We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
This tape is a weird one. We’re calling it a “covers album”, which in our fried brains it is, but you might disagree. When our first two gigs in 15 years landed on our calendar we wanted to do something unexpected, a ‘live one night only’ kind of thing. We're always improvising everything, but as OOP1 may (or may not) have demonstrated we usually go into our live sets with some kind of plan — a set of moves, themes, approaches, ideas, structures or feelings that we call “songs” but that probably…
Getting back to playing was a whole thing. Neither of us had been playing much music and weren't sure how we'd get back to it since we live pretty far apart and had opted in to playing shows. We always leaned on improvisation in our sets and our last few years were entirely improvisational, so we decided we'd create a few frameworks for playing our live gigs to give us something to lean on. In a sense, "songs" but VERRRRY loose. So here's a tape documenting two very different versions of one of …
Big Tip! Not to be confused with the In Camera who had a couple of post-PiL releases on 4AD in the 80s, this In Camera is the work of Christoph Heemann and Timo Van Luijk. Four years after they got Lost in Spice they reached the point of Arrival. An altar on the surface of the water is burning with flames. Behind it you can see a half of the Earth's globe, and on it there’s a bright throne. A pale, translucent ruler wearing a crown sits in the throne. The globe is surrounded by a ball of shadow…
Big Tip! Varder is a new LP-series dedicated to unearthing early Norwegian electronic music. When this new form of music began to spread in the 1950s, it required large studios with expensive equipment, and the outcome was often considered not commercial enough for record labels to venture into. But despite the meagre means, Norwegian composers threw themselves into new sonic adventures such as electroacoustics, musique concrète and computer music, travelling to studios in Norway, Sweden, Poland…
Big Tip! For over sixty years Maj Sønstevold (1917-1996) and Gunnar Sønstevold (1912-1991) were a driving force in the Norwegian music scene. The couple became famous for their sonic adventures into genres such as jazz, contemporary and screen music, writing some of the most well-known soundtracks and theme songs of their times. This 2LP focuses on the electronic experiments conducted by the two composers – ranging from drone music, electroacoustics, minimalism and improvised electronics – firml…
In the late 1980s two globetrotting Milanese composers joined forces to produce an acclaimed and prescient record made in equal parts from their own performances and ethnic field recordings, a little in the manner of Eno/Byrne's My Life in the Bush of Ghosts - but rather more evolved. This 30th anniversary release includes some early pieces, not already available on CD made this way but, mainly, features the entirety of their score for Theodore Carl Dreyer's legendary silent film, Vampyr - perfo…
"Guibog is French, born in the 70s. He used to work as a sound engineer in France, and was involved in organising outdoor electronic music events, often playing cat-and-mouse with the police. Later, he left that life and moved to China, settling in Beijing. He works as a programmer at Douban, living with his wife and three children in the hutongs of Beijing.
Many years ago, I visited him at his house, where I discovered his robot collection. He had collected the circuit boards from discarded …
Asmus Tietchens is a sound artist and composer from Hamburg, Germany. He got interested in Musique Concrete by listening to a German radio programme when he was 10 years old. In 1965, at the age of 18, Asmus started experimenting with tape loops and turned them into musical collages. Soon, the use of synthesizers was added. In 1980 his debut album Nachtstücke was released, produced by Peter Baumann of Tangerine Dream. This was soon followed by a series of albums of electronic pop music for the S…
During a 2010 stay in Stockholm, Sweden, Stefan Tcherepnin cold-called the Elektronmusikstudion (EMS) and began making frequent visits to the facility’s Serge Modular, the synthesizer system developed by his uncle. Tcherepnin secured a makeshift residency at the studio, and soon met Anders Enge, a musician and producer associated with the acid techno label Börft. For over a decade, the pair have collaboratively explored the instrument’s outer-limits in the hallowed studio where figures like Knut…
During a 2010 stay in Stockholm, Sweden, Stefan Tcherepnin cold-called the Elektronmusikstudion (EMS) and began making frequent visits to the facility’s Serge Modular, the synthesizer system developed by his uncle. Tcherepnin secured a makeshift residency at the studio, and soon met Anders Enge, a musician and producer associated with the acid techno label Börft. For over a decade, the pair have collaboratively explored the instrument’s outer-limits in the hallowed studio where figures like Knut…
During a 2010 stay in Stockholm, Sweden, Stefan Tcherepnin cold-called the Elektronmusikstudion (EMS) and began making frequent visits to the facility’s Serge Modular, the synthesizer system developed by his uncle. Tcherepnin secured a makeshift residency at the studio, and soon met Anders Enge, a musician and producer associated with the acid techno label Börft. For over a decade, the pair have collaboratively explored the instrument’s outer-limits in the hallowed studio where figures like Knut…
The unprecedented overlapping of sound layers that accommodate the happy melodies of Ermano Librasi's clarinet, between atmospheric intuitions and soft instrumental inlays, make this album a reflective and intense listen, colloquial and restless at the same time.
Rory Salter is a musician, artist and technician living in London. He has released albums under various projects with Alter, TakuRoku, Infant Tree, Teeth, MAL, Bison, Kashual Plastik and more. His music is formed through experimentations with acoustic & electronic instruments, faulty technologies, cassette tape, feedback and voice; motivated by a relationship to changing and chaotic environments, objects and walking.
Ecka Mordecai is a British artist based in London. Situated between sonic, perf…
*250 copies limited edition* Recital is honored to publish composer Allan Gilbert Balon’s first full-length LP. Born 1986 in Les Abymes on the island of Guadeloupe, Balon is an artist (exhibiting at MoMA PS1 in 2022) who publishes beautiful handmade books and audio on XYÄ Edition run with Uta Guan Hyë in Créteil, France where he now resides. The Magnesia Suite harbors an unhurried, coastal tranquility that flows lucidly as an album. Though prominently a pianist, a breadth of Balon’s musical sphe…
Silver & Black vinyl. Merzbild Schwet, the second album opus released in 1980, is considered one of Nurse With Wound's major releases, and is part of the famous "Silver Edition" on Rotorelief Records, with a luxurious chrome-plated cover in double Gatefold sleeves, and sumptuous 200g vinyl discs issued in 300 copies on silver and black vinyl, and 700 copies on black vinyl.
The first track, Futurismo, begins with clanking rhythms, record skip clicks, and horn riffs before veering off into a craz…
Sold out at source. Klara Lewis and Yuki Tsuji's collaboration builds on Tsuji's singular guitar playing and Lewis's resolutely explorative soundscapes. Salt Water is their debut album. Klara Lewis is a sound sculptor and loop finder. She has spent the last decade creating albums equally tender and brutal for Editions Mego as well as in collaborations with Nik Colk Void, Peder Mannerfelt and now Yuki Tsujii. Lewis has presented her audiovisual work at festivals such as Sonar, Mutek, Dark Mofo an…
eKPYrotic is an improvised music duo formed by Mirco Ballabene on double bass and electronics, and Massimiliano Furia on percussion. The electronics, created with MaxMsp, could be defined as the third element, because it guides the path of the musicians who, in turn, determine its breathing and dynamics in real time through a midi foot controller managed by Mirco. This organic, living electronics often becomes indistinguishable from the sounds generated by musicians, acoustic sounds which, throu…