Schickreich
*150 copies limited edition* Jabbering people, a dry bassline, nagging punks, the bassline again, a dry cough, the U-1 passes by a guitar starts weeping: welcome to Schickreich, a rare recording of a super group that cut short into a duo. Comprised of bass, hurdy gurdy, Jew’s harp player, DJ, Intermedia-artist Udo Erdenreich, and Berlin’s cosmic kraut legend Günter Schickert. They were bandmates in Ziguri and played since the late 1980s off and on as Schickreich. Marmo now brings to life an albu…
Sort of
*Limited edition of 500 copies.* In 1972, the left-wing intellectual film critic Uwe Nettelbeck suggested to Anthony Moore that he should write some (relatively speaking) straight songs. He took up the challenge, inviting his old school friend Peter Blegvad over to Hamburg to form the band Slapp Happy. They were joined for a session in Wümme by the young singer Dagmar Krause and Faust as their rhythm section; the recording became the album Sort Of. After getting the band back together for reunio…
Cosmic Century
Reissue of the third album by the German band Wallenstein, originally released in 1973. Recorded at the Dierks Studios by Dieter Dierks, the group consisted of bandleader Jürgen Dollase, Harald Grosskopf (drums), Dieter Meier (bass), Bill Barone (guitar), and Joachim Reiser (violin). In 2022 the original analog masters were newly remastered. An elaborate work, which has led to a very good result.
Twilight Furl
"We must show social conditions, not just songs." a wise music ethnologist once said. But how to transport environments into song sonics? The enigmatic duo Greymouth found a creative answer and sent their conceptions to Berlin Neukölln, right at the steps of the bustling Kashual Plastik office, where an unclear corpus of operative's fashion new sounding crypto currencies 24/7. Four tranquilized speed ballads waxed on 7inch vinyl, carrying drunken melodies, kraut-intoxicated grooves, and outlandi…
Reed Whistle And Sticks
LP version. This highly experimental work represents some early sound collages from this quirky British composer. Affiliated with the avant rock group Henry Cow, Anthony Moore's works are highly regarded in the experimental music scene thanks to his Flying Doesn't Help album from 1978, a cult masterpiece of avant rock which enjoyed a much higher profile in the underground than his debut. This could be attested to the abstract nature of this recording, which explored tape-loop repetitions that bu…
Vanity Sample
Founded in 1978 by Rock Magazine editor-in-chief Yuzuru Agi, Vanity Records captured the cutting-edge musical trends of its time, including new bands working with post-punk values, alternative approaches by musicians who had been in bands, and electronic and industrial music as the cutting edge of the times. Vanity Records is said to be one of the first independent labels in Japan, and is an indispensable part of the independent/indie music scene in Japan from the late 70s to the early 80s. The …
Heute
Vomit Heat and International Music are artistic relatives. Both come from the Ruhr area in Germany, both love psychedelic rock music and at the same time are also involved in avant-garde projects. Heute is something like a concept single, a multi-layered journey full of hints, references and danceable psychedelia. The title track is taken from the upcoming Vomit Heat album Second Skin, to be released spring 2022.
Punkt
After the overwhelming success of last years 1971-74 box set release, containing the first four studio albums and for the first time ever this lost ‘last’ album recording, ‘Punkt’ gets a deserved and necessary stand alone release to the relief of fans and collectors and the undoubted future gratification of those yet to experience the magic in these recordings. 'While working on the “lost” album which the band recorded in Munich, it became clear that I was listening to the last ever made recordi…
Bajas Fresh
Over seven tracks that span 80 minutes, the expansive, looping, shifting synths and rhythms of Bajas Fresh mark the trio’s most diverse and ambitious record.
An Oblique Reference To Zeros
A budget-priced collection of tracks by artists who've had releases out on Fourth Dimension Records or whose music has entered the label's orbit and made a good impression. In an ideal world there'd be at least several albums by all concerned on Fourth Dimension Records, but the label operates from more or less the same dingy old basement it always has and subsequently has to limp along in usual fashion. It is precisely because of this that 'An Oblique Reference to Zeros' has been assembled. The…
Out Of Standard !! France 4
*Limited edition 100 copies* 4th compilation of French unconventional projects on Out of Standard!!, ADN side label. Mastered by Ruggero Tajé. Dedicated to Chris Marker.
Issue 77: Can. Inside the Krautrock Kaleidoscope (Magazine)
We're heading for the dark side of the krautrock kaleidoscope with this month's Electronic Sound cover stars, the inimitable Can. Prompted by the release of 'Live In Stuttgart 1975', the first in a series of archive Can gig recordings, we speak to Irmin Schmidt about the band he created with Michael Karoli, Holger Czukay and Jaki Liebezeit towards the end of the 1960s. As we try to deconstruct their wholly unique brand of sonic voodoo, Schmidt reveals the inner workings of Can, together with his…
Goud
Nicola Giunta and Gioele Valenti (the musicians creating the Lay Llamas dimension) seem to communicate from a different solar system their ecstatic gaze towards an imaginary future world. They rely mainly on a narrative tone of mysterious and spectral dark-psych shades, digging abyss of glacial depht of the self, where light filters through lysergic languors and radiant progressions of luminous dust. Oneiric voices refer to the hybrid chaos of a metropolitan jungle, as a hypnotic and psychic di…
Time Flies When You Are Having Fun
The Dictaphone is the solo project of Jérémie Morin. back after 3 years of recording hiatus, the French DIY synth artist delivers another fine album of electronic drone and abstraction.
How To Improve Your Relaxing LP
Experimental DIY synth krautrock noise, polyrhythmic contemporary post-punk from France.
The Cock
Frigidaire Tango's The Cock was released in 1982 on Young Records. At that point their earlier primitive punk influence had merged with different influences, namely krautrock and glam, as well as a hint of prog rock, which resulted in a brand new sound, very personal and sought-after even in the new wave era. In September 2010, The Cock was listed by the french magazine Tsugi as one of the most underrated 100 records in the history of contemporary rock.
Oh Temple!
*300 copies limited edtion* University Challenged are Ajay Saggar ("Bhajan Bhoy"), Oli Heffernan ("Ivan The Tolerable"), and Kohhei Matsuda ("Bo Ningen"). The trio began in 2019, playing shows in Holland, where they gained a reputation for delivering highly dynamic sense-rattling shows, ranging from gentle melodic orchestral spinouts to epic power jams, all backed by beautiful self-made films in the background. The plan had always been to record an album, and get the collective musical force and…
Live At Tusk Festival
* Edition of 500 * French psych-experimental-rock genius Richard Pinhas in collaboration with Sax Ruins drummer, Tatsuya Yoshida, and saxophonist, Ryoko Ono. Recorded live at Tusk Festival, at Gateshead Old Town Hall, on October 10, 2015. Richard Pinhas, the founder of '70s legends Heldon, is one of France's best known experimental musicians and is a key figure in development of rock music fusing with electronic music. Yoshida Tatsuya is one of the most innovative musicians of the Japanese exper…
Vibrating Cloud
Over 5 Decades Sand is a timeless narrative machine full of pictures and scenarios, each title a unique piece that stands alone. The vibrating cloud floats powerfully across the vast expanses of sand, telling stories of confusion and aberration, rape of the planet, of the tenderness, hidden power and fragility of existence, the voracious digital demons, the loss of innocence in a surreal drama we call: World.
Emotion/Repetition
wildly-underrated Italian album from 2008, it lies somewhere twixt kraut-rock and Terry Riley's Rainbow in Curved Air. One could mention here Eroc Dolphy and Delia Derbyshire to lend avantgarde kudos...