Porcelain
Fohn conjures a dreamlike landscape of introspective beauty, loneliness and transience from analogue tape and field recordings on new album, Porcelain. A late summer evening in southern France. The dry mistral wind billows the washing that hangs outside the windows on narrow streets, bringing with it the first whispers of autumn. In the distance children are playing in the square, their shouts caught in the dust whipped up by their feet. A bell tolls, the light dies, and a rich, compelling soli…
Diario sonoro • Japón
"Diario sonoro • Japón is the debut solo album by musician and composer Lucas Sierra, better known as a member of the Madrid-based indie trio La Paloma. Somewhere in early September 2023, he boards a flight from Hong Kong, and what follows is less a tourist diary, as the title might suggest, than a portrait of finding one's own position in a state of being elsewhere.
Diario sonoro • Japón chronologically follows Lucas's route through Japan, finding the country in an in-between moment: when the l…
LIVE au FIMAV
*2026 stock* This concert recording is something of a miracle. Nothing suggested that this album or even the performance it documents—pro- duced in extremis, in the middle of a global pandemic, with ever-chan- ging public health orders—would see the light of day. A few weeks prior to the event, no-one knew if the concert would happen, nor did I know what we would be performing! Really. Almost half of the program was composed four weeks before the show. From the outset, I knew that the set list w…
Oresme
*300 copies limited edition* Percussionists Mika Kallio and Janne Tuomi have each spent decades at the edges of Finnish improvised music. Oresme, their debut duo on Mustik Motel, takes its name from the 14th-century philosopher who argued that all perceived motion depends entirely on where you stand. Nine tracks navigate that same double territory: outward into astronomical scale and inward toward something quieter and untranslated. Two percussion setups, one vibraphone, and a great deal of room…
Bee Space
There aren’t many all-female vocal groups in the world of improvised music, even fewer of them are working bands, and there are very few projects that are anything more than that. VoiceACT, conceived by Anna Gadt, is exactly that. VoiceACT is, above all, a platform for artistic exploration, generally without specific stylistic characteristics, but operating according to the sacred principle of free creation, to which each invited artist contributes whatever resonates in their improvisational sou…
60bpm 33rpm
"After six minutes, time flips into reverse. The sounds of Ramsgate start running backwards. Cackles of seagulls are sucked back into tiny throats, while the distant yelps of school playtime turn giddy and abrupt, doubtless punctuating games of backward hopscotch. Central to the piece is the steady tick of the steam-age turret clock at St George’s Church, which was installed almost two centuries ago. When ticking runs forward, it seems to gift a divine guarantee to the formidable flow of time; a…
Wildnis
During numerous sessions in their own Inkiek studio in Unna/Germany and a residency in Montoriol/France in 2025, Klangwart have created their new work „Wildnis“ („wilderness“), inviting Sébastien Del Grande to add tenor and alto saxophone, drums, marimba and other various percussion instruments to their electronic textures. Catalan composer and performer Ivan Chin aka Ivan Telefunken also participated in the recording sessions by contributing to a Catalan version of Swiss group Grauzone's famous…
Elsewhen
Futuro Ancestrale, the ensemble around saxophonist, composer, and multi-instrumentalist Giuseppe Doronzo, was born from the idea to combine contemporary improvisation and non-western music traditions. In Elsewhen, electronics play a central role along with ancestral instruments borrowed from Chinese, Albanian or Chadian traditions. Doronzo's concept of convoking those sounds and cultures in the same musical space is a way to celebrate, and to create a vibrant dialogue between histories.
