Ombres onctueuses
*In process of stocking* New release by improvising synth master Jean-Marc Foussat, on this LP the pieces were recorded in Thoronet during the spring of 2022.
Cinq Chants d'Athènes
After studying composition at the Marseille Conservatory, Emmanuel Cremer, while writing for the theatre and the cinema, began improvising, notably alongside Barre Phillips, then Raymond Boni, with whom he recorded in 2003 ("Terronès, Suite andalouse", Blue Marge 1007 - with Foussat!), Joe McPhee, Jean-Marc Montera and other musicians from the region. In Athens in 2019, in the middle of the ancient ruins, but in fact in the studio, he recorded five solo pieces, five improvisations undoubtedly we…
Upe
Upe is the result of a composition commissioned by the Ensemble Contrechamps from the group Massicot for a joint event with the Ensemble Vide. The creative process involved a dialogue with the musicians of Contrechamps and a work of accompaniment and translation by Louis Schild. The trio shared the stage of the magnificent Arcoop building (built in 1959 by Honegger Frères) - a favourite venue for Ensemble Vide's projects - with fourteen string instruments.
The rain pounding on the corrugated roo…
Trem
Amgen presents Rhodri Davies's Trem.
Live at All Angels, St Michael and All Angels Church, West London.
Débordements
Soundscapes, drones, disruptive aberrations, textures and perplexingly absorbing interactions between French guitarist, graphic and sound artist Xavier Mussat and saxophonist Quentin Rollet, performing live at Instants Chavires, in Montreuil, France, in 2020, for eight diverse and unusual improvisations.
Then Through Now
Henry Dagg and Evan Parker improvised together for the first time as part of the Free Range series in Canterbury, Kent, on December 2, 2021. For the performance, Evan played soprano saxophone, and Henry developed a new electronic instrument called the Stage Cage, to both process Evan’s live sound as well as generate its own sounds. The Stage Cage includes four valve test-oscillators, a pair of ring modulators, frequency shifter, chromatic zither, and a variable tape delay system (consisting of t…
Purf
Super Tip! The musical world of Sonorhc is oriented to collective improvisation and the research of tones; they create a sound full of invention, rich technically, made by many differents instruments which incorporated judiciously elements from the rock music, free-jazz, acid-psych, concrete, ethnic and experimental making them as one of the most atypical French Underground group, and seems somewhere more closer to the German “krautrock” bands like Between, Agitation Free, Deuter, Limbus 3, Dzya…
The Sounds of VÖ
From the opening seconds it’s clear that the debut recording of the improvising sextet VÖ is not just another free improv session. The deeply meditative sounds may conjure disparate folk traditions from around the globe, whether Scandinavian fiddle tunes or the way Alex Zethson’s meandering pump organ evokes the exploratory harmonium lines in Pakistani qawwali music, but these associations are mostly coincidental. The ensemble members are devoted to improvised and experimental music mostly as an…
Look Like
*In process of stocking* Look Like is the first complete solo release from bassist and vocalist Kelsey Mines. A series of improvised solo-duets, Look Like explores how listening to our on-going internal dialogue helps us conjure honest, outward expressions.
Eternal Triangle
*In process of stocking* “Eternal Triangle was a dream come true: bringing together two of my favourite musicians in the whole world with me on the stage of AngelicA. Two musicians capable of encompassing both the most earthly and natural and the most rarefied and cosmic dimensions of sound, spontaneously and often seamlessly. Drawing from inspiration and life experience. We certainly didn’t know this performance was going to be Toshinori Kondo’s last one outside of Japan, and his last concert w…
Dandelion
Tip! *200 copies limited edition* “If the measure of freedom is measured by the resilience of an elastic band, they get close to the point where the rubber is about to snap, but it is exactly at that spot, where they recognise something and react to that with a refreshing lack of explicitness, that you can feel the result, and unfolded potential, of a shared intimacy.” - Guy Peters
Old Light
Tip! Surveying late 20th century underground music - sounds that largely emerged before the internet delivered the illusion of interconnectedness - the most noteworthy often sprang from second cities, small towns, and backwaters, rather than cultured metropolitan centres like New York, London, Paris, and Tokyo. Boredom, marginalisation, and relative isolation seem to have been essential, counterintuitive components to the becoming of great art. Nowhere was this more true than in NZ/Aotearoa, the…
Other Galaxies
"The great pianist Agusti Fernandez and I have had a strong musical connection and friendship for many years. We first worked together on a recording project led by the drummer Ramon Lopez in Valencia, Spain. After that we corresponded and eventually began our performances together during a residency of mine at The Stone in New York—the first of what is now, many other performances here and in Spain. We share many interests in music" - Joe Morris
La Reponse Est Aux Pieds
Recorded live -no overdubs- in Koto Tama Records Studio (Aug. - Oct. 2007). Packaged in a 'matchbook' style cover.
Systema Munditotius, Vol 1
NYC-based electroacoustic improvisation trio Bloodmist presents Arc, their third full length album.
Parasite
Tip! *2022 stock. 300 copies limited edition* Splitrec presents Parasite solo prepared guitar works by Rhys Mottley.
Submental
Tip! *2022 stock* 180º is a new group formed in August 2018 - Nick Ashwood acoustic guitar, Jim Denley bass flute, and Amanda Stewart voice and text. Amanda and Jim first met in the late 1980s, founding Machine for Making Sense in 1989, as well as performing numerous duos over the years — a long and fruitful association. They’ve always been interested in what their music instinct can learn from language and vice versa.
Nick is from the southern tip of Tasmania. Jim and Nick have been developing …
back, before
Tip! This fourth release by Great Waitress titled back, before was recorded before the pandemic and lockdowns in 2018, and has taken four years to get to production. A live set was beautifully recorded by Peter Farrar at the Annandale Creative Arts Centre in Sydney and mixed and mastered by Joe Talia.
In the elegant liner notes, Chris Abrahams writes of Great Waitress transcending “ ...the individual contributions of Mayas, Altman and Brooks. It's an identity made from a multi-dimensional count…
On the salt of a seaside
*Limited edition of 100 copies. In process of stocking*
Pierre Gerard : guitar _ improvisation
recorded & performed 2019
mastering : Giuseppe Ielasi
Hunter
*70 copies limited edition* Lurker Bias presents Hunterby Seth Andrew Davis and Evan Verploegh. Gold-foil cassettes with j-card.