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Accepting the darkness can be a liberating experience. Realising, and struggling with just who we are and what world we live in requires it. By further complicating the fractured sense of beauty found on his droning 2022 release, ‘I dreamt we found a way’, Bristol-based composer, Rob Winstone creates a language that encapsulates the lifelong reach for our own personal heavens, along with the darkness and fear on which those foundations are built. Winstone’s instrumental palette continues to reac…
*30 copies limited edition C60 high quality real-time dubbing* Kevin Corcoran's release on Taiwanese tape label Karma Detonation.
A side: video works (percussion and field recordings)B side: feedback works (mixer and radios)
* Edition of 40 * Jungle Gym Records presents "KTLA", official return of R.Pierre! Recordings / Processing / Design by R. PIERRE (Dravier). Mastered by Jared Carrigan.Industrial white cassette + J-Card in a clear hard shell case. Hand packaged, unmarked, limited edition run of 40.
Tip! Audio collage recorded in may 2023, tape cassettes, tape recorders, spring reverb, tape echo, no edit, no overdubs, straigh on tape. The digital version is a recording of the tape cassette, no mastering. Comes with a collection of drawings and collages made with an Olivetti Lettera 35 type writer. Each cover is different. Released for promoting concerts in North Europe during spring 2023.
Tokyo's experimental musicians Toshimaru Nakamura and Suzueri collaborated on a CD released in April 2023 on the Italian experimental label Superpang. Includes two improvisational songs using piano, mixer, and self-made instruments.
*2023 stock. Limited edition.* Seijiro Murayama is a Japanese man who lives in France. He performs with snare, cymbal, gong and also voice. In the 80s, he was involved in some legendary rock projects, though you wouldn’t know it seeing him perform today. Cristián Alvear is Chilean. He has released a number of guitar recordings, some of which are of other people’s compositions, as well as his own. You can hear a background in classical guitar in his playing, however the form is always very simple…
Conscious Feedback Group (C.F.G.) is a gang of three formed in 2018 by MAI mai, Xu Cheng and Jun-Y Ciao. Improvisation is their way. They use mediums of music, sound, text and performance to explore a non-identifiable style that has nothing to do with fancy illusions.
The score for June '21 was made in early summer of 2021, in a dialogical process of close live collaboration. Everything we talked about — music, time, politics, and place — was treated as a kind of material with the possibility of being brought into the piece. We didn’t aim to use sound to express such concepts directly, but rather created music with attention to the circumstances: when it was written, where, to whom and by whom it would be played. There was a mutual understanding that we were …
This album wouldn’t exist without clarinetist Gareth Davis, with whom I’ve collaborated several times. When I asked him to participate on my + album, he was working with Monika Bugajny. She got wind of my project and asked if she could join. I agreed and reworked her beautiful clarinet recording into a ghostly one-minute piece. Apparently my concoction was convincing enough for Monika to propose another, more elaborate collaboration. Her suggestion was to use the same working method again, but t…
To understand tuning systems, to peer into the infinity of microtonal compositional strategies, is to imagine a sense of musicality that extends far out beyond the familiar harmonies of the western ear. Iranian composer Siavash Amini, a self-confessed tuning obsessive, has dedicated much of his musical investigations over the past half decade to unlocking new relationships between harmonic events. Moreover, he has sought new timbral relations too and in doing so has honed a particular sonic-aest…
A note from Valerio Tricoli: "It is always very, very difficult for me to write about the music I was personally involved in making. As a matter of fact, a good reason for me to make music is precisely that I don't want to be a writer, and also to be able to shut up... for once. Yet, once a record is finished, invariably arrives the request from the publisher - in this case the great Lawrence English -- asking for a 'press sheet', a very weird, but apparently necessary form of literature in whic…
"Kuden is a method of communicating information verbally in Japan. The word also refers to the knowledge of secret techniques traditionally passed on orally, be it from martial arts or from music and the performing arts. An apt title for this exceptional, non-arranged meeting of three musical experts who tell each other about the rich vault of their sound treasures in order to enrich it with something new through this musical dialogue, which is immediately passed on to the spellbound, amazed aud…
*200 copies limited edition* There is a long tradition of Electroacoustic music in Finland beginning in the 1950’s with the experimentation of tape music. Finland’s first electronic musical instrument the "Sähkövalopiano" or "Electric Light Piano" was built before this in 1894. It was constructed in the Polytechnic Institute (now Aalto University) in Helsinki. Finland also has a tradition of blending archaic traditional music in the contemporary music scene. The Kalevala tradition for example da…
Going past musical genres and instead straight towards something more elemental - Selvhenter’s music creates a strikingly direct, physical experience of sound composed of polyrhythms, acoustic and electric melodies, heavy music and improvised beauty. Since forming in Copenhagen in 2010, drummers Jaleh Negari and Anja Jacobsen, saxophonist Sonja LaBianca and trombonist Maria Bertel have forged a unique approach to making music that starts with their instrumental setup: two drummers that interlock…
"Pangrams" evokes a wide range of emotional moods, sketched in a chamber atmosphere. The four pieces stress the immediate and deep understanding of Di Domenico and Moberg.’ - Eyal Hareuveni
Nichola Scutton'Interzone (Nonclassical, 2023) takes inspiration in the state of in-betweenness: not awake or asleep, conscious or unconscious, and at the border between daytime and nighttime. Two defined elements emerge fromInterzone: a careful use of electronics, and Scrutton's experimental vocal practice. The album was recorded in two steps, first by the artist herself in her studio in Glasgow, using field recordings and archival materials, resulting in the series of four Interzones which con…
In the lockdown of early 2020, Berlin fell silent. As reflects Nicholas Bussmann, “it felt like the early 90s in East Berlin”, the place where he grew up and experienced social change and uncertainty, and presumably a lot of empty, silent space. Here, on this duo with his long-term accomplice Werner Dafeldecker, we hear the sound of two instrumental practitioners as they explore the nature of their respective instruments with a paced and thoughtful guidance, with little intervention or overt de…
300 copies, black vinyl. Sometimes records just vibrate with a magical aura propagating endless energy and timeless positionment. Stefano Pilia & Valerio Tricoli have been maestros in their respective careers when it comes to dancing between modern concrete, unimagined landscapes and electroacoustic experiments slowly creating and almost hand-sculpting two of the most singular paths in the European avant garde scene.
After their long tenure in experimental collective 3/4HadBeenEliminated (Häpna,…
Calisthenics is the first album by Institute for Certified Nomadic Illicit Sonic Practices (ICNISP), the Berlin-based duo of Brazilian musicians Marina Cyrino (flute) and Matthias Koole (el.guitar). With a mixture of electronic and acoustic sound sources, objects and preparations, inside amplification and no-input mixing, the duo leads guitar and flute towards a common hybrid terrain. Partly inspired by drawings of the Handbook of Calisthenics and Gymnastics: A Complete Drill-book with Music to …