Looks Far Woman
Cellist and composer Aliya Ultan announces Looks Far Woman, a new solo album out June 26 on Kou Records, recorded, mixed, and produced by Randall Dunn (Sunn O))), Jóhann Jóhannsson). The album takes its name from a guiding figure in Aliya's personal mythology — a seer who moves between worlds carrying the medicine of patience, prophecy, and transmutation — drawn in part from Jamie Sams' The Thirteen Original Clan Mothers. Structured as a six-part song cycle — Wind Song, Road Song, Mountain Song,…
Shade Zero
Flutist and composer Taiga Ultan announces the release of Shade Zero, her debut full-length album out June 26 on Kou Records and recorded, mixed, and produced by Randall Dunn (Anna von Hausswolff, Annea Lockwood, Danny Elfman). Structured as a three-part work, the album traces a gradual transformation from virtuosic flute performance rooted in classical discipline to extended techniques, spoken language, and poetic reflection. At the center of Shade Zero is an investigation into the relationship…
Man Eating Tree
Tip! Man Eating Tree is the first solo album by Belgian-born, Oslo-based pianist Jonas Cambien. On prepared piano and electric organ, Cambien channels a soundscape of meditative repetition and oscillating rhythms. Cambien's background is dappled with diversity. While training in classical piano at the Conservatory of Brussels, he focused on contemporary repertoire. This would deeply shape his playing and ensuing projects, largely in Norway, where Cambien has embedded himself as a pillar of Oslo’…
The Will of Tongues
Hardback book style packaging, 24 page booklet + 140 minutes of music - The most ambitious work of Sarah Davachi's career to date. Spanning more than two hours of music across three LPs, The Will of Tongues arrives on the composer's own Late Music imprint as a vast, deeply considered statement - a meditation on the act of listening itself, and on the mental spaces that sound, given duration and reduction, continually opens.
Over the last decade, Davachi has emerged as one of the most singular vo…
Know I’ve Been Here Before
*40 copies limited edition* »Know I've Been Here Before« by Dan Gilmore is a suite of eleven songs, based on reassembled and overdubbed audio files recorded between 2007 and 2010. What I hear in these recordings are not only various sound sources such as the guitar, the (self-built) synthesizer, or microphones, not only movements, rhythms, textures, or even harmonies, but also ideas, aspirations, circumstances, a mode of production. It is music that, through association and disassociation, makes…
Headwater
On Headwater, Helen Svoboda traces an intimate, slow‑moving current through bass, voice and carefully placed sound, letting murmured melodies, extended techniques and silence pool into an ecosystem where every ripple feels both fragile and tidal.
Electroacoustic Work
*30 copies limited edition* Electroacoustic Work is a collection of experimental sound pieces recorded in 2024-2025. It includes work spanning from performance and composition to interactive installation material. A running theme between all tracks is the use of feedback. Crying Bark and Liquid Arm are concerned with feedback between performer, live electronic systems, and acoustic space. Lichen Cloud uses microphone feedback, spatialised by the tracked positions of people in the installation ro…
All Thoughts Fly
Sacro Bosco (“Sacred Grove”) is the starting point for Anna von Hausswolff’s All Thoughts Fly. Here in solo instrumental mode, the entire record consists of just one instrument, the organ, and represents absolute liberation of the imagination. All Thoughts Fly radiates a melancholic beauty, and is distinguished by fluid transitions of contrasting elements; calmness and drama, harmony and dissonance, much like the place that inspires the music. Sacro Bosco is a garden, based in the centre of Ital…
Wall of Lanterns
*20 copies limited edition* Chiming gamelan like flutterings, a clean ascendant nothingness, recorded live on two iphones.
Copper Maze
*20 copies limited edition* Shrill zen noise guitars and ornate percussion.
États des lieux
Invited in September 2011 by sound engineer Philippe Teissier du Cros, double bassist Bruno Chevillon spent two days improvising alone in the Lutheran Protestant Church of Bon Secours in Paris. The building is as much a protagonist as the player — its acoustics shaping every bow stroke, every silence.
Twelve tracks traverse extremes: commanding attacks that send sonorities boomeranging through the nave, hushed melodic arcs, raucous physical confrontations with the instrument's body, and the exis…
Vinti 'e Maju
The protagonists of this album embrace the complexity, diversity, and innovative power of a musical tradition that, in this case, seeks dialogue with other languages, opening itself up to innovative music. On one side, we find the prepared Sardinian guitar, an alien instrument that has fascinated music critics from Europe and overseas; on the other, the guttural singing of the Tenore Murales, an expression of one of the most ancient polyvocalities in the Mediterranean, with similarities to Tuva …