughout his long and inspired career, his expansive aesthetic has eagerly embraced microtonality, improvisation and technology, fusing these elements in often humorous and/or irreverent compositions based on live interaction with intelligent or semi-intellige…

If I'm Not A Woman Why Do I Ache Like One is performed using a Roland FP-30 digital piano and a pedal board. The title relates to my experience of being on the receiving end of misogyny as a gender fluid, transmasc person. I always feel a level of gender dysphoria whenever I am perceived as a woman, but when that perception is paired with misogyny it adds a whole other layer of anger and ache. Being told I am less than because someone perceives me as female not only makes me feel dysphoric, it a…

The trio Bolt Of Void reveals signals that arrive across warped space-time. Their alchemical soundings glide through ancient forms, pulling the listener in and out of a lucid state of being. It is in this arc of descending and ascending motion that spirit is congealed from the fog of nothingness. Through a hypnogogic portal the ear is met with something intimately close and delicate, and also evading perception along a distant horizon, heard but unconfined. Sound in its ability to be perceived a…

*300 copies limited edition* Percussionists Mika Kallio and Janne Tuomi have each spent decades at the edges of Finnish improvised music. Oresme, their debut duo on Mustik Motel, takes its name from the 14th-century philosopher who argued that all perceived motion depends entirely on where you stand. Nine tracks navigate that same double territory: outward into astronomical scale and inward toward something quieter and untranslated. Two percussion setups, one vibraphone, and a great deal of room…

*2026 stock* Polish drummer and composer Tomek Chołoniewski presents Music To Make Your Body Suffer, a visceral and uncompromising album that treats percussion not simply as rhythm, but as a force capable of transforming the entire body. Raw, intense, and deeply physical, the record explores the boundaries between composition and improvisation, control and release, structure and collapse. In Chołoniewski’s hands, the drum kit becomes a laboratory of sound: an instrument of impact, resistance, re…

Tip! Shifting continuously between minimalistic patterns, intricate soundscapes, and evolving textures of overlapping electronic sonorities, The Electric Weasel Ensemble presents a missing link in the history of electronic music. It is a series of previously unreleased live recordings from a little-known but trailblazingensemble of improvisers—equipped with a unique embrace of invented instruments and distinctly 1970s avant-garde sensibilities. This historic music is available on both double LP …

Composed, Performed, Recorded By Mark E Kaylor. Instrumentation includes : analog drum machine, drums/percussion, piano, vibraphone, c tenor sax, c & Bb soprano sax, trombone, tuba, tenor guitar, electric guitar, analog oscillator, bass clarinet, tenor recorder

'14 musicians from nine different countries went on a sound journey directed only by their own musical fantasy, no borders – except one, more about that later. The venue, the newly built „Schwere Reiter“ in Munich, is perfect for this: clear acoustics, clear architecture. In the middle of the covid pandemic, in a short time when concerts were possible, such an intense and open exchange could happen, two days in a row, on October 1st and 2nd 2021 – a stroke of luck. A music that moves, stimulates…

There aren’t many all-female vocal groups in the world of improvised music, even fewer of them are working bands, and there are very few projects that are anything more than that. VoiceACT, conceived by Anna Gadt, is exactly that. VoiceACT is, above all, a platform for artistic exploration, generally without specific stylistic characteristics, but operating according to the sacred principle of free creation, to which each invited artist contributes whatever resonates in their improvisational sou…

During a 2010 stay in Stockholm, Sweden, Stefan Tcherepnin cold-called the Elektronmusikstudion (EMS) and began making frequent visits to the facility’s Serge Modular, the synthesizer system developed by his uncle. Tcherepnin secured a makeshift residency at the studio, and soon met Anders Enge, a musician and producer associated with the acid techno label Börft. For over a decade, the pair have collaboratively explored the instrument’s outer-limits in the hallowed studio where figures like Knut…

Tastaturstuecke Vol 1 introduces 9 outstanding new compositions for church organ, harpsichord and self programmed software. The album comprises the first collaborational recordings of Brian Parks (Atlanta) and Phillip Schulze (Düsseldorf). The two musicians first met in the early 2000s at the famous Wesleyan University, Connecticut, where they regularly attended seminars of their teachers Alvin Lucier and Anthony Braxton.

During a 2010 stay in Stockholm, Sweden, Stefan Tcherepnin cold-called the Elektronmusikstudion (EMS) and began making frequent visits to the facility’s Serge Modular, the synthesizer system developed by his uncle. Tcherepnin secured a makeshift residency at the studio, and soon met Anders Enge, a musician and producer associated with the acid techno label Börft. For over a decade, the pair have collaboratively explored the instrument’s outer-limits in the hallowed studio where figures like Knut…

Tulpa by Charmaine Lee transforms voice, electronics, and feedback into a vivid organism of noise, song, and silence. Produced by Randall Dunn and released on her label Kou Records, the album bends improvised vocal gestures into sculptural form—an intimate encounter between body and circuitry that questions where identity begins and resonance ends.

After more than 30 years of recorded output, Riparian stands as Eyvind Kang’s first solo instrumental album. Centered on the viola d’amore, it is an intimate and meditative work that extends his lifelong exploration of sound, improvisation, and ecological listening.A longtime collaborator of Jessika Kenney, Bill Frisell, Laurie Anderson, Bennie Maupin, Stuart Dempster, and many others, Kang has also contributed to landmark recordings by SUNN O))) (Monoliths and Dimensions) and Blonde Redhead (Mi…

*In process of stocking* Un Drame Musical Instantané were founded in 1976, featuring Jean-Jacques Birgé, Bernard Vitet and Francis Gorgé. Their aim was to promote collective musical creation, co-signing their albums, which they consider as artworks in themselves, or their live shows which they tried to renew every time they played. Their sound was created with many influences: They borrowed their sources from rock (synthesizer player Birgé and guitarist Gorgé, both authors of the album, Défense …

Tip! You’re approaching the region where gravity feels tampered with; “Dreaming With The Lights On” is to drift into a zone where bodies and objects appear to have slipped into a dream’s editing room and reassembled themselves according to priorities still unfamiliar. The music begins long before the sound does—inside a suspended brightness, a sky that hums with the possibility of transformation. The listener’s mind becomes a surface onto which impossible gestures imprint themselves: limbs blend…

*100 copies limited edition* Solo. Acoustic but with unexpected sounds, without unnecessary virtuosity but full of surprises. Characterized by cowbells which, however, instead of being played, in the course of the concert are hung from the body and allowed to resonate. Soft, not aggressive. Melodic and full of noise. Dirty; and the dirt is the interesting part of it. An unshouted cry. A rustic in search of shibumi.

To be pierced is a process of change: what’s inside opens to what’s outside, and vice-versa. 'Pierced (June17th)' is a document of such a process, a series of reorientations following a rupture.

With this new project, their fourth full-length work, Tupperwear completely departs from the "stylish" electronics and trends to delve into a profound exploration of the fundamentals of music. It involves a quest or even a game through the extrapolation of geometry into various musical parameters, encompassing classical aspects like pitch, timbre, rhythm, intensity, etc., as well as noise, textures, or the implicit mathematics in natural or irrational elements. Pentagonono delves into cosmology …

Blue Lake reveals his most ambitious album yet, which finds its visionary creator Jason Dungan harnessing the collective alchemy of his band, with ten spirited tracks that resonate with a powerful directness, evoking an ecological connection to the wider world.