We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Tepih unites Samo Kutin, Gaudenz Badrutt, Tomaž Grom, and Jonas Kocher — four musicians bound by years of collaboration within the Šalter Ensemble, a fertile meeting ground for Swiss and Slovene experimental music. Their debut album Šablona presents a music of layered coexistence: sonic found objects, fractured melodies, irregular pulses, and shimmering electronic textures inter twine. Rather than striving for unison, these contrasting elements evolve in parallel, responding to one another in a …
Jonas Kocher returns to solo work with Archipelago, his third solo album, following Solo (2011) and Materials (2009). Across seven improvised pieces, Kocher explores the tension between control and unpredictability, between the organic and the mechanical. The result is a captivating music where precision meet raw physicality, and where each moment unfolds with striking immediacy. Rich in contrasts and textures, Archipelago navigates through resonant chords, fragmented melodies, sharp attacks, ha…
*300 coipies limited edition* This very special and wonderful solo performance by Oxford based Pat Thomas was recorded in Dublin during the first ever Reception Weekend event at the Complex. The piano Pat was playing had been very unique as it had copper plating on the interior giving the piano and strange and magical resonance. Nyahh Records is very grateful and excited to be able to share this performance with the world and to have Pat Thomas added to our list of artists.
Pat Thomas (b1960) s…
Sonde is a group of Montreal electroacoustic composers and performers. Their compositions were generally conceived for live performance on original sound sculptures. Through meditative improvisation, the group’s aim was to produce new music with sounds revealed by electroacoustic amplification and transformation.
Very active from 1976 to 1986, the members of the group included Andrew Culver, Charles de Mestral, Pierre Dostie, Chris Howard, Robin Minard, Michael O’Neill and Linda Pavelka. Since t…
*2025 stock* ET\OU arose from the convergence of two giants of current Canadian music: Martin Tétreault, a dazzling turntablist of international renown; and Michel Langevin, the famed drummer of the legendary progressive metal band, Voivod. For this promising duo’s first LP and CD, Oral and Minute have teamed up to introduce this unique partnership to all lovers of thundering sounds and electrifying performances. The intensity of their studio compositions and wide-open dialogues are unique and u…
*2025 stock* This CD is the re-edition of an LP made by Music Gallery Editions in 1978. It is (still) dedicated to the composer Mario Bertoncini who was the band main inspiration at the start for Sonde, a Quebec band active from 1976 to 1986. For most of the tracks in this recording the band was Andrew Culver, Keith Daniel, Charles de Mestral, Pierre Dostie, Chris Howard and Linda Pavelka. The notes on the back of the original cover mentioned: 'Live concert improvisations. Some of the pieces are…
Composer, harpist, improviser, and educator Zeena Parkins has been a mainstay of the Downtown scene since 1984, performing with Fred Frith, John Zorn, Bjork, Ikue Mori, Yoko Ono, Pauline Oliveros, and countless others. Her newest project, years in the making, pays tribute to the fearless American visual artist Jay DeFeo. Zeena captures DeFeo’s bold experimentalism and love of beauty with a lush, exotic extended work for harp and percussion. Performing with her on a unique instrument built by leg…
For more than fifteen years, Toc – the Lille-based trio of Jérémie Ternoy (Fender Rhodes, Piano Bass), Ivann Cruz (guitar) and Peter Orins (drums) – has been pursuing a singular sonic quest where the energies of experimental rock, the unpredictability of improvised music, and a constant drive toward excess converge. On stage as on record, Toc invents a telluric and ever-shifting music, built from flows, ruptures, and accumulations, where hypnosis and chaos feed off one another.
For this new albu…
‘Learning’ - Sophie Agnel’s first solo LP, feels like the dark, physical inversion of her excellent ‘Song’ which came out on Relative Pitch earlier this year. Sinking her unique sound into vinyl for the first time, the LP arrives as Agnel recovers from a brain tumour - a shocking discovery that will require Agnel to start again with the piano. It’s a terrifying prospect, but Agnel has been here before, having reorientated herself almost entirely away from her early classical training over the la…
“The body’s relation to the social is inseparable from, and of the same relation to the world, not a relation of objectification but a carnal intertwining prior to any reflective judgement.” -Rosalyn Diprose
Conversation No. 1/ Collecting Rocks from the Places We’ve Been is a solo for bass clarinet which can be performed as a duo, trio, or maybe someday with many, many bass clarinets, or in collaboration with other artists. Katie Porter is interested in creating systems of music that she can exist in together, for herself and others, music that collapses and expands on itself, where we are free to choose the phrases, iterations, and lean into the occurrences of overlapping tones, vibrations, multi-…
"In late 2022 I became a father and lost my own father in quick succession. This music represents a conversation between my selves who met at that nexus of birth and death, sharing what they felt about the past, the present, and the future. The pieces are very intentionally set in different seasons and sonic environments so as to welcome the listener to this metaphysical meeting point for musical ideas and emotions."
"I had the privilege of meeting Wadada Leo Smith after a show, ‘Everyone thinks the trumpet is made out of brass — it’s really made out of air.' This recording is my exploration of that concept."
I recorded Open Space with in a single continuous take: my cello, an amp, and a distortion pedal. I was watching a film that was a static shot across a very large canyon, the light slowly shifting. I hope it offers the listener room to breathe and dream.
See You When I Get There is Amy Cimini’s first solo viola album. While playing in noise bands and experimental projects for over 25 years, she has developed a sonic palette for the amplified viola that combines overtone-rich distortion with percussive techniques nestled in reverb and delay effects meant to fill large acoustical spaces. Overall, this record embraces noise abstraction as much as a tuneful directness, that evokes Cimini’s fellow experimental string players, historical protest musi…
On their debut release, Foster shifts fluidly between tongue slaps, overblown tones, and powerful tenor saxophone screams, while Crawford alternates between non-idiomatic splatter, frenzied banjo maneuvers, and dense, elusive bursts of tangled noise. Meanwhile, Sullivan crafts a metallic clatter that establishes its own expansive sonic territory.
*97 copies limited edition* Free immersion is a practice that consists of freediving as low as possible and then climbing back up by gripping the rope that serves as a guide. No help, no artifice, everything happens with the strength of the arms. The fall into the depths is dizzying and the feeling of freedom, total.
4+1 pieces of double bass played with a bow, without artifice, recorded almost in one go. This record is deliberately abrasive without being aggressive, and reserves surprises of so…