Vestigial Gamelan / Blue Plum Bloom
Launching into the new year with some serious heat, Shame File Music returns to their longstanding explorations of experimental music from Australia and beyond, with “Vestigial Gamelan”, the third in Ian Andrews’ Astasie-abasie project’s “Gamelan” series, and “Blue Plum Bloom”, the debut full-length from the all-star trio David Brown, Tony Buck, and Magda Mayas. Each plumbing the radical possibilities of small and discreet sounds in remarkably singular ways, each of these startling creative stat…
Edaphon
In London I found a perfume that smelled like a brownie made entirely out of wet soil. It was inedible, but still very “cake”. “It’s our signature scent”, said the shopkeeper. But I used to make that cake as a child, with my child hands. I looked at the square bottle and it was me. Chocolate-like, but of the earth. Under our balcony I used to make garden stew in a clay pot with mud and pebbles. I stepped frantically on puffball mushrooms under a tree to make the steam. It didn't matter that the …
Taking big bites of the khandas three cafes deep
DNS - taking big bites of the khandas three cafes deep is a live recording of improvisatory miniatures that mimic the form of collage. It is the first collaborative effort of Joseph Schlam and Alexander Cooper, made in the attic of a childhood home, and launches the label’s efforts. Drawing from the duo’s shared upbringing in North Carolina’s Piedmont region, the duo convened over the course of a week, the results of which prompted the creation of BLTC.
Live improvisation amplified in stereo via…
If It Works, It’s Obsolete
*2025 stock* "Bong Watt is the sound for Oscar Reutersvärd’s drawings. Impossible shapes bent within the conscious as sonic earwigs burrow holes in the frontal lobe. Trying to think about “If It Works, It’s Obsolete” is beyond true abilities. There is no beginning, no destination to get to, only a micro-dose of sound chaos that becomes more familiar with each listen. With many listens in the tank, Walter Wright and Al Margolis (Elka Bong) with Mike Watt create the most subtly gentle entropy.
The…
III
*2025 stock* "Behind the acronym KBD, we find Michael Kimaid (drums and percussion), Gabriel Beam (modular synthesiser and live sampling) and Ryan Dohm (trumpet, sampler, and tapes). This is their third cassette for Eh? Records and the first one I hear. They recorded both sides in concert, the first at The Noisy Attic, Toledo, Ohio, on 27 December 2023 and the second at The Lightbox: Kalamazoo, Michigan, on 5 October 2023. From the information I understand, they play long-form improvisational so…
Stephen Flinn / Bryan Eubanks
"Water ripples in outward patterns with the slightest disturbance. Peaceful space is found within the live performance of Stephen Flinn & Bryan Eubanks, and like glassy surfaced bodies of water, their sonic energy sends waves through the conscious. The balance rests on patience and understanding. Their instruments easily have the ability to crash the tranquil spirit, but their wisdom of how these sounds are unleashed is true testament to their alluring symphony. Stephen Flinn is the force behind…
White Wuff
"Public Eyesore has been releasing improvised and experimental music for over two decades and it never ceases to amaze me how interesting line ups Bryan who leads the label is coming up with. White Wuff is by any means no exception. When I read the liner notes I knew it is going to be a great musical adventure. Beautifully designed and released as a cd with 12 tracks that comprise different moods, travelling through genres. It's a pretty eclectic hybrid of various bits put into one mammoth of an…
Successful Utilization of Elements
"[...]Since each of the 19 pieces is a duo, Tungu gives his guests a chance to stretch out, often quietly, the combination often restrained yet mysterious. Starting out with experimental vocalist Sainko Namchylak, we hear her whispered voice surrounded by eerie electronics, subtle yet effective. It sounds like Tungu had each musician send him a short solo piece which he added to with acoustic bass, samples, field recordings or voice. Tungu obviously listened closely to add sounds which enhance w…
An Inscrutable Bodily Discomforting Thing
*Hand-numbered edition of 300. Digipak in resealable poly-bag*
Jacob Felix Heule - DrumsTeté Leguía - BassDanishta Rivero - Voice And ElectronicsMartín Escalante - Saxophone
Recorded, Mixed, And Mastered By Jacob Felix HeuleSeptember 18, 2021 In Oakland, CaliforniaArtwork By Teté LeguíaLayout By Gerrit Hatcher
Toxic Colour
This collection of pieces originates from environmental sounds recorded using 3D ambisonic microphones. The recordings have been deconstructed, processed, and composed into abstract musical journeys that no longer transport the listener to the original recording locations. Instead, they tell stories— partly of human-made dystopias and partly in search of a melancholic beauty in what the future may hold.“Natasha Barrett’s insightful attention to the spatial and durational character of real-world …
The Wind That Had Not Touched Land
Annie A, the one-off collaborative project between Félicia Atkinson, Time is Away, Christina Petrie and Maxine Funke, arrives on A Colourful Storm with an inquisitive, exploratory composition evoking questions of inconstancy and reconciliation, vastness and finitude and the sometimes cruel deception of human perception. Who will conduct our dreams if we never wake?
