Then Through Now
Henry Dagg and Evan Parker improvised together for the first time as part of the Free Range series in Canterbury, Kent, on December 2, 2021. For the performance, Evan played soprano saxophone, and Henry developed a new electronic instrument called the Stage Cage, to both process Evan’s live sound as well as generate its own sounds. The Stage Cage includes four valve test-oscillators, a pair of ring modulators, frequency shifter, chromatic zither, and a variable tape delay system (consisting of t…
Purf
Super Tip! The musical world of Sonorhc is oriented to collective improvisation and the research of tones; they create a sound full of invention, rich technically, made by many differents instruments which incorporated judiciously elements from the rock music, free-jazz, acid-psych, concrete, ethnic and experimental making them as one of the most atypical French Underground group, and seems somewhere more closer to the German “krautrock” bands like Between, Agitation Free, Deuter, Limbus 3, Dzya…
The Sounds of VÖ
From the opening seconds it’s clear that the debut recording of the improvising sextet VÖ is not just another free improv session. The deeply meditative sounds may conjure disparate folk traditions from around the globe, whether Scandinavian fiddle tunes or the way Alex Zethson’s meandering pump organ evokes the exploratory harmonium lines in Pakistani qawwali music, but these associations are mostly coincidental. The ensemble members are devoted to improvised and experimental music mostly as an…
Look Like
*In process of stocking* Look Like is the first complete solo release from bassist and vocalist Kelsey Mines. A series of improvised solo-duets, Look Like explores how listening to our on-going internal dialogue helps us conjure honest, outward expressions.
Eternal Triangle
*In process of stocking* “Eternal Triangle was a dream come true: bringing together two of my favourite musicians in the whole world with me on the stage of AngelicA. Two musicians capable of encompassing both the most earthly and natural and the most rarefied and cosmic dimensions of sound, spontaneously and often seamlessly. Drawing from inspiration and life experience. We certainly didn’t know this performance was going to be Toshinori Kondo’s last one outside of Japan, and his last concert w…
Dandelion
Tip! *200 copies limited edition* “If the measure of freedom is measured by the resilience of an elastic band, they get close to the point where the rubber is about to snap, but it is exactly at that spot, where they recognise something and react to that with a refreshing lack of explicitness, that you can feel the result, and unfolded potential, of a shared intimacy.” - Guy Peters
Old Light
Tip! Surveying late 20th century underground music - sounds that largely emerged before the internet delivered the illusion of interconnectedness - the most noteworthy often sprang from second cities, small towns, and backwaters, rather than cultured metropolitan centres like New York, London, Paris, and Tokyo. Boredom, marginalisation, and relative isolation seem to have been essential, counterintuitive components to the becoming of great art. Nowhere was this more true than in NZ/Aotearoa, the…
Otomo Yoshihide Live in Shenzhen
Over the years, Otomo’s music has spanned across Free Jazz, Noise, Free Improvisation, Sound Art, popular music, film scores, and compositions for large amateur ensembles. Carrying the lineage of the Japanese Free Jazz movement that developed in the 1960’s, Otomo has exploited the sonic possibilities of both the electric guitar and turntable. He is one of the key figures who defined a now internationally recognized genre of Japanoise. His band Ground Zero, which was active throughout the 1990’s,…
Other Galaxies
"The great pianist Agusti Fernandez and I have had a strong musical connection and friendship for many years. We first worked together on a recording project led by the drummer Ramon Lopez in Valencia, Spain. After that we corresponded and eventually began our performances together during a residency of mine at The Stone in New York—the first of what is now, many other performances here and in Spain. We share many interests in music" - Joe Morris
La Reponse Est Aux Pieds
Recorded live -no overdubs- in Koto Tama Records Studio (Aug. - Oct. 2007). Packaged in a 'matchbook' style cover.
Systema Munditotius, Vol 1
NYC-based electroacoustic improvisation trio Bloodmist presents Arc, their third full length album.
Parasite
Tip! *2022 stock. 300 copies limited edition* Splitrec presents Parasite solo prepared guitar works by Rhys Mottley.
Submental
Tip! *2022 stock* 180º is a new group formed in August 2018 - Nick Ashwood acoustic guitar, Jim Denley bass flute, and Amanda Stewart voice and text. Amanda and Jim first met in the late 1980s, founding Machine for Making Sense in 1989, as well as performing numerous duos over the years — a long and fruitful association. They’ve always been interested in what their music instinct can learn from language and vice versa.
Nick is from the southern tip of Tasmania. Jim and Nick have been developing …
back, before
Tip! This fourth release by Great Waitress titled back, before was recorded before the pandemic and lockdowns in 2018, and has taken four years to get to production. A live set was beautifully recorded by Peter Farrar at the Annandale Creative Arts Centre in Sydney and mixed and mastered by Joe Talia.
In the elegant liner notes, Chris Abrahams writes of Great Waitress transcending “ ...the individual contributions of Mayas, Altman and Brooks. It's an identity made from a multi-dimensional count…
On the salt of a seaside
*Limited edition of 100 copies. In process of stocking*
Pierre Gerard : guitar _ improvisation
recorded & performed 2019
mastering : Giuseppe Ielasi
Hunter
*70 copies limited edition* Lurker Bias presents Hunterby Seth Andrew Davis and Evan Verploegh. Gold-foil cassettes with j-card.
Lazarus Species
*33 copies limited edition* Lurker Bias presents Lazarus Species by Wail Watchers.
First Blush
First Blush is the first album by a wild improv trio formed by Argentinian musician Javier Areal Vélez (guitar), and New Yorkers Kevin Murray (drums) and Chris Pitsiokos (alto sax). This is a joint release, coming on CD and digital as the first album of brand new label 1039 Records (NYC) and on cassette by Lurker Bias (Chicago). This live document of the three musicians' only recording session so far proves to be hellish 20' drive down a terrible road, with all the windows locked up. Within the …
Onomat
*43 copies limited edition* 'On his first solo album 'Onomat', Bill Harris, from Pittsburgh, who lives in Chicago, who is also the founder of the collective Amalgam, limits himself to his drum kit, microphones and amplification, producing a collection of striking sound sculptures. A good example where this approach leads is 'Mangosteen', in which the percussion movements are creatively distorted into an alienating stream of gritty sounds. We also find it in pieces like 'Razbliuto', only here it …
Visions of Krychlic
Edition of 70 copies. We are back with good old fashion live recording of two jingling guitars, just the way you like it. Two long tracks, some jokes in the middle and long loooong applause at the end, of course, because this show was so good, that it just had to be transferred onto tape. This recording is a perfect showcase of Arn's and Bogner's (aka Margaret Unknown) artistic versatility. On this eerie two acoustic guitar bonanza, they are giving a big nod to Derek Bailey with their mind boggl…