The concept is therefore to propose an immersive type of listening, in which the rather extended durations of sustained and seemingly static sounds create a certain tension generated by the anticipation of variation.
The live performance involves the use of samples, as the composed balances require multiple timbral layers to be active simultaneously. The closeness in pitch and the mimicry between instruments highlight the psychoacoustic phenomenon of beating: in fact, our auditory sy…
*50 copies limited edition* Now Transitioning is a collection of performances built around a time of personal change, discovery and evolution - waiting for a second child, switching over to a new day job, moving into a new home, looking forward and then eventually getting used to a new phase of life.
All tracks on the album are single studio improvisations, performed and recorded live, using real-time digitally processed guitars and sampling techniques. Mastered by Adam Badì Donoval
Here be the final drone / hypnogogic statement from Taiga Remains. The man behind Taiga Remains has now shelved this moniker; but he's far from hanging up his hat, as he now works under his given name Alex Cobb -- also known as the philosopher king who benevolently reigns over his Students Of Decay. There are those at the Agency who can claim to speak with the poetics of corrosion, and we have long admired the sympathetic aesthetic in Cobb's gorgeously elegant compositions for guitar, bells, tap…
Ass-flatteningly great duo cosmo drone visions from Barbara Kinzle and Birch Cooper of Portland, Oregon that takes dream-pop and devotional choral ascensions to the very edge of euphoric body/gnosis: originally issued as a CD-R in 2010 this beautifully presented vinyl set upgrades the album with two LPs mastered at 45rpm for maximal immersion. Ocean On Ocean feels like the logic of Blinda-era My Bloody Valentine pushed to true post-rock limits, with song-forms exploded in favour of a profound, c…
In scandinavia, it's not uncommon to hear of someone's mother, grandfather, uncle, or plumber who drank him-or-herself to death at an early age; and the swedish drone artist bj nilsen has felt the alcoholic pangs which may foreshadow his own demise. in recent years, nilsen has turned to his icelandic neighbors Sigtryggur Berg sigmarsson and Helgi Thorsson (collectively known as stilluppsteypa) in existential sympathy over the problems of their collective lust for alcohol. drykkjuvisur ohljodanna…
*100 copies limited edition* For more than three decades, Germany’s drone ambient pioneers Troum have explored the liminal zones between sound and sensation, shaping immersive sonic environments that dissolve boundaries between ritual, memory, and matter. Emerging from the industrial-ambient underground of the 1990s, Troum have remained devoted to a singular artistic intent: to create transformative listening experiences, dense with atmosphere and charged with inner movement, where sound becomes…
*100 copies limited edition* Salix is a bold new departure for modular synthesist Loula Yorke, seen here using an antique reed organ to explore the ancient roots of willow trees in magic, myth and medicine, as well as inviting another musician into her recording studio for the first time, clarinettist Charlotte Jolly. The EP forms a sonic archive of a singular instrument: an antique free reed organ left behind by a previous encumbent of Asylum Studios, (the artists' co-operative in Suffolk where…
This recording is exactly what it says it is - drums and drones - based on Just Intonation tuning theory: A tuning system modeled after a naturally occurring acoustic phenomenon known as overtones, the subsidiary tones which exist in an ordered series from an established primary tone. Stemming from this single primary tone an infinite amount of overtones can be derived.
2014 release ** "Dunrobin Sonic Gems, a concert recording featuring Deep Listening Band founding members Stuart Dempster (trombone/didjeridu) and Pauline Oliveros (accordion/conch) with guest artists Ione (spoken word and sonic vocals), Jonas Braasch (soprano sax) Jesse Stewart (percussion), Johannes Welsch (gongs), and Jeff Pratt (live sound and 'Cistern Simulation' blend). Both recordings feature the 'Cistern Simulation', a technology developed by Jonas Braasch in 2012, which recreates the aco…
*70 copies limited edition* Niagara return to Discrepant with Buxtehude, a new work bending the legacy of Dietrich Buxtehude into their own fractured, electro-organic language. Rather than a tribute, Buxtehude feels like an abstract dialogue with the Baroque composer’s sense of structure and flow—reimagined through Niagara’s raw synth work, off-grid rhythms and subtly warped melodic cycles. The trio let the music grow from the inside out.
There’s a clarity to Buxtehude that feels carved rather t…
*2026 stock. 200 copies limited edition* Vomit & Tear (구토와 눈물) is a doom/drone/noise band consisting of two bassists and one vocalist, with no drums. They released their first recording on cassette tape in 2016, and have collaborated with artists such as Hong Chulki and Taku Unami.
Half an hour of unbroken drone from two people a generation and an ocean apart: John Krausbauer on violin, Werner Durand on reed instruments he builds himself. Limited to 150 copies.