It is a geographically diverse yet like-minded ensemble whose seeds were sown during an A Colourful Storm show in London, where tim…
Aunes
Aunes is a rare solo album from peripatetic Australian cellist-composer-performer Judith Hamann, presenting six pieces recorded across several years and countries. Developing the collage techniques and expanded sound palettes heard on their previous releases, Aunes makes use of synthesizers, organ, voice and location recordings alongside the dazzlingly pure, enveloping tones of Hamann’s cello. The record takes its name from an old French unit of measurement for fabric, varying around the country…
Responses II
"We use the same method of what we did on Responses (Zappak, 2022): being in a place for a whole afternoon, but not playing together. We took turns on recording solo piece, and each session was a responses to the former one. Even the length was same with the former album (each one 7 minute).
Only one difference: on this time we played outside but last time we played in room. There were lots of limitations from the lack of alternation electric power (and also the hot temperature and mosquito). Bu…
Almost Something
‘Almost Something’ is the debut release of the long standing collaboration between artist/dj Laura Not and Andrew Hulme of O Yuki Conjugate. The two pieces cover a musical domesticism, developed around location recordings made in London and Berlin. The duo, known separately for their considered and attentive handling of collaged textures, rhythms and ambiences, offer up a sonic landscape where fugitive moments of creation meet the concrete sounds of everyday life. The unfamiliar is what sticks a…
Blue braki place along
New alias from Alexander Holm. A strangely private sounding document of humming voice, midi harp, feedback and ghostly field recordings. Truly unclassifiable music.
Spilledåse serenader
Strange and beautiful debut cassette from another great friend of the label. One hour of slowly dissolving Music box / tape Music. Ghostly melodies weaving in an out of each other until the tape runs out.
For Translucence
The debut album from Whitney Johnson & Lia Kohl has evolved over several years from their initial practice of free improvisation on viola and cello into (for the moment), this: a neophonic orchestral expression. At once stimulating and soothing, For Translucence is a living, breathing meditation in which layers of acoustic strings, synthesizers, field recordings, radio and sine waves illuminate each other as they twine and grow.
New World, Lonely Ride
Michael Grigoni and Pan•American present their first collaboration. The album’s title, New World, Lonely Ride, gestures toward its meditative orientation. The duo offers a series of reflections on the zeitgeist of our present moment, the spirit of our age: the isolation and loneliness that continues to echo in the wake of the pandemic; the fractures that mar our political discourse; the uncertainty that has stamped itself on the future of democracy. The vast geography of America and the absence …
Peace and Pleasure
*200 copies limited edition* In February 2019, multi-instrumentalists Maurizio Abate and Luca Venitucci crossed musical paths as part of an artist residency at Standards in Milan. Over those few days, their respective instruments engaged in a dialogue, shaping sounds and structures within the space that housed them. While working on the post-production of the recorded material, Abate and Venitucci enlisted the valuable and decisive collaboration of fellow like-minded musicians Roberto Laneri and…
New Relics II
*100 copies limited edition*
Savvas Metaxas played guitar & effectsRecorded between January-February 2024
Mastered by Giuseppe IelasiDesign & Artwork by Yorgos Vourlidas