Pipe Dreams II / III
Mary Jane Leach's Pipe Dreams II and III, recorded on the organs of Miry Concertzaal, Gent (2023) and Kunst-Station Sankt Peter, Cologne (2024): beating tones and antiphonal clouds of sound, following the 1989 original issued by Blume.
Far Away Worlds
*2026 stock. 150 copies limited edition* Sounding waves between the inner and outer spaces, electromagnetic forces from the breathing ether.
Gloomy Sunday: The Funeral I Plan for Myself
Telekinett is pleased to unveil a narrative that delves into themes of darkness and metaphysics, spotlighting John Duncan, a distinguished figure among contemporary Electroacoustic composers.
Illusion of an Inland Ocean
*100 copies limited edition* Written, recorded, mixed, and produced entirely by Bessel, Illusion of an Inland Ocean expands the worlds of Visitation (2023) and Mirror at Night (2025) into his most expansive and mysterious work to date. His recent work has received international recognition from publications including SPIN, The Big Takeover, Various Small Flames, Post-Punk, Mystic Sons, Obscure Sound, Destroy//Exist, and others, establishing him as a distinctive voice at the intersection of ambie…
Kinetic Void
*150 copies limited edition* The ambient lineage, from Brian Eno’s Music for Airports forward, has been characterized as sounds that can recede into the background, creating an absence that exists laterally to the listener’s attention. The Kinetic Void originated from a different premise. The compositions assembled here retain a commitment to atmosphere, putting texture over melody and suspending conventional notions of meter. But they embody an inverted relationship to density from that of the …
Free Jazz Dell’Inferno (No Self, No Swing, No Jazz)
Úgjü is a sound reflexes. A guttural protosonic babble or screech. The first phase of language acquisition among humans. Úgju, is a powerfull “Name" from something like a deity in that secret universal spoken language in the first months of life by all the newborns of the world; a protolanguage that transfers all the ancestral codes together with our DNA ... like a biologic operating system installation. So “Úgjü” is the beginning, and “Sectas” (in the sense of all religions) that destroyed…
KKAARREENNIINNAA
On KKKAAARRREEENNNIIINNNAAA, Charlemagne Palestine, Oren Ambarchi and Daniel O’Sullivan turn a 1997 “magic song” for a beloved dog’s spirit into a towering trio ritual. Organ drones, phase‑drifting cassette voices, Leslie‑swirled guitar and viola blooms coil around Palestine’s keening live chant, forming a single, dense, ecstatic invocation that feels like a séance conducted inside a vibrating cathedral.
Dry Spell
*2026 stock* Alluvium, a collaborative project of Nika Kaiser and Nathan Stickel, uses a combination of composed and improvised video projection, field recordings, and experimental sound. They create performative installations responding to site-specific details within each of their works, drawing ties between the political and the spiritual. The geologic phenomenon of alluvium occurs when loose clay, silt, or sand has been deposited by running water in a streambed or floodplain for an impermane…
Splendor
*2026 stock* Yellow Moon Temple {is} Kari Treadwell 7 Cecyl RuehlenComposed, Performed & Recorded By Yellow Moon TempleRecorded Live On November 4 2025 {at}The Center For Harmonic Ooze. Performed During The Full Moon
The Sirens
*200 copies limited edition* The sun sat high above the desert outside Joshua Tree on October 17, 2024, baking the rocks and shrubbery outside the Farrington Observatory as a small group of invited guests ventured up a steep path towards the telescope. Kyle Simon, the artist and printmaker who founded the Observatory, was standing outside the print studio sat below the towering cylindrical building, greeting friends alongside his wife Sarah and lifelong friend Brian Weitz, the musician widely kn…
Cacciamali
Cacciamali is an exploration of diegetic sound, folk chants and traditional rhythms and instrumentation building upon Milan based Rosso Polare’s last outing Campo Amaro and the subsequent departure of co-founder Anna Vezzosi from the group. Where the 2024 album incorporated a heavy use of folklore as a new tool, Cacciamali explores the influence further by bringing in a host of collaborative players including Italian avant-garde veteran Riccardo Sinigaglia, sound artist and researcher HMOT (Stas…