XI Records is very pleased to announce the release of a 2 CD set of Michael Winter’s music organized by guitarist Elliot Simpson. Each CD features a single composition, demonstrating different sides of Winter’s work. The first, Counterfeiting in Colonial Connecticut, is a socially-engaged piece written for Simpson and in honor of George Floyd. The second, a lot of tiles (trivial scan), derives music from a set of mathematical tilings (often referred to as tessellations). The album art features r…
On Reverse Acceleration of Dragons, Radx (X.Y.R. & Vlad Dobrovolski) drift through retro‑synth mirages and sci‑fi haze, blending Cascone‑esque electronica and “living machine” dragons into a soft‑focus, humid strand of 12th Isle ambient.
*125 copies limited edition* After 8 years since their last release, Becoming Forest is the fifth full-length record by Amuleto. It comes from an encounter between the group’s core duo, Francesco Dillon and Riccardo Wanke, and multi-instrumentalist performer and composer Stefano Pilia (Mike Watt, Rokia Traoré, 3/4HadBeenElminated, Massimo Volume, Afterhours, Zaire). This meeting — developed from long-term parallel collaborations and converging musical paths — produced a set of tracks that combin…
*300 copies limited edition* “Avàvâgo Zamran!” marks a new ritual transmission under the name Arrokoth, a project initiated by Guillaume Cazalet (Neptunian Maximalism, Zaäar, Sol Kia...) as an ongoing exploration of musical primitivism, liminality, and distant cultural imaginaries. Conceived as a vessel rather than a fixed ensemble, Arrokoth brings together collaborative works with Dimitar Dimitrov (Corpus Diavolis, Antelogos, Haiku Funeral) and John McKusick (Three Dragon Alley), resulting in a…
Marking the final chapter of a visionary trilogy, “Papotier” sees Pancrace return in full force. A haunting exploration of breath, language, and acoustics, recorded around a historic Silbermann organ in Alsace, the album is a radical statement of sonic identity - fragile, fearless, and gloriously unclassifiable.
Four exclusive tracks. Released in conjunction with a live performance at the Lagerhaus Bremen on 17. April 2004. Record One features two very dynamic untitled tracks by legendary industrial percussionist Zev recorded and mixed in early 2004 , while record Two features Zerfall-Gebiete a new collaborational project by Thomas Köner and Ulrich Krieger (former Zeitkratzer member who besides his solo work also plays in various other projects e.g. in a band project called Text Of Light with Lee Ranald…
*Limited Edition CD in Digipack with Liner Notes.* “Well, it was just as I thought,the pathall but obliterated-We had moved thenfrom the first to the second stage,from the dream to the proportion.And look-here is the line between,resemblingthis line from which our words emerge;moonlight breaks through.Shadows on the snowcast by pine trees”[...]“Every hour or so, my friend turned to wave at me,or I believed she did, though the dark obscured her.Still her presence sustained me:some of you will kno…
*Limited edition of 50 copies signed by the artist* Casida de la tierra que nos dejan is a sound work by Marcelo Expósito composed of four pieces published on 7’ vinyl record. This work dialogues with the way in which the Italian musician Luigi Nono early adapted the poetry of Federico García Lorca, trying to dig into the layers of idealisation traditionally accumulated about the writer from Granada, in order to carry out a materialistic updating of procedures common to both the writer and the m…
In 1973, the Sound Sculpture Show took place at the Vancouver Art Gallery. An LP audio catalogue (with a booklet) of the exhibition, entitled “The Sounds of Sound Sculpture”, was released in 1975 under the supervision of the Canadian sound sculptor John Grayson and US composer David Rosenboom. Grayson had edited an important early book on the field, “Sound Sculpture”. The LP included rare takes of Rosenboom and Grayson, amongst others, playing famous pieces by pioneering sound sculptors includin…
*300 copies limited edition* On Tsilla, Jean-Noël Rebilly and Andrew Chalk pay homage to the late French writer and engraver Cécile Reims. While she may be best known as interpretative engraver for surrealist artist Hans Bellmer, and she also worked with Leonor Fini and briefly for Salvador Dali, Reims’ most powerful and enduring works were made either in collaboration with her husband, the writer and artist Fred Deux (who signed their collaborative work “cf deux”), or by herself. Later works by…
*Limited edition of 300 copies.* Face is a synthbathed meditation on decay and acceptance and shows the typical Jogging House sound in which warm soundscapes are mingled with soft and playful melodies. Boris Potschubay is a German musician based in Frankfurt am Main. Besides his own music, Potschubay curates his own label, Seil Records which forms a home for Hainbach, KMRU among others. Jogging House debuted in 2011 and brought us more than a dozen releases in the meantime. Listening to all the…
Alan Michael Bloor was making experimental music before he started developing his now long-running harsh noise project Knurl. These recordings see Bloor using homemade instruments to create sounds that are like if John Carpenter was part of the 70s Berlin School gone lo-fi. All tracks recorded in October 1991, on the verge of harsh sound explorations that would soon become Knurl. Sourced from the original master tape in Bloor’s archive.
