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2017 release ** "GUO is the duo of guitarist and singer Daniel Blumberg (Hebronix, The Howling Hex) and saxophonist Seymour Wright. Both use heavy distortion and extreme amplification which is later processed and manipulated with metal cassettes to create a multi-layered, lacquered object of sinister, fizzing, metallic beauty. GUO1 with text by David Toop, was the beginning of an on-going series of releases that include etchings made by the duo and a piece of ekphrasis from a creative writer res…
*30 copies limited edition* This double disc project originated with Evan’s recordings, which comprise the first disc. Evan’s original recordings June 26, and June 27 were made at home in one take, an improvisation with feedback, instruments, and interior environment. The following disc “Ponder with Strong Hands” and “Silo No Jazz” include Evan’s original recordings re-amplified by John Collins McCormick.
"In service to the microphone in the room and the simultaneous ability to forget about the …
This recording was made June 3, 2023 near Kingston New York while standing in the Stony Kill. In part one, John and Evan improvise with and against each other and nature. The raging water is a dynamic barrier at once the audible center and distracting noise. Part two showcases audio’s ability to fool the senses, by slowing the playback speed we can challenge the figure/ground relationship.
"If there is a need for constant sound I like a creek. They are reliable, if rain-dependent. Of making soun…
Although Berlin-based musical seekers Jules Reidy and Sam Dunscombe are friends who’ve worked together in numerous contexts over the last decade or so, Edge Games is their first, long overdue collaborative album. Over two expansive, mind-bending excursions the former’s microtonal guitar lines are woven into a gorgeously unstable mass of synthesis, field recordings, and clarinet produced by the latter, but it’s important to note that the recording process was deeply collaborative, with a rigorous…
2012 release ** "Laura Cannell and Rhodri Davies create a rich and minimalist sound, combining chords and drones on recorders and harps oscillating with different tones and harmonics. It is inspired by fragments of English renaissance music and Laura's native Norfolk landscape. The two performers only met twice before they felt that there could be a common ground to explore and the result has produced an exciting new collaborative duo. Feathered Swing Of The Raven is a collection of improvisatio…
2009 release ** "SLW is a multinational group that can claim to include in its ranks some of the most respected voices in today’s improvisation community. The four musicians have worked together on occasions since their first meeting in October 2006 and presented their debut eponymous recording through formed records in early 2008. Fifteen point nine grams picks up from where that album left off, introducing even greater dynamic tension to their ever-tranquil field of sound. Recorded live at the…
"Chicago-based composer, improviser, multi-media artist and underground legend, Rob Mazurek, joins forces with modular-synth maestro and light magician, Alberto Novello for a blacklight invocation that hurls us out into new and uncharted sound-dimensions.
Born of a chance encounter, Alberto Novello and Rob Mazurek's improvised collaboration, Sun Eaters, was recorded in a single afternoon at Dobialab, an experimental artist run space in Northern Italy. Alberto provided a loose rythmic and timbral…
Leaping from a twig, a spider lays a strand of silk in the open air. Intuitively, it traces a design, reactive to its environment but guided by something deeper. As it works towards the center, something resembling a home emerges, intricate in its design and inevitably imperfect. The web comes to represent the creature’s creative response to the world and its needs within it. Artmaking and music- making emerge from a similar nerve: through the impulsive drive to create a space for one’s self, cr…
*2025 stock* We’re beyond thrilled to present ükya, the first band ever on our label which does not feature any member from Nakama! Ah, how we delight in the smell, taste and – not least – sounds of fresh blood! Jokes aside – we still consider them family, as two of them have attended The Nacademy in the past. ükya (always written with a small ü) is an up and coming Norwegian trio playing music in the field of improvised and open form music. Dangerous as individuals, lethal as a band!
We Come fo…
*100 copies limited edition* "Composer and percussionist Sarah Hennies and composer and bassist Tristan Kasten-Krause make music rooted in observation. Timbres across percussion and string instruments gradually meld into one; pitches gently float into consonance after bristling in dissonance. With The Quiet Sun, their debut duo album, the two musicians present two pieces that survey their nuanced approach to sound as it grows over time. The album, recorded at Issue Project Room, presents two wor…
*2025 stock* "Hanging by a Fan Over Wet Cement is the music of listening after listening, when water runs relative to the sound of your own footsteps, and you lean over the resonating chamber of a trashcan like it’s a campfire, then fill it with wheezy laughter. Only, the steel mesh of Hair Clinic/Max Nordile’s field microphone is all mangled and bludgeoned, and the field extends into his home garage. The same contact-foraging quality of attention goes into the beginner’s brain improvisations, w…
*350 copies limited edition* An’archives are proud to announce the release of the debut album by Tête de Chou, the trio of Mark Anderson, Kurumi Kido, and Arlo Wynks. Some may know Anderson for his membership of Greymouth, 番長Taste, Mysteries Of Love, and Suishou No Fune; Kido and Wynks have more personal, sporadic musical histories, which informs the intimacy and gently exploratory nature of the eight pieces contained here. The trio’s movements seem spontaneous and open-ended, which makes sense …
*100 copies limited edition* ⎤⎤⎤, the duo of Chantal Michelle and Grace Villamil, are interested in what they term "sound obliteration"—a paradoxical process that, in their hands, reveals teeming masses of sonic detail. The pair works in a variety of modes, including composition, installation, and performance. Live at Opus 40 begins with machinic drones that expand and dissolve into the warm, open-air environment where it was recorded, initially anchored by the site's rock formations. The piece …
*300 copies limited edition* Bertrand Gauguet, alto and baritone saxophones.Jean-Luc Petit, contrabass clarinet and sopranino saxophone.Recorded and mastered by Pierre-Henry Thiebaut22 and 23 June 2024 - Chapelle Saint Martin, Bignac (Fr)Photography - cover: B.G.Photography - inside page: Claude MesnardWarm thanks to Philippe Levreaud and Anne MaillouJean-Luc Petit and Bertrand Gauguet are members of the UN.
2008 release ** "Although this collaboration between Italian psych-pop band Jennifer Gentle and mercurial, collabo-prone Acid Mothers Temple guitarist Kawabata Makoto sounds pretty much like you’d expect, the The Wrong Cage can’t quite be reduced to the sum of its parts. It can be a rich, rewarding document for listeners on either side of the pop/free psych divide represented by the two groups. Separating Makoto’s and Marco Fasolo’s guitar (the latter being the sole JG member to carry over into …
"Then I heard the clear voice of the flute" is the 10th solo album by Ido Bukelman. In the last ten years, all of Bukelman's albums have been recorded live, during his solo tours in Europe, and this album is his first studio album since 2014. The new album consists of improvised pieces for bowed banjo and acoustic guitar, but includes one vocal piece with lyrics, as well as one old folk song "The Flute" - a debut expression of Bukelman's many years of exploring into folk music from the Middle Ea…
1991 release ** "Based in Munich. Originally formed as an experimental music group in 1968 by Michael Kopfermann, its activities became morefold later on, most notably through the formation of the "PHREN-Theatergruppe" (PHREN theatre group). The name PHREN appeared in the mid-1970s, the earlier name was "Gruppe für Experimentelle Musik Michael Kopfermann" (Group for Experimental Music Michael Kopfermann)."
2009 release ** "Hacking away on a homemade system and twisted electronic tools, eRikm and Noetinger gleefully activate levers, tactile screens and joysticks with the utmost concentration. Doneda makes the air shake with acoustic vibrations. Together, they give free rein to their audio tricks, buzzing, interference, constructive feedback, electro-shocks, concrete slipping, hazed quotes, white noise, saturations and incisive scratches."