The Double
Underpinned by spoken folktales stretching from Indonesia to Poland, a new collaborative EP from Warszawa/Berlin-based Jerzy Mączyński and London-based Flora Yin-Wong arrives via Accidental Meetings. Demons rising from the wind, unknown beings lurking in the forest – the record conjures a landscape built from heady layers of saxophone and the tormented strings of zither, harp, and kemence. Recorded across two intense studio sessions, the EP also features idiosyncratic contributions from London-b…
Sumptuous Branching
* Edition of 100 copies * Chant is the starting point. Not chant as decoration or as a mood, but late medieval chant as a compositional problem, taken up by someone working alone with a bass clarinet, a piccolo, her own voice and a rack of analogue electronics. Emily Rach Beisel has described what drew her to it: music from before the rules hardened, with a wild freedom and density that later codification would take away. Multiple voices, as she puts it, "both intertwined and independent." Which…
Habit of reference
*24 copies limited edition* Lofi Experimental Cassette label focusing on reuse. Breathing new life into unwanted ephemera.
Hystérésis
*200 copies limited edition* In 2019, Jérôme Noetinger was invited to join the PIO (Prague Improvisation Orchestra) and there he met Petr Vrba. The chance of touring and musical excitement created this duo afterwards. Petr Vrba works with the trumpet in a very electroacoustic approach with microphones and effects, transforming the instrument into a real generator. Jérôme Noetinger plays magnetic loops on his Revox B77 to metamorphose the sound captured in the moment of its creation.
Together the…
Abrading Headstocks / Running Springs
*2026 stock. 25 copies limited edition. The cassette features interchangeable artwork* Featuring amplified sonic drones, atmospheric qualities and scraping textures. The theme of this record is centred around 'Abrading' - to scrape or wear away by friction or erosion, using the headstock of an amplified guitar to create sounds by using the walls and floor of the rehearsal room.
'Internal Waves' and 'Above The Fog' are home recordings made up from two layered amplified guitars played with a bow. …
Nothing Is Hidden
"In the fall of 2016, after many years away from making music, I started Tyresta as a creative outlet to help process everything I was going through at the time. It took me a few years to find my voice as an artist, but I feel like the project truly came into its own around 2019–2020 with the recording and release of All We Have on PITP. After releasing All We Have and its follow-up, Small Hours (2023)—albums centered on grief, loss, and healing—I found myself wanting to write music that reflect…
Lost Meridians
"For those of us who inhabit worlds that sit in-between other worlds, this music making thing can be strange. The work of Matt Rosner sits in parallel to that of my own. We have a shared expression and a continued practice in listening and looking. Images, landscapes and our surroundings are translated into sounds, emotions and feelings. They are often built in solitude and created through lost moments, captured air or fragmented tonalities that have run adrift in our subconscious. To put it sim…
Undercurrent / Wanderlust
With a refined, modern sensibility and a deeply human sense of space, “Undercurrent / Wanderlust” balances detail and emotion. Each track unfolds like a short journey: moments of clarity and restraint giving way to tension, color, and release. The partnership between Suzuki’s expressive musical voice and Okagawa’s atmospheric approach creates a sound world that is both immersive and immediate—an invitation to listen closely, then follow where the music leads.
Hirotta ishiga wareta
When one thinks of the terms “mass” and “massive” in music, especially contemporary music, perhaps certain aural images come to mind: generic metal heaviness; dynamics-bereft noise; ear-battering dance floor madness; the multitudinous forms of drone darkness. All of these are massive in their own fashion. However, this newstudio album from 7FO (pronounced “nana f o”), a composer-performer based in northern Osaka, investigates and inhabits a different aspect of the massive. A glorious combination…