*170 copies limited edition* "It was looking at the map—in 2013—that led me to the Libre Valley. The name itself, "Le Libre" is rather unusual and certainly catches the eye. The map also reveals large, uninhabited areas far from transportation routes—particularly the entire area between St-Martin-des-Puits and Villerouge-Termenès—rocky, arid regions where the ruins of old sheepfolds can still be found, and even a chapel perched atop a hill.
I had just finished my work on the Taurion River — kdi…
Luxe, spaced-out drone music from Phillip Sollman (Efdemin), including a charming drone-pop take on Jane’s ‘Fine Day’. In his post-techno phase Phillip Sollman continues to spread his wings and double down on his interest in minimalism following collaborations with Oren Ambarchi and John Gürtler in the past few years, and more recently on his percussive study ‘Monophonie.’ The title for his new suite with Dial kinda gives the game away; it’s very minimal, in the school of thought developed by li…
At the beginning of this journey, I had no clear idea of what I was getting into. What started as a simple poem, with embedded audio links referencing a selection of recordings I had made over the past few years and published on Metalabel and my website, eventually evolved into a video project designed as a proposal for an installation. Ultimately, it culminated in this music album.
I am incredibly grateful for the amazing voice recordings that friends and family from all over the world sent me,…
"As a concoction of whirring, electronics-strewn field recordings, this over fifty minute piece is intoxicating in its intimacy, like drifting half asleep through various conversations, rituals, prayers. As a piece which considers the “complex entanglements of migrant stories, memory, identity, otherness”, it feels urgently, cacophonously important, a sonic insight into our shared humanity" — Spenser Tomson In this project, Paul and Masimba capture almost five years of conversation as they stood…
On Leviathan Whispers, Tim Hill shapes saxophones, tape loops and treated field sound into slow-burning rites of longing and delirium, a spectral song-cycle where folk memory, Blakean vision and drone minimalism coil around each other in restless, darkly luminous orbit.
A year and a half has passed since Slovak-Hungarian artist Adela Mede self-released her debut album 'Szabadság'. Its liner notes described it as "a navigation", a search through "the personal, familial, cultural, folkloric and geographic of her past and present." Her second album, 'Ne Lépj a Virágra' no longer searches; here, she puts down roots and delves deeper into the earthy reality of her home, Central Europe. Mede sings in three languages with newfound conviction and grace – this is an alb…
Black Vinyl. XKatedral, in collaboration with La Becque Editions, announces a new album from Stephen O'Malley, co-founder of SUNN O))). Les Sphères (effondrez-les) presents two long-form compositions for pipe organ, performed by O'Malley alongside Kali Malone and Frederikke Hoffmeier. Recorded on Christmas 2021 at Église Saint-François in Lausanne, Switzerland, the album captures Les Grandes Orgues, an instrument of extraordinary lineage: Scherrer (1777), Walker (1867), Kuhn (1995). Three centur…
Snapshots of an empire downfall black helixes elongated insectile forms a projection over the desert burning surface scimitar smiles through pillars of black smoke emerald shards lit night eyes that see all crosshairs obsidian steel ghosts haunting the night geography in flames born under treason's ulcerous mouth.To behead the vipers one by one.
Nyahh Records is delighted to present a collection of contemporary noise and experimental musicians from all across the island of Ireland. All crammed into this two disc set with wonderful artwork by Alan Doyle. This significant collection covers multiple generations of artists in the field of audio experimentation, including Danny McCarthy (turned 75 in 2025) and some new heads on the block like Francesca O and Enola Christ Metalizer.
These 32 tracks cover noise, acoustic, electroacoustic, elec…
Atsushi Reizen, living in Japan, uses electric-guitar-based sound sources with drone, noise and minimalist techniques. In 2007 he formed the ambient quartet Nerae, but he has now left the group to focus on his solo music. This LP features two newly recorded tracks based on the concept of 'differing speeds', and a track recorded live at Fylkingen in Stockholm.
Formed in 1992, Boris boldly explores their own vision of heavy music, where words like “explosive” and “thunderous” barely do justice. Using overpowering soundscapes embellished with copious amounts of lighting and billow smoke, Boris has shared with audiences across the planet an experience for all five senses in their concerts, earning legions of zealous fans along the way.
Originally released in 1996, Boris’s 60-minute 13-second debut “single” Absolutego will see an officially remastered re…
Formed in 1992, Boris boldly explores their own vision of heavy music, where words like “explosive” and “thunderous” barely do justice. Using overpowering soundscapes embellished with copious amounts of lighting and billow smoke, Boris has shared with audiences across the planet an experience for all five senses in their concerts, earning legions of zealous fans along the way.
First released in 1998, catalog staple Amplifier Worship will see its first-ever reissue with minimalistic album art f…